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Monterey Bay Aquarium
Jules of Nature

oozey mess

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noise dept.
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Love Begins
NASA
we're not kids anymore.

#extradirty
Stranger Things
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Fai_Ryy

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official daine visual archive

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art blog(derogatory)

pixel skylines
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@caniscorvidus
Personal work!
They love being worshipped. 🖤
More beautiful backgrounds from The Last Unicorn (Rankin/Bass)
Art by Tyler Vo
Few more 🌱
In the end, I've decided to sell all the original drawings from this forest series! Prices from 60 to 80USD (shipping included) - all the earnings will be sent to charities. If anyone's interested, you can reserve them now by sending me a message or an email ([email protected]), thanks!
Historical context is of course very useful for important things like Politics and Science and everything, but will also open your eyes to things like, uh... the way the clothing/textile/crafting industries try to use the word "natural" as an excuse to sell shoddy and bad quality goods and make you think that's normal.
God knows there are worse things going on in the world, but it really pisses me off when I see companies advertising "Real Shell/Pearl buttons!" like that's supposed to be some upscale selling point, and the buttons in question are the thinnest, roughest, most crudely-made buttons in existence... 🙄😒 "But they're made from Natural Materials! You can't expect Natural Materials to look refined and consistent like synthetic ones!" They are lying to you. THEY ARE LYING TO YOU! And I know this because I've seen "real shell buttons" from 100 or even 50 years ago. And most of them are sturdy and smoothly polished, of a consistent thickness, and sometimes even finely carved. The buttons on nice men's dress shirts? Those are the cheap, plastic IMITATIONS of what people expected actual mother-of-pearl buttons to look like! "Natural" isn't an excuse! Your product is cheap and badly and lazily made! And I'm so sick of this, because I see it EVERYWHERE. "Linen-look" has become shorthand for "coarsely woven fabric with visible slubs" and that drives me CRAZY because do you KNOW what kinds of linen I have seen??? Antique linen so light and fine and smooth you can't even SEE the weave unless you magnify it!!! A fragment of a linen damask tablecloth so smooth and glossy, it looks like SILK? 😭 (On that note, "dupioni silk" is so roughly woven that it would have been considered hardly fit to sell a century ago) "This fabric is woven of Natural Materials, so imperfections will be inevitable!" 🙃 No! 😀 You just made it cheaply and sloppily, and that was your choice! 😊
also "handspun" does not need to mean rough and uneven. It can be very fine and even and frankly historically (where people had MASSIVE amounts of practice at it, and also it is ALL THERE WAS! (see linen so fine you can't see the weave in above post) people would not have accepted the shit we get today! (My personal hate boner for the fact that I cannot even find an online source where I can be sure they're selling actual high quality fabrics.)
May i profer up the following sources that my historical costuming buddies like to use (forgive me if you already know these). Most of these are just natural fibers and/or historical designs around the 1800's, but yeah...
To save you all a painful scroll, links are below the break:
I'm not importing anything from the USA under current conditions, but that looks like some lovely stuff! My personal pet pieve though is the fabric quality itself, beyond "just" fibre content. But I don't have any experience with the above sources! My "favourite" anecdote for this is that when they were making Phrine Fisher's costumes (in Australia) they had to import Kimono fabrics from Japan to get the fabric quality you'd expect for a rich fashionable lady from the 1920s...
First work for a space-themed exhibition, Fires above. I'm super emotional about early humans, them looking at the sky, telling stories about these lights up there. Stories older than the glacier. We've been looking for thousands of years, and it's impossible not to.
Painted on agate.
Sparks fly as the fires burn at midnight
look. look at this beautiful sword meme. i’m going to cry
@petermorwood
I saw and reblogged this one a while back, but it’s always worth repeating, and this time I’m adding a bit of background info comparing common fantasy sword features to the Real Thing (with pictures, of course.)
Leaf-bladed swords are a very popular fantasy style and were real, though unlike modern hand-and-a-half longsword versions, the real things were mostly if not always shortswords.
Here are Celtic bronze swords…
…Ancient Greek Xiphoi…
… and a Roman “Mainz-pattern” gladius…
Saw or downright jagged edges, either full-length or as small sections (often where they serve no discernible purpose) are a frequent part of fantasy blades, especially at the more, er, imaginatively unrestrained end of the market.
Real swords also had saw edges, such as these two 19th century shortswords, but not to make them cool or interesting. They’re weapons if necessary…
…but since they were carried by Pioneer Corps who needed them for cutting branches and other construction-type tasks, their principal use was as brush cutters and saws.
This dussack (cutlass) in the Wallace Collection is also a fighting weapon, like the one beside it…
…but may also have had the secondary function of being a saw.
A couple of internet captions say it’s for “cutting ropes” which makes sense - heavy ropes and hawsers on board a ship were so soaked with tar that they were often more like lengths of wood, and a Hollywood-style slice from the Hero’s rapier (!!) wouldn’t be anything like enough to sever them. However swords like this are extremely rare, which suggests they didn’t work as well as intended for any purpose.
I photographed these in Basel, Switzerland, about 20 years ago. Look at the one on the bottom (I prefer the basket-hilt schiavona in the middle).
A lot of “flamberge” (wavy-edge) swords actually started out with conventional blades which then had the edges ground to shape - the dussack, that Basel broadsword and this Zweihander were all made that way.
The giveaway is the centreline: if it’s straight, the entire blade probably started out straight.
Increased use of water power for bellows, hammers and of course grinders made shaping blades easier than when it had to be done by hand. This flamberge Zweihander, however, was forged that way.
Again, the clue is the centre-line.
Incidentally those Parierhaken (parrying hooks - a secondary crossguard) are among the only real-life examples of another common fantasy feature - hooks and spikes sticking out from the blade.
Here are some rapiers and a couple of daggers showing the same difference between forged to shape and ground to shape. The top and bottom rapiers in the first picture started as straights, and only the middle rapier came from the forge with a flamberge blade.
There’s no doubt about this one either.
The reason - though that was a part of it - wasn’t just to look cool and show off what the owner could afford (any and all extra or unusual work added to the price) but may actually have had a function: a parry would have been juddery and unsettling for someone not used to it, and any advantage is worth having.
However, like the saw-edged dussack, flamberge blades are unusual - which suggests the advantage wasn’t that much of an advantage after all.
Here’s a Circassian kindjal, forged wiggly…
…and an Italian parrying dagger forged straight then ground wiggly…
There were also parrying daggers with another fantasy-blade feature, deep notches and serrations which in fantasy versions often resemble fangs or thorns.
These more practical historical versions are usually called “sword-breakers” but I prefer “sword-catcher”, since a steel blade isn’t that easy to break. Taking the opponent’s blade out of play for just long enough to nail him works fine.
NB - the curvature on the top one in this next image is AFAIK because of the book-page it was copied from, not the blade itself.
The missing tooth on that second dagger, and the crack halfway down this next one’s blade, shows what happens when design features cause weak spots.
So there you go: a quick overview of fantasy sword features in real life.
Here’s a real-life weapon that looks like it belongs in a fantasy story or film - and this doesn’t even have an odd-shaped blade…
Just a very flexible one…
If you want more odd blades, Moghul India is a good place to start…
i could not ask for a better addition to my meme post than blade education thank you so much
The snow outside - Kaoru Yamada
Japanese , b. 1975 -
returning after a few months long break from drawing with the usual ancient greek ladies
"And in the whiteness, of the whiteness, flowering in the tattered water, their bodies arching with the streaked marble hollows of the waves, their manes and tails and the fragile beards of the males burning in the sunlight, their eyes as dark and jeweled as the deep sea—and the shining of the horns, the seashell shining of the horns! The horns came riding in like the rainbow masts of silver ships."
(a scene from The Last Unicorn, and also a custom request from last year’s Kickstarter!)
The Last Unicorn (1982)
For all those who complain about explicit “smutty” books or smut in fic in general:
Just be aware that a bill has been introduced in Oklahoma’s state senate (SB 593) that would make writing/publishing/owning an explicit romance book a felony.
So, when you come on here to espouse your “anti pro-ship” nonsense, or moan about how hard it is to find fics/art/books that aren’t “smutty” — know that this is the effect. You are being used as mouthpieces to help feed and perpetuate censorship. There is no room for censorship in fiction because it will never stop at what you deem morally “right”. It is about control and the restriction of speech. Your discomfort with sex in media does not make it wrong, and it certainly doesn’t mean you get to advocate for its restriction.
Do not be pawns in the far-right’s game. Do not call yourselves allys of any kind if you are willingly feeding into a pillar of far right extremism. It will not stop where you think it “should.”
Tumblr made me kill the quality on this so rip An Azhdarchid of some sort. Probably Hatzegopteryx. I didn't reference anything while drawing this so let it be whatever you wish
listen its about the last unicorn being fundamentally no different from the harpy and feeling more compassion for her than she does the trapped animals or the humans trapped by circumstance. it's about haggard grabbing the unicorn only once she has become human enough for him to drag her down and realise her eyes are empty. it's about schmendrick and the magic that lives in him more than he wields it, it's about "never run from anything immortal, it attracts their attention" while walking slowly from an unspeakable horror devouring an old woman, it's about "how dare you come to me now, when I am this?". it's about the unicorns staying in the water until they can't anymore, until the castle crumbles and the one unicorn who is different from the others now - she lowers her horn and she digs her hooves in and she stands her ground for a dear, dead boy. it's about the trade of immortality between schmendrick and the unicorn, it's about stories needing to be told, it's about lir loving the unicorn enough to know that she cannot stay with him, and to let her would be to do her a disservice.
it's about "your name is a golden bell hung in my heart. i would tear myself to pieces to call you once by your name." it's about regret.
(it's also about little 5 year old me renting the movie from the library whenever i could and watching it on loop for hours. it's about just how much this story has shaped me and my understanding of storytelling.)
Xena: Warrior Princess…the Season Six Spaghetti Order
One day a while back, I came across an online post that offered a new idea for watching the Marvel movies – what that author called the “Spaghetti Order.” Why Spaghetti Order, you ask? Because the guy really loves spaghetti, and I guess that makes as much sense as anything. Other people have recommended watching the movies in the order in which they were released or watching them in chronological order, but this fellow thought about it differently. He sequenced the movies in a way that better supported the overall storytelling, with each movie and closing credits scene leading into the next as the series built up to the climax of Endgame…in his opinion, of course. I watched the movies through in that order and had to admit that it made for a great experience, seeming more like one large, planned arc rather than individual stories pieced together by different directors and writers.
So how does this relate to Xena: Warrior Princess? Well, few things are more controversial among Xena fans than the ending of the series, the two-part episode (6x21 and 6x22) “A Friend in Need.” While some think it’s an amazing ending, others hate it with a passion. I’ve heard from people who watched it once and have vowed to never see it again, and I even know of fans who, having heard what happens, have never watched the episodes and never plan to. While I understand the emotional trauma that the episodes can generate, I also think it’s a shame, because while I am not a fan of the episodes in their entirety, there are aspects of the finale that I find incredibly beautiful and powerful, things I would hope every Xenite could appreciate. I started wondering if there were some way to present the final season that could make it more palatable to fans who find the last episode so upsetting.
For years, many fans have used the alternative order that shifts episode 6x18 (“When Fates Collide”) into the final spot, providing a coda of sorts that allows anyone to imagine their own version of what happens next with Xena and Gabrielle. This has been my preference as well, and I think it’s a brilliant ending from a dramatic perspective. But I started wondering if more could be done. “A Friend in Need” has such power partly because it is the official ending, and moving it one spot backward in the order does allow for a new conclusion, but it’s still an emotional wallop being so near the end. I began to play around with the idea of it being more like a midseason cliffhanger…“How will they get out of this one?” Anything that could make it a bit less weighty and easier for fans to watch. That’s when I remembered this concept of the “Spaghetti Order,” and I thought about the other issues that can come up when discussing Season 6…the issues with stories based around vengeance, the regression of Xena and Gabrielle’s partnership at times, Xena’s need (or not) for redemption, Gabrielle’s shifting attitude toward violence, etc. Personally, I’ve also always felt that too many of my favorite episodes were placed in the first half of the season, throwing the second half out of balance (not helping to alleviate the disappointment of the eventual ending).
Horse figure of the day: Gene & Rebecca Tobey, Bronze Horse and Rider