I'll never get over the fucking tunnel of love scene, it's just the best fucking scene I love it so much
first of all, it follows the objectively amazing scene between Homura and Sayaka
the song "Dream World" begins to play as the Clara Dolls chant "fort, da, fort, da" in the background, the meaning of this I'm too lazy to explain, and if you don't know why the words "fort" and "da" are important to Rebellion, just look it up, there are better explanations than I can give. What's important is that these words relate to Homura and Madoka, the Clara Dolls are an extension of Homura, and thus Homura is presumably thinking about Madoka
as we see Sayaka's cape flying away from their confrontation, Homura begins a monologue
we see Clara Dolls dancing on a pink spool, representative of Madoka (if you don't know why, once again, I request that you look up "fort da Madoka") so once more an indication of where Homura's thoughts currently are
we see two swans, generally a symbol of love (fun fact, because of this one scene the moment I see swans I instantly think of Madoka Magica)
we see Homura standing on the front of of the boat, one of her familiars standing in the boat, not doing anything notable, I bring this up to come back to it later, also it's just a good shot
the world shifts as Homura moves through it, remember, this is essentially her dream, the things that appear are from Homura's mind
we see a paper Kyoko standing on an arch asking us if we're enjoying the movie (thank you for asking Kyoko :) Indeed I am)
a tunnel rises from the ocean
Kyoko says this, displaying essentially the ideal life for Kyoko, her relationship with Mami is never soured, and they're still friends, and they're just doing good stuff, none of the darkness that exists in reality
we see Homura's annoyed, perhaps somewhat conflicted even, face
we enter the tunnel, and it's clearly meant to be a tunnel of love, remember, the things in this world are created from her thoughts, there is a reason for a tunnel of love being here and it has to do with Homura's thoughts, EVERYTHING in this tunnel is from Homura's mind, it existing, everything in it, and where it leads, are from HER thoughts, keep that fact in mind
Mami just outright states that everything is ideal
beautiful shot, nothing else to say
Sayaka outright asks if this is so bad. She has a very goofy face because Homura is annoyed with her, I love this detail "YOU'RE TOO LATE SAYAKA I'VE ALREADY DEPICTED YOU AS THE SOYJACK!"
Homura accidentally criticizing herself, however, once again, EVERYTHING HERE IS HOMURA, this is an argument with herself, she's not disagreeing with paper Sayaka, paper Mami, and paper Kyoko, because they don't exist, they're HER, everything they say are HER thoughts, SHE thinks that this is the ideal world, deep down she wants to stay here, and she hates herself for it, viewing it as weakness.
we cut to Homura kneeling beneath goddess Madoka, Homura views Madoka as a goddess, not just in a descriptive sense, but a prescriptive one. In her eyes Madoka is a perfect being deserving of reverence, her love for Madoka is yes, romantic, but also has undeniably religious elements to it
Homura reaching up towards the statue of goddess Madoka as she talks about her sacrifice, it's just, VERY religious, she's over here like "Madoka died for your despair, accept her into your heart as your lord and savior" and it's like, Homura, this is a really unhealthy way to view your crush
this flashes on screen "who is dreaming?" the reason these runes pop on screen at this point is because it's important to this scene specifically, Homura is essentially denouncing whoever is guilty of being, for lack of a better word, a sinner, so these runes prompt the question of who the "sinner" is, and of course, it is Homura
we see little paper cutouts of people drowning, presumably the people who should be being saved right now but aren't
Homura caresses Madoka's legs very heterosexually, I will come back to this later
the Clara Dolls throw tomatoes at the statue and Homura while saying "god is dead" in German, this most obviously signifies the blasphemy of the sinner who created this world (Homura) it's also a Nietzsche quote (Nietzsche and Rebellion is a whole nother conversation though)
it's also worth pointing out that the Clara Dolls's antagonism towards Homura is likely symbolic of bullying, which considering the way Moemura acts, is almost definitely something she went through
remember that everything here is from Homura's mind, that tunnel of love didn't even exist a moment ago, it was created by Homura's mind, that includes where it led, Homura's mind created a tunnel of love while thinking about Madoka that led her to Madoka
Madoka jumps down and lands on Homura, she doesn't emote much, but we know for a fact that this caused A LOT of emotions in her. Remember that familiar I pointed out that wasn't doing much? Well once again, everything in here is part of Homura, representing a part of her mind
as Madoka sits up, we see the familiar excitedly dancing with sparklers, because well, gay
as I said I wanted to come back to the statue's legs later, this is why. Where Homura touched it is marked in inky black. Her devotion to Madoka, her love for her, represented by the caressing of her legs, has only dirtied the statue. She views her love as a dirtying force. And for a lesbian that canonically went to Catholic school, views herself as a demon, and her crush as a pure perfect goddess, that certainly has implications, internalized homophobia is only one possible reading of this scene, but it's the one I choose to go with.
that's the end, I hope you enjoyed!