Maybe cake will be our always.
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@caydengrey
Maybe cake will be our always.
Hello fictional person! I love you, you’re a really awesome character. But you’re getting in the way of my ship so I’m going to need you to die tragically or something - cool? Thanks :)
Sincerely, A Shipper
Consider nominating the #PeterPan show #NewPeterWendy Outstanding SHORT FORM Comedy or Drama Series. #EMMY #FYC http://thndr.me/YdpIAM
He's dead. That's quite serious.
DCI Gene Hunt (character) - Life on Mars Ep. 1.5
In response to Sam Tyler saying “If it was to do with football, he'd have serious injuries.”
Pitch Perfect
Pitch Perfect (2012) is on my Reading List because I’m a choir nerd. Almost 12 years ago I became old enough to be part of the school choir, joined straight away and never looked back. Since the I’ve sung in everything from big 150+-strong choirs to tiny ensembles and have done many, many concerts in school halls etc. as well as at really special venues like the Royal Albert Hall, the Piazza della Signoria, Florence and just last year at someone’s wedding service. Singing is amazing*, I love it. I wouldn’t say I’m a particularly skilled singer**, I’ve never gone in for choirs I’d have to audition for or competitions because I enjoy just singing as a way to relax without the pressure to be any good. Weekly singing lessons are what kept me sane during exams in secondary school. So yes, while I don’t have any experience of being in a competitive, a cappella, show choir such as those in the film, choir is a big deal to me. I’m going to say straight off that I didn’t find it very funny. Comedy (like all art forms) is subjective and this just wasn’t really up my street. Personally, I found it a bit gross and too much laughing at stereotypes than with them. I also wasn’t blown away by the characters.*** With the main character, Beca, I feel they were trying to make a refreshing change from the balls of sunshine and rainbows girls you often see in similar films by creating a more relatable and independent lead. However she often comes across as rude and ungrateful in her privilege, so much so that if she wasn’t so obviously the lead you could be forgiven for thinking she was the antagonist such does she share characteristics with the typical mean girls of high school/college movies. She’s not helped by the fact that any attempt to have a deeper, more emotional moment generally falls painfully flat, mercifully really, these moments are also pretty short and rare. I applaud Anna Kendrick for salvaging the character from the unbearable she could potentially be. Rebel Wilson’s Fat Amy is the source of some of the film’s funniest lines and moments (as well as some that I didn’t find nearly as funny as it seemed I was meant to), the character has this great, indomitable confidence. I love Jesse (Skylar Astin), member of a rival a cappella group and Beca’s love interest. Seriously, the guy’s practically perfect, he loves film scores! But yeah, if you hadn’t guessed already, the main draw of the film was empathising with choir stuff and awesome a cappella arrangements appreciation.**** First things first, I relate a lot to the notion of “The messiahs of Barden. Well, you know, not including athletes, frat guys, or actual cool people.” [when describing an a cappella group]. In secondary school I don’t really know how much clue the rest of the student body had about anything in the Performing Arts side of the school but for the people that were in it, everyone knew who the cool people were, for whom you were meant to clap the hardest, cheer the loudest and generally go wild for. The high school heartthrob singer, the guitarists and drummers who would improv more complex solos each concert, the Grade 8 players of, what anyone normal person would consider deeply uncool, orchestral instruments and the funniest, most original MDs, plus you got to pretend you knew these people and the coolest teachers because you’d all been on Tour. Then there’s all the familiar stuff like singing exercises that make you look ridiculous and even just phrases such as “Sopranos in the front and altos in the back”. Say what you like about the rest of the film (and I kind of have) but they nail the a cappella arrangements. The choreography isn’t really my area of expertise but it looks really cool. The songs are great, the mash-ups/medleys work so well and the harmonies are on-point. A good musical arrangement is more than the sum of its parts and I love the rush you get from singing in a group, being part of this one amazing whole which is definitely a thing they explore in the film. So Pitch Perfect: not a great film in so many ways but worth watching for the music (and possibly Jesse).
TTFN! * Scientific fact. It triggers the release of endorphins, like chocolate or exercise does. ** I am technically an ABRSM Grade 5 singer (go me!). *** Though I have just discovered that a guy in it is Cormac McLaggen, so there’s that. **** Hell yeah, alliteration!
I'm gonna finish him like a cheesecake!
Fat Amy (character) - Pitch Perfect
Longbourn
A few weeks ago I successfully re-located the "Leisure Reading" section of my university's library (it moved) and, having done this, then felt compelled to get a book out. I discovered a copy of Jo Baker's Longbourn. It's a take on the Jane Austen classic Pride and Prejudice from the servants' perspectives that I remember being advertised and acclaimed a few years ago. Frankly you only need to mention Austen and I'm interested; so of course I borrowed it and added it to the Reading List. The details of my relationship with Pride and Prejudice are a little fuzzy to me. Several years ago I first saw the 2005 film starring Keira Knightley, then watched Bride & Prejudice (2004 - the Bollywood version) and possibly the legendary 1995 mini-series with Colin Firth before I finally got round to reading the original book. I borrowed it from my local library at least 2 or 3 times* before spontaneously buying a copy in the Oxford branch of Waterstones. It's a cheap paperback with a black/red colour scheme clearly aimed at Twihards (seriously, the Wuthering Heights edition advertised on the back says "Bella & Edward's favourite book" on the front cover) but it's my go-to book when I'm feeling miserable and has literally travelled across the world with me (limited traveller that I am). It's now lovingly battered and is one of my all-time favourite books. I have consumed an awful lot of Pride and Prejudice adaptations: the webseries, the black and white film, in addition to those mentioned above** and was happy to find a new one in Longbourn. The book is primarily told from the point of view of Sarah, a housemaid at Longbourn - familiar to Janeites as the Bennet family home - but is also told from others' perspectives including the footman, James and the housekeeper, Mrs Hill. At first I was a bit bemused by this fickle jumping from perspective to perspective when Sarah seemed to be the main character, with the story seen mainly through her eyes, but then I remembered Austen herself was prone to do this. For example, Pride and Prejudice is told primarily from Elizabeth Bennet's perspective but that doesn't stop us from discovering Darcy's opinion of her "fine eyes" long before she does. I wouldn't exactly call Longbourn an adaptation of Pride and Prejudice. It has its own plots and subplots, romances and intrigues, and a killer twist in the middle that I just did not see coming. However a highlight of the book's plot is how it is intertwined with the plot of Austen's original. Baker herself describes it rather elegantly with "When a meal is served in Pride and Prejudice, it has been prepared in Longbourn. When the Bennet girls enter a ball in Austen's novel, they leave the carriage waiting in this one [Longbourn]." All the servants at Longbourn featured in the book are apparently mentioned in Austen's novel (though not all with a name) - personally I remember Mrs Hill clearly but, try as I might, cannot bring to mind any mention of the second housemaid. Baker links up these brief glimpses of the servants that must have been keeping Longbourn running and provides these characters with full and rich personalities and backstories. Longbourn is also grittier. While Pride and Prejudice has been selling the romance of the Regency era probably for as long as it hasn't been considered a contemporary work, Longbourn confronts the realities of what was going on behind-the-scenes, taking in war and slavery but also who had to clean Elizabeth's petticoats when they were "six inches deep in mud". I love a corsets-&-bonnets-focused period drama as much as the next gal but it was really interesting to get this insight from someone who had clearly done their research. Longbourn would be excellent as a stand-alone book. That, on top of its own romance/intrigue, you get to enjoy the references to scenes that overlap with Austen's masterpiece makes it a delight.
TTFN!
*Not unusual for me - it's how I deal with not having enough money to buy all the books but being mostly unable to decide on which are most worthy of being bought. **Pride and Prejudice and Zombies is also on the Reading List.
If Elizabeth had the washing of her own petticoats, Sarah often thought, she'd most likely be a sight more careful with them.
Jo Baker - Longbourn
Captain America: Civil War
The following DOES NOT CONTAIN SPOILERS (but will reference stuff from the trailer).
A year ago Avengers: Age of Ultron came out, it was the first Marvel Cinematic Universe film I’d seen in the cinema and it took me weeks to get round to see it (I plan on writing a Reading List post devoted to the MCU but you can find stuff about Marvel & me in my Ant-Man post). Not so this year with Captain America: Civil War. I had already planned on going home the Bank Holiday Weekend of its release* to (among other things) see the film with my family, when, on the Wednesday before it opened (the 27th), my housemate mentioned that her plans to see it on Friday had fallen through and that she was almost tempted to just go see the midnight screening. To which I responded that I wasn’t doing anything tomorrow night... And so that is how I ended going to my first midnight screening (which must be a geek milestone). In fact we chose to fully embrace our geekhood and opt for the screening that showed Captain America: The First Avenger and Captain America: The Winter Soldier beforehand.** Those 7.5 hours flew by and while it’s normal to lose track of time in a cinema plus action films do tend to be fast-paced, that I didn’t get tired of watching Captain America in all that time is a true testament to the films’ quality and characterization***. 3D characters are something the MCU excels at. As someone who really enjoys a good action film, I’m happy to admit that the level of characterization in them usually ranges from basic to appalling but Marvel somehow manages to keep producing new, interesting superheroes. Black Panther is incredibly cool (and sexy) and Spider-Man is so funny, plus he’s actually looks and acts like a teenager. Tom Holland looks set to be ‘My Spider-Man’**** as this is the first time I’ve really cared about the character, though I’ll allow that this is probably because the only other Spider-Man film I’ve seen is the first Amazing Spider-Man one so I’m hardly well-versed in the character. That Marvel can have repeated scenes with multiple superheroes in (including the big airport battle with everyone) and it not feel like I’m seeing the same character again and again shows their skill. It would be easy to decide on a ‘superhero personality’ that you’d end up giving to all your heroes but each of them is clearly unique with their own motivations and ways of reacting to things. The film also really puts a focus on personal relationships and team dynamics. Most of these heroes know each other but the relationships that exist between individuals vary. Even apart from what side they’re on how Tony and Falcon interact is clearly not the same as how Black Widow and Falcon interact, the latter know each other far better than the former. Look out for Scarlet Witch and Vision, Iron Man and Spider-Man, Black Panther and Black Widow. Plus there’s the long-term (since before we were superheroes) friendships of Black Widow & Hawkeye and Tony & Rhodey; Cap/Falcon’s whole ex-military, brothers-in-arms thing; Hawkeye/Scarlet Witch’s kind of mentor/mentee thing develops; and of course the whole Cap/Bucky relationship, crossing almost a century now (even if both of them spent a lot of that time frozen), is a big factor as is Cap/Iron Man (there wouldn’t be a ‘Civil War’ if not for them heading the two sides). Basically more or less pick two characters and there’s a dynamic, even if it’s just of the “hey we just met but I guess we’re fighting” variety. Though the comedic moments of the film had me crying with laughter I was also known to shed a far sadder tear. Overall these moments were really well handled, subtle not heavy-handed ‘here this is sad, feel unhappy’ attempts to make an emotional impact. There’s a text received quite early on in the film that is such a beautiful, understated way to punch you right in the feels. At the climatic final battle of the film I actually gasped and clutched my chest (because, you know, I‘m in a period drama) when I figured out how it was going to play out. Marvel’s success (/presumably very skillful casting directors) mean that the films can attract great actors who can really pull off these kind of scenes*****. Scenes we really expect from superhero films are action scenes of which there are loads of amazing ones in this movie, from the big fights to smaller moments like Bucky doing something insanely cool with a motorbike or the scene with Cap and the helicopter that we all know (and love ;) ). The airport battle is epic (basically the ultimate “In a fight between x and y who would win” discussion/argument) and what you could call the final showdown manages to be a great fight scene while still keeping the deeper emotions at play at the forefront. Characters, particularly those introduced in Age of Ultron and later, have had their superpowers expanded upon and developed. I read last year about the process behind developing Quicksilver’s run, how it had to be different from Cap’s more parkour style etc. and it’s made me appreciate the physicality of the performances and the thought that goes into them more, for example Black Panther is definitely quite feline and predatory in movement. I feel I must mention Martin Freeman, playing government agent/official Everett K. Ross. It’s not exactly a big part but I hear we will see more of him in the future - I hope so, Freeman’s a really good actor and the character definitely had potential even if it’ll always be quite a small, sideline role. It’s straight-up bizarre to hear him speak with an American accent (how dare these actors act!) and what with Cumberbatch’s Doctor Strange this October I’m going to be so confused by the time Sherlock series 4 finally arrives and returns them in my mind to Britishness. Captain America: Civil War - basically an Avengers movie plus and minus a few Avengers. Great characters, both old and new, and great action. Many laugh-out-loud moments (special mention goes to Spider-Man) but also big emotional moments when the tears were not from laughter. A brilliant start to Phase 3 of the MCU. I particularly like how it acknowledged that things have consequences, people get hurt. Be it saving the world or a fight between friends, stuff doesn’t just go back to normal and I look forward to seeing how this plays out in the new Phase.
TTFN!
* 29th April - I wait months to see loads of great U.S. shows, you bet I’m going to gloat that (for some reason) we get Marvel films one week earlier (sorry, but not that sorry). ** This also gave me the opportunity to see these films in the cinema in HD, with amazing quality sound etc. *** Ok, it’s not just Captain America’s characterization that I don’t mind watching for over 7 hours ;) **** Think this deserves the same approach as Doctors and Mr Darcys. ***** I don’t mean to imply that comedy doesn’t require the same skill, they’re great actors who can pull off funny scenes too.
I could do this all day.
Steve Rogers/Captain America (character) - Captain America: Civil War
The Mortal Instruments
What with me seeing the 2013 film The Mortal Instruments: City of Bones* for the first time when it had its freeview premiere on TV the other day and the new TV series Shadowhunters: The Mortal Instruments having recently started, it seemed like the right time to do my Reading List post on the series of books that they're both based on: The Mortal Instruments by Cassandra Clare, made up of the following 6 books: City of Bones, City of Ashes, City of Glass, City of Fallen Angels, City of Lost Souls & City of Heavenly Fire. I started with just City of Bones on the list along with several other first books from well-known, well-liked YA fiction series. After getting round to borrowing the first one from the library and enjoying it when I read it, I decided to commit to the series and add the rest of them to the list. I finished reading the whole series at the end of Summer last year. The Mortal Instruments definitely fits into its YA genre; there's a strong, but lacking in self-confidence, teenaged female lead (Clary) who suddenly discovers a huge secret about herself (she's a Shadowhunter - bonus points for special powers) and then proceeds to discover more about this world (for which the author has invented history, culture and technical language) and fight the forces of evil with minimal intrusion from parents or standard education but maximum intrusion from tortured romances.Yes it's trope-y, but don't tropes exist because they’re the sort of storylines we enjoy reading? I, myself, will always admire an author for creating detailed worlds - the more detail the more you can wrap yourself up in it. It's how I can be so immersed in the world of Harry Potter because it feels so real, though even that pales next to Tolkien literally creating the Elvish language! Clare's details include copious amounts of runes and creating customs that reflect the Shadowhunters' having a different way of life and so a completely different outlook on life as a society from 'mundanes' (aka muggles). I also love to read/watch different people’s takes on classic supernatural stuff like werewolves, vampires and magic. The series does suffer from what I call “the trilogy problem"**, where a series seems to have been originally intended only to be a trilogy but then was extended, so in the 3rd book (here City of Glass) all the major plotlines are wrapped up only a whole new set of problems to arise in the 4th book. Also here, after the 3rd book the titles stop referencing actual ‘cities’ within the story and start just being named thus to keep the pattern going. While I’m all for spending more times in worlds I love but it does tend to make you doubt the longevity of the happy endings described after the books have finished when those you’ve previously been given are so suddenly torn up (see also unplanned film sequels). It also suffers a bit from “the other trilogy problem” where the quality of the books goes down as the series progresses and (while the books are never under 400 pages long) my first reaction on seeing the the 750+ pages of the last installment, City of Heavenly Fire, was more of a groan at having to get through that much to finish the series than excitement at the long story ahead of me. That said I did enjoy the final book, if more for the secondary characters than the primary ones - who I confess I had tired of a little by the end. Plus as the books go on the story is increasingly divided between different points of view so these secondary characters become more like primary characters. They include the badass Isabelle, the lovable geek Simon, funny (though usually not on purpose) Alec and the fabulous Magnus. The Mortal Instruments is a good series, typical of its genre, rightly popular but not outstanding.
SPOILER
Going back to Magnus and Alec, The Mortal Instruments is I believe the first book(s) I’ve read with a LGBT+ relationship between such major characters (they may not be the main pairing but by the end they were telling a lot of the story independently of Clary & Jace and I certainly shipped them the most) - so, woo! representation, sorry it took me (and the book market in which such relationships are not common) so long.
TTFN!
* Comments on casting: Having played very peripheral characters in Twilight and Harry Potter Jamie Campbell Bower finally gets a lead role in a franchise as Jace (sadly for him the franchise thing didn’t really work out); Luke is played by Aidan Turner of Poldark fame *swoon*; and Clary’s mum was played by Lena Headey aka Cersei from Game of Thrones which presented some interesting moments. Having the built up familiarity with an actor’s voice and facial expressions that the long exposure of a TV series gives you, I found myself disproportionately wanting to yell “Run! Hide!” to Clary as her mum told her off for staying out late the previous night as my associations with an angry Cersei bled through. **First really became aware of this when reading the Young Samurai series by Chris Bradford. It has 3 books called Way of ‘Something’ and then 5 called Ring of ‘Something’ that have different cover designs to the original trilogy and follow a different ‘journey’ for the main character. This doesn’t mean I don’t really recommend the series.
Usually, I'm remarkably good-natured. Try me on any day that doesn't end in y.
Cassandra Clare - The Mortal Instruments: City of Ashes (Jace)