So Moses, Jesus, Mohammed, Buddha, and Krishna walked into a synagogue…
by Hazzan Michael Weis, Brotherhood Synagogue
photos ©Lauren Faith Photography
And so it was this past Sunday, June 9 at Brotherhood Synagogue in Manhattan. Our former Quaker meeting house turned shul played host to an interfaith music festival called Voices of the Sacred.
It was the first concert I ever organized, and I wasn’t even a featured performer.
I sang a little bit at the beginning of the finale, when we brought back all our artists after three and a half amazing hours—Basya Schechter (Jewish), Khalil Ismail (Muslim), Yungchen Lhamo (Buddhist), Peace and Serenity Gospel Choir (Christian) and Anjula Prasad (Hindu)—to sing “Sanctuary,” a song that I had first heard sung by Jews, but which I later discovered comes out of the Evangelical Christian world. It was the perfect ending to a transcendent evening, one that was historic in the life of my synagogue and the highlight of my own professional life.
Living in New York City, concerts are a dime a dozen, so not even our own congregants are terribly likely to attend, no matter how big a draw we bring in. There are just too many other activities and events constantly vying for their attention. So, I needed to find a much stronger hook to pull off an event like this, especially one that promised to bring in performers that nobody in my congregation had ever heard of. Where to begin?
I have always believed that all religions are simply attempts by various cultures to connect to the Holy, as they understand the Holy. Who and what we call IT may be different, our sacred writings may be different, how our cultures look and sound may be dramatically different, but whatever else we may do, all religions aim to help us connect to IT. What’s more, as Marianne Williamson points out, “Everyone is on a spiritual journey. Most people just don’t know it.”
And so, though it may seem obvious, I think it bears repeating: music is a universal language that transcends the differences of language, culture and theology, because it speaks directly to our emotions. In the end, this concert wasn’t about music at all: it was about using music to create an emotional encounter with our shared humanity. By sharing the sacred music of different faith traditions, we were able to get a taste of how our oft-misunderstood neighbors connect to the same sense of holiness that we seek ourselves.
…and they sang together with one voice.