NON-freaks dni. This is a freaks only zone

★
"I'm Dorothy Gale from Kansas"

No title available
Cosmic Funnies
Jules of Nature

Product Placement

oozey mess
he wasn't even looking at me and he found me
Three Goblin Art
h
$LAYYYTER
ojovivo

Kaledo Art

Andulka
Aqua Utopia|海の底で記憶を紡ぐ
Peter Solarz
taylor price
tumblr dot com
will byers stan first human second
RMH
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@calnrio
NON-freaks dni. This is a freaks only zone
John Steinbeck, East of Eden
spring ~ 🌱
'Marine Monster Abducting a Young Woman ' by Martin Gerlach, c.1900
ppl here talk about ai like cops talk about fentanyl
“Sex is not a goddamn performance. Sex should feel as natural as drinking water. It should not require confidence. Sex should happen, because the moment is ripe. Ripening lips, ripening labia, ripening cock, ripening pupils, ripening state of being. Ripe and augmented and brimming. Your energy goes to your pumping heart, then to every external nerve, then to theirs, on fire. You bask, roll, play in it. You sigh, moan, laugh. It’s not about being “good in bed.” It’s about being happy. One should never worry if they’re doing it “correctly.” Sex is not factual. I don’t want your cookie-cutter sex, I don’t want your meticulously crafted, calculated, fool-proof fuck. I don’t want a show. I want you. Let your instincts, urges and whims define that. It’s enough. What do most girls like? Forget about it. Statistics are meaningless when there’s only one. Hello, here’s me. Here’s you. Don’t worry about taking it too slow. We got time. We got infinite rhythms, combinations, possibilities. Explore each fuck. Take our time. We can do a different one later. Don’t worry about making me come. I’m here. Right where I want to be. I am overwhelmed by wanting; you don’t have to convince me. I want you because I like you. So don’t put on a front. Don’t taint this. I’m frustrated—it’s just authenticity I want. It’s originality. It’s passion. It’s joy. Don’t say that something I like is ugly. Don’t compare yourself to the rest. You will live and die with and within your experiences like everyone else. If someone thinks you are amazing, they are not wrong. Their universe is as real as any other; it is forged through perception. I don’t care if you accidentally slammed my head into the wall, if you slipped out, if my arm cracked, if the delightful pressure of your wet lips on my anything made a silly sound. There is no right way and no wrong way. “Good in bed,” what. You’re good in my bed. I’m pleased you’re there. I feel it suits you. Shove your technique. Let your memory swallow it. Fuck me like you’d fuck me, fuck me like you feel. This isn’t a test.”
—
(via nikolaiolivier)
WHOA. WHOA. WHOA. YES.
(via bitterherbs)
jean vic as promised still not confident with this art style but its ok
• The Astral Man | Original piece by Sascha Schneider in 1903. • Yvonne | Origina piece by William-Adolphe Bouguereau in 1896. Touched by Clayshaper
i NEED to sit by the SEA and FORGET that i’m ALIVE
Apparently, there is a sticker version, too.
never showed tumblr goldfish girl
i have a bachelor's degree in bitching and moaning
favourite character from a horror series: father paul hill | monsignor john pruitt:
that's what it means to have faith: that in the darkness — in the worst of it , in the absence of light and hope, we sing.
hamish linklater in the horror miniseries midnight mass directed by mike flanagan (2021)
birth of venus
this is in excel btw. and this image is exactly half green and half pink. and for each shade of green there is an equal number of "opposite" pink pixels. and this represents a major leap forward in excel macro use by me
the origin of this concept was, oh, what if you were trying to recreate an image as a tapestry? and you had, say, 24 colors of yarn? and you wanted the image to have equal amounts of each color of yarn? how would you effectively use the yarn you had to create the image? you'd have to look at all the colors of the original image, then look at your yarn colors, and find some consistent method for choosing what original colors are replaced with what yarn colors. but then it turns out there's a lot of different rules you could imagine or follow, which produce different-looking images. and you can end up with something like this:
which is cool. and it would be cool to say, find a granny square cardigan pattern with 24 squares, knit these squares, make a sick cardigan. but then i realized i don't know how to knit or anything. and once you accept that there isn't really a clear "application" and this concept lives on a screen, you open yourself up to more possibilities. a la birth of venus.
step 1: python script that looks at the original image and generates an excel spreadsheet the same dimensions (793 x 1322 pixels = 793 x 1322 cells), and each cell is populated with the hex code of the color that appears in that pixel of the original image
step 2: excel macro to generate list of every unique hex code that appears in the excel spreadsheet.
step 3: excel macro to calculate the R, G, B values of each of those hex codes.
step 4: excel macro to fill each cell with the color of that hex code (not necessary, i just like to do it).
step 5: I add in Saturation (the difference between the largest and smallest RGB value) and Lightness (average of all RGB values).
step 6: pick a color palette. i always find myself gravitating towards groovy seventies palettes with warm reds and oranges, so i decided not to do that this time. i looked on coolors and found a color palette that was all dark greens that were similar to each other. there were only like four colors or something in this palette. and to make it truly different from the other project, there should be a small gradient. so i determined the smallest possible change between colors and used an excel macro to color it. i was going to stop here and do the entire image in shades of green (inspired by that guy on tiktok that paints using only one color) but then. idk. i realized the "opposite" of each color was an equally subtly changing pink. so i imagined that the end of this process would be an "abstract" image, with subtle variations of pink and green, that would end up suggesting birth of venus.
so all told, i had 502 unique replacement colors, 251 of which are green, 251 of which are pink. (793 x 1322) / 502 = either 2088 or 2089 of each color.
step 7: find some method for finding the difference between the original colors of the image and my new color palette. I use a method of comparing, R, G, B, S and L:
((abs(R1 - R2) + abs(G1 - G2) + abs(B1 - B2)) / 3) + abs(S1 - S2) + abs(L1 - L2)
and you come up with something like this. on the left, those are colors that appear in the original image. across the top, those greens are the colors i'm replacing it with. in blue, that's the number of each new color i have to work with (it's just blue for contrast). and in the center, this pink area, that's a giant spreadsheet with the "objective" difference between each original color and each replacement color. it's pink because i have some conditional formatting applied, ignore that part.
and in this situation, you have some choices to make. in the original image up there, i used a schema prioritizing light and dark--i.e., i looked at the darkest color (pure black) that appeared in the original image, then found the closest replacement color (i.e., the replacement color with the smallest number). then did the same with the lightest color. then the next darkest, next lightest.
but i'm going to do it slightly differently this time. and i don't know how this image will come out looking.
if you look at the "first" green, closest to the left, and sort by smallest to largest:
you can see that these colors on the left are closest to the "first" green i've decided to work with. that might seem odd. i mean, #7F9800--> #00a94f are pretty close, but #A95400 is red. but that's just a difference in hue. really, #A95400 and #00a94f are very similar in lightness and saturation.
and this also calculates the number of times that color actually appears in the original image. that first specific green, #7F9800, only appears twice. but some colors, like actual black #000000, appear something like 46,000 times. and if you add all the numbers in the "frequency" column, it should exactly equal the sum of each replacement color (2088 ish x 502).
step 8: excel macro again. this one is complicated. basically it sorts that first "green" column (column E in my spreadsheet) from smallest to largest. then it adds each cell in the "frequency" column until it reaches or surpasses the blue cell above column E, which for this particular color is 2089. it copies those "original image" colors and their respective frequencies over to another sheet. for the color that surpassed 2089, it splits in two. then it deletes that column E. Then it makes sure "frequency" and "replacement color sum" still total. then it runs again on the new column E, until the whole spreadsheet is used up. and it generates something like:
[color from original image] [number of times that color appears] [replacement color, filled in]
and there's approximately 8000 lines of that.
i have the replacement colors in the order above. starting with vivid green, slowing transitioning to dark green, switching abruptly to bright pink, slowly transitioning to pale pink.
step 9: another excel macro. this one looks at original image broken down into hex codes, then looks at the generated list and replaces each [original] color with the replacement color, that exact number of times.
end result of these macros, following different "rules" of assigning replacement colors to original colors, is this:
which looks different, obviously. but it is the exact replacement colors, and same number of each replacement color, as the original up there.
at maximum efficiency, it took about 20 minutes to complete step 8 and 9. i have a vision of creating a series of these, each time "starting" with the next replacement color, and then making a gif of it. idk how to make gifs though
@magnetictapedatastorage seems up your alley
the world is running out of glassblowers and yet you want to become a fucking doctor
One of the most jarring moments of my university education was in a physics class when I was given a device that measures gravity and was told “this cost the university sixteen thousand dollars, but the only glass blower in the world who could make the glass springs inside it died so it’s literally irreplaceable. If you drop it those springs will shatter. Go fuck around with it for a day and take some measurements”
In the UK there's a thing called the endangered crafts list which I highly recommend if you fancy discovering some crafts you never even knew existed. Scientific and optical instrument making is considered 'critically endangered' and glassworking (scientific glassware) is just considered endangered, which is for 'crafts with a shrinking market share, an ageing demographic or crafts with a declining number of practitioners.' There's some other crafts in that category which are easier to teach yourself or go to classes on that list, like lithography, marbling or block printing on fabric, so it might be worth considering those if you're looking for something to try.
2026 I Will Not Obsessively Ruminate On Stupid Bullshit That Makes No Sense And Is Not Real