“Cas by the Lake”
Watercolour on Paper
A painting inspired by the place where Jack was born AND the meadow where Castiel’s ashes were scattered. I like to think Cas would love to bask in the sun here.
(click for better quality)
i don't do bad sauce passes

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NASA

if i look back, i am lost
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JBB: An Artblog!
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we're not kids anymore.

Love Begins
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@butterflywithwritersblock
“Cas by the Lake”
Watercolour on Paper
A painting inspired by the place where Jack was born AND the meadow where Castiel’s ashes were scattered. I like to think Cas would love to bask in the sun here.
(click for better quality)
heartstopper forever
july 17 ❤️
heartstopper forever trailer tomorrow ❤️
Patron Saints of One Way Trips
peach and me better not betray the sincerity with which peach loves EVERY part of thee. cause i know it would be so easy to lean into side-eyes and a ton of banter, which i do enjoy generally speaking, but it is NOTTTTT them. and that's one of my favourite things about them. peach does not mock thee, he does not find joy in making fun of his weirdness or rolling his eyes at his silliness, that's not their dynamic, and you better keep it that way. or else 🔪
this is also about the importance of remembering where your characters ENDED UP and not forgetting any of the changes they have gone through from the first episode. because yes, initially peach could be confused and surprised by thee's antics, so there are a couple of moments in the earlier episodes where he can't help but chuckle or side eye him. on the other end, thee's antics at the beginning of me and thee were on occasion particularly excessive or simply specifically unpleasant for peach. but that is NOT the state of them or their dynamic by the end of the series.
peach is deeply endeared by everything thee says and does by the middle of the series at the latest: he is so gone by the time the iconic "you are running away from me" scene happens, he is stares at thee with heart eyes, while thee monologues about calling on the help of his dead ancestors in heaven AND in hell so peach could never escape him. meanwhile, thee has thoroughly been trained and is the most obedient puppy, who knows exactly where peach's boundaries lie and would rather jump off the top of his office building than ever cross them.
there is nothing but sincere love and adoration of EVERY part of each other in BOTH of them, that is so CENTRAL to theepeach, do NOT mess with that.
Thee being Peach’s bisexual awakening means more to me than you could possibly know. Imagine living your whole life thinking you’re straight and then Thee—Thee—is what does it for you.
PONDPHUWIN RENDEZVOUS FANCON - DAY THREE
Peach is for the people who have spent their whole lives being told they are too much and somehow never enough at the same time. Too quiet, too reserved, too set in their ways, too difficult to understand. Peach is for those who cling to routine because it is safe, because it is familiar, because in a world that asks them to be louder and brighter, peace feels like survival rather than a luxury.
Peach is for the introverts. For the ones who don’t fight to be seen, who don’t need to fill the room with noise to prove they exist. For those who are most comfortable on the edges, being the peaceful observer, watching carefully, loving quietly, carrying entire worlds inside them without ever needing applause.
Peach is for the realists rather than the dreamers. For the people who learned early that hope should be steady, not loud. Who trust what is tangible and honest, who show love through presence and consistency instead of grand promises that may never come true.
And Peach is for the people who value their space, emotional, mental, and physical, not because they don’t care, but because they care deeply. Because they know how easily they can be overwhelmed, how much of themselves they give away when they don’t protect that softness. Peach is for the ones who choose gentleness, even when the world keeps asking them to be more.
And then there is Thee. Loud where Peach is quiet, impulsive where Peach is careful, unapologetic in ways Peach never learned how to be. Thee doesn’t arrive to change Peach or fix him. He arrives and stays. He fills the silences without fear, reaches for Peach without hesitation, and loves him in a way that never asks him to become smaller or different.
Through Thee, Peach learns that softness does not need defending, that routine can coexist with joy, and that being seen does not have to be frightening.
And in watching Thee love Peach, he heals more than just him. He heals us too. He heals the parts of us that were taught to shrink, to quiet ourselves, to apologize for needing space and still wanting to be chosen. Thee reminds us that there are people in the world who will meet us where we are, who will sit beside our silence and call it beautiful. And for the first time, it feels possible to believe that we, too, are allowed to exist exactly as we are.
Thee was the universe’s apology to Peach, and to all of us who were never met with the gentleness we deserved. A quiet proof that even when it comes late, gentleness still finds its way.
i miss my ex bestfriend & everyone else that i have ever loved but don't want any of them back either
what the fuck man
do it scared. do it stupid. but most importantly, do it bitching and moaning the entire time
I'm coming with you. [What I have planned] is pretty quiet and boring, though. Just breathing and doing nothing with you is interesting enough.
ME AND THEE (2025-2026)
PHUMPEEM IN MUSIC VIDEOS: Truth in the Eyes
This MV is kind of insane in that it truly reflects the entire PhumPeem story in so many details. It begins with Peem waking up with a rose. This is a reference to what literally happens in the series, of course (as are multiple scenes in this MV), but it can also be interpreted as him being "woken up" by the rose. After all, he does gain new experiences, new insight, and a soulmate thanks to it, so in a way it does wake him up. We can also see him serenading to the rose while lovingly gazing at it, very reminiscent of the way he looks at Phum in the series. All that said, Peem is also living in a luscious garden. The rose is something special, beautiful, unique in that garden, but it is clear he has already been thriving in his environment even without it, just how Peem has genuinely lead a wonderful life surrounded by friends and family before Phum came along and made it even better. Phum's initial environment in the MV is a stark contrast to Peem's. He is sitting on a fancy chair, which reflects his parents' wealth, but he otherwise lives on completely barren land. It is concrete walls and concrete floors, it is dead trees and their branches scattered around. The camera also deliberately does not show us any sources of natural light - the only thing Phum has is a single lamp. Interestingly enough, we have a brief and much happier moment here, with Phum and Peem playing around while surrounded by some greenery. I believe this reflects the mood at the first Loy Krathong fair or even moments later in the series, such as the time they spend at the amusement park, for example. Phum and Peem do take some time before properly "finding" each other, but it is important to show that even before they do, they already enjoy each other's company and are comfortable, playful with one another, which brings Phum immense comfort and joy, reflected in the greenery of the scene (although he has not yet stepped into Peem's actual garden). Moving over to the next scenes, despite the fact that Peem lives in his luscious garden, he is clearly yearning for something, as he is literally going around, looking for it. He is even holding a lantern in his hand - although, since he has so much natural light coming from all those big windows, I would argue that the lantern is there to guide Phum back to him, who Peem can feel is stuck in the darkness. Speaking of Phum and darkness, that is exactly where we see him. It is kind of a haunting image: nothing but dead trees visible around him, even with his own lantern in his hand. He is also clearly searching for something, lost and stumbling in the dark. Finally, they both find a door and, with a rose in both their hands, open it at the same time. So much of the next scene reminds me of the iconic EP13 reconciliation scene, down to the fact that it also happens in front of some impressive greenery, along with many of the movements and expressions. Regardless, in the bounds of the MV's plot, this is the moment when Phum finally steps into Peem's garden, the moment when they finally come together - for good. The final bits of the MV feature Phum and Peem, in front of one of those big windows that emit natural light, as naked as we can see. It is a final metaphor for how much light and happiness they bring into each other's lives, as well as how bare and honest and just "themselves" they can be with one another.
#neverloseyoursilly
POND NARAVIT as THEE ME AND THEE (2025-2026)
You are the bravest human I have ever met.
the aroace read of ryland grace is so personal and haunting. "you don't even have a dog." was it not enough to love the world for the sake of living in it. was it not enough to live for the thrill of discovery. was it not enough to smile at your students. was it not enough to be afraid.
"Uh oh." "What? What?"
Project Hail Mary (2026) dir. Phil Lord and Christopher Miller
i didn't get you anything // you gave me everything