How do you think Luke realized he was gay?
a lot of luke's love interests have one trait in common, so while he probably vaguely knew when he was very young, he DEFINITELY realised when:
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let's talk about Bridgerton tea, my ask is open
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YOU ARE THE REASON
One Nice Bug Per Day
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Noah Kahan
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Monterey Bay Aquarium
hello vonnie
d e v o n
Fai_Ryy
he wasn't even looking at me and he found me

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Misplaced Lens Cap
Not today Justin

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@captainpunchmerica
How do you think Luke realized he was gay?
a lot of luke's love interests have one trait in common, so while he probably vaguely knew when he was very young, he DEFINITELY realised when:
(commission info // tip jar!)
i've been rewatching parks and rec and obviously the fatphobia in that show is horrendous, but you'd be shocked that chris traeger is one of my favorite characters. I find him so interesting because the 'health nut' is an archetype that I hardly ever see satirized in a negative light. chris' mental instability is entirely due to the fact that he's trying to outrun the inevitability of death. when he gets even the slightest ailment, he becomes utterly devastated by the fact that he can't conquer his own body. the joke is that his fitness regimens are absurd and it annoys everyone around him. he's the first fitness-focused character I've ever seen that exemplifies how placing physical fitness over everything else will lead to burnout, mental health issues, and isolation. I love it every time he and ron swanson interact. ron's entire character is built around his self-assuredness. at his core, he is a man who values his autonomy. he is so headstrong and clear in his values, namely the pleasures of food, that when chris tries to get him to change his diet, chris always loses. chris' biggest character trait is his toxic positivity in the workplace, and that is intentionally written to be a byproduct of his lifestyle. he acts like an expert and tries to impose his way of life onto others, and it's generally accepted by the rest of the cast that he's kind of a wack job who no one should listen to. fascinating.
We need to remember what's important in life: friends, waffles, work. Or waffles, friends, work. Doesn't matter, but work is third.
Erika Toliusis (b.1969) - Pacific Angel. 2022. Oil with palette knife on canvas.
@teaboot
Painted with a FUCKING PALETTE KNIFE?
i love her
someone tell OP i did it, i spent about 3 hours on it
The Mississippi river and its tributaries
Get Out (2017) | Us (2019) | Nope (2022) Directed by Jordan Peele
Jewish population in Europe, 1933 compared to 2015.
Went into the notes to harvest for my blocklist, found this Nazi. Note how his belief that Jews are racial infiltrators compares and contrasts with the “Jews are White” belief on the Left.
Note that many Algerian Jews fled to France when Algeria decided to purge their Jewish populations. Note also that the population of the Earth was approximately 2.1B in 1933, as compared to 7.2B in 2015.
France looks like a single spot of growth on this map, but even when the global population has quadrupled in the interim, and with near a hundred thousand immigrants from north Africa to bolster their numbers, France’s Jewish population has barely doubled.
This map is even bleaker than it looks.
what a beautiful time of year everyone is growing veegtables for me spacifically, one problem though you need to make fences shorter im sure its a mistake but i cant reach some of them
hello imptortant message from deer youyr doing it agen. i cant eet the vegbals you are growing for me like this
What’s a bad miracle?
"A marriage ending isn't a failure at all. I spent eleven years with her. We were so in love that we couldn't image life apart from each other. We got our own place, adopted a dog, and supported each other through school. I thought if tow people loved each other enough the rest would fall into place, except... love isn't everything.
And I didn't want to believe that, but we were sitting in counseling one day, talking about our future and I realized we were describing two completely different lives. Where we'd live, what kind of life we wanted, what made us happy. And it hit me that- I love this woman and this woman loved me. And after eleven years of loss, grief, career changes, we were so deeply in love... but we weren't aligned. And I kept thinking 'We just need to try harder. We can find some compromise to make this work,' because that's what you're supposed to do when you love someone, right?
But the reality was, we had just become different people. Her trade school took her in one direction, my graduate degree in another and trying to force us back into who we were five years ago wasn't coming from a place of love. It was coming from a place of fear. Fear that, if this ended, it meant we wasted eleven years. But sitting there across from her, I realized: That's not how love works.
Those eleven years happened. They were real. The dog, our home, showing up for each other through grad school and trade school. I wouldn't change a single thing because loving someone doesn't mean you're meant to stay with them forever. And letting go doesn't erase what you had. We measure marriage by whether it lasts forever or not, but what if we measured it by whether it mattered?
What if we measured it by the love we gave, the life we built, and the people we became? Because love's job isn't to last forever, it's to help you become fully completely yourself, and sometimes the most loving thing you can do is give each other permission to be yourselves, separately. But the dog doesn't know were' divorced. He just gets two Christmases now."
Pulled this from this guy Preston Rakovsky's Instagram (@prestonrack) because it is a beautiful perspective on love, marriage, and relationships in general.
i was thinking about how a lot of horror stories set in one location get the “why don’t they just leave” criticism, but in real life it isn’t usually that simple. even really mild reasons characters might have for not leaving or for going back to the scary place can make total sense sometimes. and i thought about OJ’s “i got mouths to feed” thing, about taking care of the horses.
but then i was like “well OJ didn’t JUST care about the horses, it was also about not wanting Jean Jacket to win. but yeah he cares a lot about the horses, it makes sense. and he’s not the type to make big heroic speeches anyway, he’s not showy like that.”
and then i realized something cool about OJ as a character. OJ not being showy, not caring about spectacle, is what sets him apart from everybody else in the movie. others see the spectacle, he sees the people and animals caught up in it. in his first scene the others want to hurry and film, but he sees the horse is stressed; if they’d listened to him and backed off, it wouldn’t have kicked. he tried to save the motorcyclist who was just yelling at him to get the camera before being eaten. he’s the kind of person who wasn’t around on the Gordy set, who knew when to stop pushing and listen before something bad happened.
He was the only one who realized not to look in Jean Jacket’s eye. He didn’t give in and look up at the spectacle in the sky. He kept his eyes low, and because of that he saw the ones on the ground who were suffering and wanted to help. He SAW the horses, he cared for them and he risked his life to save Lucky. He SAW his sister when their dad broke a promise to her for fame and money.
Emerald was the one who got the “money shot” of Jean Jacket and defeated it. i think that was important and good for her to do. Defeating this thing that had caused her so much pain, that had killed her father, her friends and maybe her brother. And in doing so she captured proof of what she and her friends went through, made sure that suffering wasn’t all for nothing. OJ helped it happen, he was behind the scenes staring down Jean Jacket while she escaped. But Emerald was in the spotlight at the end. She won.
But with all this in mind, I think it’s really beautiful that the final shot of the movie, the REAL money shot, wasn’t Jean Jacket. It wasn’t anything all that weird or spectacular. On the contrary, it was deeply familiar.
It was OJ, on a horse.
hnweek26: day four - favorite dynamic emerald and oj haywood nope (2022) dir. jordan peele