At eight years old, I looked through corrective lenses to see
the hard edges of leaves for the first time.
The world had boundaries. And I
provoked myopia to survive my youth.
For years, without choice, I
abstained from children’s circular harmonies,
filled it all with opaque static,
the unheard notes accumulating
into a hard brown line
etched into my stomach lining.
The line soon hardened into the heavy weight of scar tissue,
the foundation for a steadily growing wall of thorns I
unconsciously grew.
Even when I ran to a place where
winter made leaves disappear into
the grey-brown of concrete coated in dirty snow,
I still carried that weight.
I started to believe that
maybe, no light
could cause its dissolution,
and no matter how much I breathe
warmth and lovely noise into
the space that’s me,
I cannot reach past it.
We say rage burns, or bubbles,
but what about when it turns to fuzz? To static?
How do I excavate it when it was
buried by a child who couldn’t understand,
who obscured its boundaries until they couldn’t be seen at all?
Maybe, if I remove my contact lenses,
and maybe, if I stare into the blurred outlines of
boundaries all unmade,
I will get a peek into the darkness that etched the line
and planted my wall’s seeds.
Maybe, if I embrace the darkness tightly enough,
if I swaddle it in blankets scented like days of fear,
when I smiled just out of tune,
I can uncover the line.
And maybe, if I put on a new pair of glasses,
frames the color of spring leaves,
and maybe, after I have tripped enough times because what is flat appears round
and I can’t quite tell where the ground begins or ends,
when I put back in my artificially clear eyes,
the wall will have shrivelled,
its seeds nurtured into dormancy