Forke for cake

[cakeforke]

I need to reread the httyd books

[cakeforke]

I cant tell if I actually want a partner or if i just want to be someone's first choice for the first time

[johnny-depp-is-loved]

[k62256]

my first offering to the merlin fandom, good god i'm so obsessed. look at what i've done to my boy.

[yviisxo]

rest in peace to this diva

[dwellordream]

“...A lone woman could, if she spun in almost every spare minute of her day, on her own keep a small family clothed in minimum comfort (and we know they did that). Adding a second spinner – even if they were less efficient (like a young girl just learning the craft or an older woman who has lost some dexterity in her hands) could push the household further into the ‘comfort’ margin, and we have to imagine that most of that added textile production would be consumed by the family (because people like having nice clothes!).

At the same time, that rate of production is high enough that a household which found itself bereft of (male) farmers (for instance due to a draft or military mortality) might well be able to patch the temporary hole in the family finances by dropping its textile consumption down to that minimum and selling or trading away the excess, for which there seems to have always been demand. ...Consequently, the line between women spinning for their own household and women spinning for the market often must have been merely a function of the financial situation of the family and the balance of clothing requirements to spinners in the household unit (much the same way agricultural surplus functioned).

Moreover, spinning absolutely dominates production time (again, around 85% of all of the labor-time, a ratio that the spinning wheel and the horizontal loom together don’t really change). This is actually quite handy, in a way, as we’ll see, because spinning (at least with a distaff) could be a mobile activity; a spinner could carry their spindle and distaff with them and set up almost anywhere, making use of small scraps of time here or there.

On the flip side, the labor demands here are high enough prior to the advent of better spinning and weaving technology in the Late Middle Ages (read: the spinning wheel, which is the truly revolutionary labor-saving device here) that most women would be spinning functionally all of the time, a constant background activity begun and carried out whenever they weren’t required to be actively moving around in order to fulfill a very real subsistence need for clothing in climates that humans are not particularly well adapted to naturally. The work of the spinner was every bit as important for maintaining the household as the work of the farmer and frankly students of history ought to see the two jobs as necessary and equal mirrors of each other.

At the same time, just as all farmers were not free, so all spinners were not free. It is abundantly clear that among the many tasks assigned to enslaved women within ancient households. Xenophon lists training the enslaved women of the household in wool-working as one of the duties of a good wife (Xen. Oik. 7.41). ...Columella also emphasizes that the vilica ought to be continually rotating between the spinners, weavers, cooks, cowsheds, pens and sickrooms, making use of the mobility that the distaff offered while her enslaved husband was out in the fields supervising the agricultural labor (of course, as with the bit of Xenophon above, the same sort of behavior would have been expected of the free wife as mistress of her own household).

...Consequently spinning and weaving were tasks that might be shared between both relatively elite women and far poorer and even enslaved women, though we should be sure not to take this too far. Doubtless it was a rather more pleasant experience to be the wealthy woman supervising enslaved or hired hands working wool in a large household than it was to be one of those enslaved women, or the wife of a very poor farmer desperately spinning to keep the farm afloat and the family fed. The poor woman spinner – who spins because she lacks a male wage-earner to support her – is a fixture of late medieval and early modern European society and (as J.S. Lee’s wage data makes clear; spinners were not paid well) must have also had quite a rough time of things.

It is difficult to overstate the importance of household textile production in the shaping of pre-modern gender roles. It infiltrates our language even today; a matrilineal line in a family is sometimes called a ‘distaff line,’ the female half of a male-female gendered pair is sometimes the ‘distaff counterpart’ for the same reason. Women who do not marry are sometimes still called ‘spinsters’ on the assumption that an unmarried woman would have to support herself by spinning and selling yarn (I’m not endorsing these usages, merely noting they exist).

E.W. Barber (Women’s Work, 29-41) suggests that this division of labor, which holds across a wide variety of societies was a product of the demands of the one necessarily gendered task in pre-modern societies: child-rearing. Barber notes that tasks compatible with the demands of keeping track of small children are those which do not require total attention (at least when full proficiency is reached; spinning is not exactly an easy task, but a skilled spinner can very easily spin while watching someone else and talking to a third person), can easily be interrupted, is not dangerous, can be easily moved, but do not require travel far from home; as Barber is quick to note, producing textiles (and spinning in particular) fill all of these requirements perfectly and that “the only other occupation that fits the criteria even half so well is that of preparing the daily food” which of course was also a female-gendered activity in most ancient societies. Barber thus essentially argues that it was the close coincidence of the demands of textile-production and child-rearing which led to the dominant paradigm where this work was ‘women’s work’ as per her title.

(There is some irony that while the men of patriarchal societies of antiquity – which is to say effectively all of the societies of antiquity – tended to see the gendered division of labor as a consequence of male superiority, it is in fact male incapability, particularly the male inability to nurse an infant, which structured the gendered division of labor in pre-modern societies, until the steady march of technology rendered the division itself obsolete. Also, and Barber points this out, citing Judith Brown, we should see this is a question about ability rather than reliance, just as some men did spin, weave and sew (again, often in a commercial capacity), so too did some women farm, gather or hunt. It is only the very rare and quite stupid person who will starve or freeze merely to adhere to gender roles and even then gender roles were often much more plastic in practice than stereotypes make them seem.)

Spinning became a central motif in many societies for ideal womanhood. Of course one foot of the fundament of Greek literature stands on the Odyssey, where Penelope’s defining act of arete is the clever weaving and unweaving of a burial shroud to deceive the suitors, but examples do not stop there. Lucretia, one of the key figures in the Roman legends concerning the foundation of the Republic, is marked out as outstanding among women because, when a group of aristocrats sneak home to try to settle a bet over who has the best wife, she is patiently spinning late into the night (with the enslaved women of her house working around her; often they get translated as ‘maids’ in a bit of bowdlerization. Any time you see ‘maids’ in the translation of a Greek or Roman text referring to household workers, it is usually quite safe to assume they are enslaved women) while the other women are out drinking (Liv. 1.57). This display of virtue causes the prince Sextus Tarquinius to form designs on Lucretia (which, being virtuous, she refuses), setting in motion the chain of crime and vengeance which will overthrow Rome’s monarchy. The purpose of Lucretia’s wool-working in the story is to establish her supreme virtue as the perfect aristocratic wife.

...For myself, I find that students can fairly readily understand the centrality of farming in everyday life in the pre-modern world, but are slower to grasp spinning and weaving (often tacitly assuming that women were effectively idle, or generically ‘homemaking’ in ways that precluded production). And students cannot be faulted for this – they generally aren’t confronted with this reality in classes or in popular culture. ...Even more than farming or blacksmithing, this is an economic and household activity that is rendered invisible in the popular imagination of the past, even as (as you can see from the artwork in this post) it was a dominant visual motif for representing the work of women for centuries.”

- Bret Devereaux, “Clothing, How Did They Make It? Part III: Spin Me Right Round…”

[swords-n-spindles]

If I may tag onto this: it's really astonishing how much spinning you can get done when you do it in tiny increments. When I'm at a medieval market or music festival (back when that was... a thing), I carry my spindle everywhere and just spin a tiny little bit, constantly. Waiting in line for food. Sitting somewhere waiting for the next band to play, in the early morning when nobody's up yet. I can get through 100 gr of fibre in a day like this without consciously dedicating any extended time periods to it (and I'm not the best with a drop spindle). I would imagine that is roughly the way it worked in pre-modern cultures, too, which means that yes, it was possible to supply the fabric for an entire household this way, if the fabric was also taken care of properly (mended, re-used, recycled ...) and the spinner didn't suffer from illness or had any disabilities (!). It wouldn't be easy, but it also wouldn't be terrifying back-breaking labour.

[swords-n-spindles]

I would like to amend the above: spinning all day every day in order to keep your family afloat must absolutely have been terrifying back-breaking labour eventually. Or wrist-breaking.

In unrelated news, last year I got a repetitive strain injury from too much spinning, and had never been so grateful in my life that I can simply stop spinning and suffer no financial hardship from it.

[marzipanandminutiae]

It's also interesting how much spinning remained a symbol of idealized femininity and even in societies where it was highly professionalized, later on in history

In the lead up to the American Revolution, you see newspapers talking about women – many if not most of whom had never spun a day in their lives, either because they were wealthy and didn't have to or because they were poor but didn't have time to among all of the other things they had to do for their families or their jobs, and professional spinster's existed, so why would they? -Getting together "spinning bees" to try and make homespun thread for homespun fabric so they could boycott textiles coming from England. These women were hailed as paragons of patriotic womanhood (never mind the fact that we have no evidence they ever produced scalable amounts of textiles, or even like… High-quality anything. Most of these bees seem to have been one-off events that were almost more about performing femininity and patriotism than actually producing threads/fabric)

And moving into the 19th century, the image of the spinning wheel became ubiquitous here in the US when talking about women in earlier American history. Longfellow's poem about his Mayflower ancestors features the female protagonist at her spinning wheel, even though textile production wasn't really a thing in the new colony at the time when the events he wrote about took place. Popular illustrations showed colonial women spinning at home. In the early 20th century, an art photographer named Wallace Nutting and his wife Mariet Griswold staged images of imaginary colonial interiors that almost always involved some type of antique spinning wheel as set dressing (to the great annoyance of later museum workers, who are forever having to debunk his photos in various ways)

And within those societies, there's been an idea that "women these days" are so lazy for not spinning and/or weaving their own cloth and instead of having it done by professionals. Making textiles from scratch remained a marker of idealized femininity long after it was the norm for most households in many places

[victusinveritas]

"Now I've shot so many Nazis, Daddy will have to buy me a sable coat." (From his Wikipedia article).

Neil Munro "Bunny" Roger

June 9, 1911-April 27, 1997.

Bunny Roger killed a bunch of Nazis and then invented Capri pants.

He was expelled from Oxford for his indiscrete gayness (discrete gayness being perfectly fine at Oxford and part of the curriculum until...today probably, at least like 1992?). Then, having been sent down to London, he started his own fashion business, and his first client was Vivien Leigh.

Bunny served in WWII, killing fascists in North Africa and Italy, and often wearing a mauve scarf in the field. Roger claimed that he had gone into a battle brandishing a rolled-up copy of VOGUE and commanding: "When in doubt, powder heavily!"

Roger was known in high society for his themed soirées; Diamond, Amethyst, and Flame Balls were held to celebrate his 60th, 70th, and 80th birthdays. He wore a curious plum colored catsuit with a feathered headdress at his 70th birthday ball in 1981. At his 80th, he made his entrance in a catsuit of scarlet sequins with a cape of orange organza, greeting his guests from behind a wall of fire. His parties were covered by the newspapers, including a New Year's Eve Fetish Ball where the proper upper class mixed with young guests in rubber S/M gear.

From an obituary: "Beneath his mauve mannerisms, Bunny was stalwart, frank, dependable and undeceived; to onlookers a passing peacock, to intimates, a life enhancer and exemplary friend."

From another obituary:

He served valiantly in every way.

[shabbytigers]

happy 125th birthday to bunny roger

[victusinveritas]

Found this color photo:

And this in-memoriam piece.

[marzipanandminutiae]

(he did not precisely invent capri pants- Sonja de Lennart did, and they popularized them together)

[onedirectionforever]

“you support gay rights so you must be gay”

i support animal rights do i look like a fucking alpaca to you

[onedirectionforever]

turns out i am gay

[monsieurenjlolras]

holy shit how’d this alpaca learn how to type

[mywitchcultblr]

Diversity win! The alpaca is gay!

[adreamthatsworthkeeping]

[thebirdkiwi]

he was a llama

[fritextramole]

a llama?! he’s supposed to be dead!

[lilysaus-reblogs]

@hellsite-hall-of-fame i think this deserves to be here

[softgnome]

Personally I do think that sometimes non-hockey fans can end up mischaracterizing Shane and Ilya because they don't know enough about hockey/hockey playstyles

The Ilya we see in Heated rivalry would not be throwing the first punch, he's not an enforcer. Ilya is a star center and a Pest. He wouldn't be doing his job correctly if he was punching players every other game, it would end up with not enough ice time to let him be the playmaker he's paid to be.

But being a pest can be playmaking! Find a player to bait, emotionally push them just enough that they try to fight you, and then get the fuck out of there before the ref gives you both penalties. This gets your team the power play. There is probably someone on Ilya's line dedicated to helping him get out of the fights he starts, and finishing them for him!

I also think this is also something that Shane would respect. Ilya is good at it and it's a good strategy for his team. I don't think Shane would see it as some dirty tactic, because Shane probably thinks everyone with a brain can see it for what it is! He probably thinks everyone should be able to see that being an asshole is a tactic for Ilya, that it's something to ignore and not fall for, that it's a strategy and not personal beef.

I think Shane's more disappointed when a Metro falls for it. Shane sees it as Ilya set up a Looney Toons ass obvious trap and one of his teammates ran into it. Why be mad at Bugs Bunny when you can be mad at your defenceman for falling for a fucking Bugs Bunny trap.

[the-supernatural-atheist]

if theres one thing that really pissed me off from my 3 years of architecture i took in high school it's learning about how we used to have all these little techniques to maximize or minimize heat or warmth and now we just merrily abandoned all those to have the same copypaste style buildings everywhere that are often INCREDIBLY unoptimized to the local weather and climate so we can just throw more money at our heating and cooling bills

[the-supernatural-atheist]

where i live it is hot as balls approximately 80% of the year. i do not want a massive butt-ugly grey mcmansion with a huge echoey open-concept kitchen-livingroom-foyer-diningroom-staircase that has huge windows so i can have an hvac unit the size of a barge heaving and straining to keep it at a constant 72 the grees. i want a north indian traditional style home with small windows to force the airflow to cool, decorative grates to limit the amount of sunlight, and a COURTYARD with a POND *smashes unspecified large object*

[makaeru]

I hate learning about instances of "oh yeah we know how to do that, we just don't".

[marzipanandminutiae]

this is exactly why I love talking about historical passive heating and cooling techniques

oh wow the glass-tower office buildings we constructed when we thought air conditioning and central heating would never have downsides...have downsides?

and we're still building them?

while the Victorian house museum where I work, with thick walls and small windows and big wooden shutters stays ~10 degrees above (winter) or below (summer) the outside temperature for days on end with no help at all?

uh. okay then

(also public transit. the history of public transit in the US is infuriating, because we had it! and then we destroyed it!)

[rederiswrites]

Just watched Adam Conover (of Adam Ruins Everything) make such a solid point that I think we should spread far and wide. Yes, having AI write your emails is lazy, sure, but people love being lazy. We need to really emphasize that sending AI emails (or using AI responses on social media, or publishing AI flyers, or or or) is rude.

It's rude. You're making someone take their time to read something you couldn't bother to write. You're telling them they were so unimportant you couldn't be bothered to actually take the time to say something yourself. And frankly, you're lying about it while you're at it.

It's rude.

[katsdom]

The above is doubly true if the content of the email is something that will be important to the person receiving - especially something that affects them negatively. They see that this thing that affected them so much didn't matter enough to you to write it yourself. I was a bystander to such a thing not long ago and it was just awful.

[fthgurdy]

RUDE!!! that is so very much it.

[becausegoodheroesdeservekidneys]

If I may offer the lecturer's perspective on this idea:

Currently, it's marking season for us in the UK. I have an exam board in four hours, in fact, which is where we all go over every profile of every student on our courses, see what results they've achieved, and work out their "decision" - if all is well, the decision is to let them continue the course, or the final degree grade calculated if they're in final year. If it hasn't gone well, the decision is about whether they get to rework the pieces that failed, resit exams, repeat the whole year, or be required to withdraw.

And, as has been the case for the last two years, the profiles are now littered with plagiarism investigations. Every one of those - every single one - will have come in as an assignment that the lecturer received, and started reading, and then with a sinking feeling thought "This isn't your work." Every one had to go to an academic misconduct hearing. Every one is an enormous draw on time and resources, including the emotional reserves of the lecturer.

And I know that's not the main issue! I know in the grand scheme of things, our feelings aren't the most important part of this equation! But as we're talking about rudeness, let me explain:

Firstly, the work itself. You begin reading, you see it's AI. Contractually, we have to read it anyway, and give feedback on why it's shit, and what makes it bad, and that is absolutely fucking soul destroying. Most students who use AI are doing so because they've managed to train their brains to find reading something boring abhorrent, and they want to skip that part; but a ChatGPT-generated report is bland, vague, and utterly devoid of any passion, insight or personality. In short, it's boring. You simply passed your boredom on to us.

Secondly, regardless of your personal feelings about the assignment, it at least had a purpose. It was there to stretch you, and make you think about the topic so you could learn about it, and to test that learning so we can all make sure you have actually learned what you need to. But the slop you handed in, that I now have to mark? What's the point? Literally what is the fucking point of me marking it? You didn't even write it. None of the feedback I'm obligated to give means anything to you. I'm marking ChatGPT, and it can't read.

Which means, not only is it fucking boring, it's actively pointless. Ask anyone in the world what a boring but pointless obligatory task does to your mood. Imagine that.

Thirdly, the misconduct hearing. Because listen, again, the lecturer's feelings here are, once again, not the main point. Students who cheat like this aren't doing so because life is hunky dory. They're stressed and overwhelmed and struggling, and they think they've found a magic way out, and so being pulled into a misconduct hearing - where the best they can hope for is to have to redo the whole piece for a capped mark, on top of all the rest of the work they have (functionally, a bonus assignment), and the worst is expulsion - is a mental breakdown-inducing experience. That, obviously, is the biggest issue.

But, the lecturers know all that, which means we know what we're triggering if we do report it. I cannot tell you how upsetting it is to receive a slop assignment, realise what it is, and then have to make the call to report it. I know damn well how upsetting that's going to be for you. I know how stressful and painful that's going to be. I know this might mean you're going to be thrown out of university. In some cases, I know it means you will be.

I know I could look the other way to spare you that

And oh, that gets tempting. When things are really bad for you, and I see you struggling, and this is your third strike; fuck me but it's tempting to pretend that I can't tell.

I cannot do that.

Which brings me to number four: the soul-bleachingly fucking horrible ordeal that is the misconduct hearing itself. Most people are non-confrontational; I'm no exception. I also simply do not enjoy a sobbing, panicking student sitting in front of me, telling me about how stressed and scared they are and how they're terrified they're going to fail. But that's how these things go.

Our most recent example is an international Masters student. I don't know the particulars for him; but I do know it's not uncommon in his part of the world for families to go into obscene debt, often to loan sharks, to send their kids to UK universities. Failure means more than just academia for him. Having to sit through him turning white and quietly begging us to give him another chance before he left in tears he tried to hide from us was, obviously, much worse for him than us; but it was honestly traumatic. Even now, two weeks later, I can't get it out of my head. There's nothing we can do; but, I feel guilty anyway. I could have looked the other way.

(It wouldn't have passed anyway. It was terrible. But at least he'd probably be allowed a resit - we're still waiting on the outcome of this one, but he may well be withdrawn)

To bring this back to the point of the post:

I know my feelings aren't really the ones that matter here. I do know that. But, every time a student chooses to use AI to write an assignment, all that is what happens behind the scenes. My job nosedives into being shit. Whether it's reading the boring slop, having to write pointless feedback, or making the upsetting decisions to report it when I know what the consequences will be and then having to deal with the guilt, my job that I love suddenly becomes shit. And that, actually, among the many other things it is, is fucking rude.

[valtsv]

i LOVE the idea of "i can't win, but you can lose" in fictional confrontations it is SO fucking tasty. the human nature to self destruct and the human nature to survive by any means necessary combined at its finest.

[stiffyck]

I'll be an avid shipper of something until someone walks in and says "there is NO platonic explanation for this" and suddenly I've never shipped it before in my life and they're just friends and I can't lie i can't really see them being in a romantic relationship with each other yeah sorry I just don't see it

[silverlionlilies]

I read so many hr fics in which a point is made to make it clear that Shane and Ilya couldn’t keep any photos of each other out of fear of their relationship being exposed. I’d like to read at least one in which they purposefully *do* take pics of each other. Like, they still go through the same timeline and the same steps of eventually getting together, but they have a slightly elevated sense of emotional attachment from the beginning that they aren’t afraid to express to one another, and that’s via taking pics.

This comes out of the heartbreaking vision I had: in the relative immediate aftermath of their relationship being exposed, and the internet is doing cia level detective work to dig up proof, Ilya posts a singular photo: Shane, laughing at something Ilya said, his hand outstretched to playfully bat away Ilya’s flip phone (or blackberry or whatever phones they had in 2010). And it’s clear that the photo was taken on an older phone bc of the quality. And Ilya captions the post something like “we were just kids.”

[fayriequeene]

[worldscoolest]

[stainedglassboots-blog]

Let’s say you wanted to glue fabric to wood, but what do you use? What about glass to paper? This to That lets you choose two things you want to glue and lists what types of glue is best. (Because people have a need to glue things to other things!)

[dramaticthreads]

This is an incredibly awesome site.  Go check it out!

[aicosu]

Whhhhaaaaaattt!???

[techfails]

EVERYONE NEEDS TO KNOW ABOUT THIS

This is one of the first websites I was told about in props. It also has information about the toxicity, adhere time, price, and other stuff about the glues.

[geekhyena]

Useful for cosplayers and DIY!

[backofthebookshelf]

THIS IS MY FAVORITE WEBSITE

I consider it my duty as a librarian to make sure everyone knows about it.