Back after a long three-week travel for work and leisure. Ready to catch up with the Fringe rewatch!
Fringe rewatch
S1 e15 Inner Child
I have a great feeling about sporting the Observer this time! Ha!
Wait. Did the kid use some sort of telepathy to make sure the worker could find him?
The episode has some solid X-Files vibes.
Charlie's assignments continue to be unclear...
Broyles's patience with Walter is rather admirable. I guess being a soldier prepared him well.
There is something so frightening about this guy just snatching his victims off the street in broad daylight. Horrifying.
Oh the never-ending endorsements...
Rachel was a great character. She also comes across as hiding something for some reason.
Walter's craziness makes me wonder why no supervillain has ever kidnapped him to force him to come up with some tech that could make them rich. Then I think about the fact that, for all intents and purposes, the only reason the FBI can even work with him is because of Peter.
Michael being an empath is fascinating, especially as we layer find out this is particularly indicative of how different he is from the Observers.
There is something really nice about Olivia coming home to people. As a loner, I would be quite stressed and think she should be too, but I do like how it bookends the episodes.
Polivia Report
Takes a while for Polivia moments this episode. When Olivia comes to talk to Walter at their room, they share a look after one of Walter's comments.
Continuity
The action figure scar reminds me I need to know all the ways being from a whole other universe affects Peter.
Give it up to the capacity for the show to take place in large part in the cold months and to look it. They actually look cold and the outside always actually feels and looks like proper winter.
Most Rewatchable sceneÂ
Peter and Olivia talking always cheers me up. It is wild how little they actually interact directly, or solo.
Best quoteÂ
Peter: "Walter! Olivia is here. She wants to talk to you!"
[...]
Walter: "Peter why did you not tell me Agent Dunham was here!?"
What aged the bestÂ
This is a solid episode, from the writing to the portrayals. But I guess the overall continuation of the Michael arc is the best, because its eventual resolution is well constructed.
What aged the worstÂ
The trope of a predator hunting women for sport and brutalizing them is so tired.
Dion Waiters/heat check performanceÂ
Michael carries the episode really well.
Half-assed internet researchÂ
The glyphs spelling Walter makes me realize this is very much a Walter/little Peter nod, as well as a nod to the fact that Walter and Michael will eventually be the only ones in the universe to know what happens in the end.
Unanswerable questionsÂ
Is it possible Olivia connects with kids well as an adult in an extension of her connection with other kids when they were part of the Cortexophan trials?
What is up with the yellow? Is it related to the trials? Or just a random fact about Olivia?
Does the child's dropping expressing when he sees his 'dad' because he is angry or otherwise feeling negative, or is it just because it is his resting face? And does the lack of a smile from the child (we know the Observer couldn't) just his resting face and not an indication of his emotions?
Walter writes his notes on the same typewriter that was used for the ZFT manifesto.
That neutral halo will get do much mileage!
Who won the episode?Â
The Child/Michael arc. All of it works so well! If you know the plot holes, keep them to yourself.
That Guy
That guy from the CIA is such a that guy!
Picking NitsÂ
The first Artist's kidnapping we see: May this kind of naĂŻvetĂŠ never find me. Wanting to be helpful is one thing. But I hope that, in reality, a woman like her would ask herself how he typically navigates without help. Because why go about such a task unless he can do it themselves?
The writing is often so annoyingly on the nose. Yes, please, open with Olivia being great with kids and then show how she also connects with Michael, suggesting she's just that good.
I, for one, think that the kid would fit into Astrid's petite clothes better. Ha!
Olivia being a badass is done rather unrealistically. Once again, at a major control point, she has to run after the suspect alone? How many cops does one need to open a van door exactly?
What happens the next day?
Not really sure. Nothing of substance. Everyone's plot lines are pretty tidied up.














