Att og fram er like langt

thom — 29

[lakesbian]

ive just seen the american psycho characters drawn as my little ponies and honestly i dont think patrick should have been given that cd as his cutie mark. i think you're doing it wrong if you're not making him a perpetual blank flank

[lakesbian]

look if you're gonna draw characters as my little ponies you have to remember that the cutie mark can't just be any old imagery you associate with them. it has to be Representative. it's their Unique Characteristic. to quote the pony wiki page i just googled, "Twilight and Applejack point out in Call of the Cutie how lacking a mark means that ponies still get to experience 'the thrill of discovering who they are and what they're meant to be'." there's narrative shit going on here there's Themes. and patrick bateman is NOT unique. he has NOT discovered who he is or what he's meant to be. the end monologue of the book is literally about how he has absolutely nothing going for him in this regard & is simply a vacant, hollow person merely vacuously gesturing at the idea of having depth. and when he rants about music, that's what he's doing there, too. his lyrical analysis is shallow/vaguely inaccurate summaries at best and completely warped at worst. everything he has to say about music--and in general--is intensely fixated on commodities and on appearing normal and intelligent while being entirely devoid of any intelligent or individual thought. so no, his cutie mark is not music. mr "missing that hip to be square is about making fun of conformist squares & proudly proclaiming that its actually about how fucking Awesome it is to be conformist and consumerist" does NOT have a fucking cd cutie mark. He's a blank flank. He has no unique identity. There is no future for him. There is no self identity. He's a fucking blank flank. okay? sorry i got a little passionate about this. there is no exit and he has no cutie mark

[lakesbian]

@epeboch see, I agree, but also, being a blank flank is against the social norm, so I imagine he has a fake one that he wears.

ok now this is important intellectual discussion about the subject. i agree i was personally imagining him like. always having it covered with pants or something. but he would have a fake cutie mark. he would totally get a fake cutie mark tattooed or something in my little american psycho world. in fanart however if this cannot be briefly conveyed then i think for the sake of clarity with regards to his character it needs to be blank. just so its clear he doesnt have one

[letourswordsdecide]

After the first time he chops somepony up with an axe he stands there, feeling nothing, no catharsis, but he still can't stop himself from turning to look at his reflection.

It's still blank. He looks at the axe as though it is the thing that has betrayed him.

[pngblog]

[ccorinthian]

Doing shrooms For the first time next Wednesday is there anything I should keep in mind or bring with me

[kyotoprotocols]

[lone-pylon]

hey, you, you're finally awake

[its-funnytwittertweets]

[dragonpyre]

[sevastiel]

[aconstantstateofbladerunner]

On an intellectual level i know that early 20th century megacity concepts are deeply impractical and would cause triple the harm they purported to solve, but damn if the art doesn’t make me yearn to visit.

Hugh Harriss made some of my favorites.

[theoutcastrogue]

It’s Hugh Ferriss, check out The Metropolis of Tomorrow (1929). Some of his work is speculative, some of it is just artistic renderings of existing (or proposed) buildings for advertising purposes, some of it is educational, and a lot of it is New York. All of it is dope.

[honourablejester]

I love Hugh Ferriss cityscapes so much. I grew up with Batman: The Animated Series, and it’s responsible for a lot, and this whole vibe, the massive, monolithic, Art Deco cityscape, Hugh Ferriss is the epitome of it. Gotham, Metropolis, Rapture, New Capenna. Any fantasy dieselpunk art deco city you’ve ever seen. This guy, along with the original Metropolis, was one of the first. 

I especially love that last image from the first post:

I have it saved to most of my computers so I can use it as a desktop occasionally. This tiny human figure standing back in awe of this cityscape view that absolutely dwarfs them, this mass of concrete and light that looks like a dawn beyond them. 

And, yes, this is from an early 20th century dream of a future that would have been incredibly bad for us, but the imagery. This is the city as a mass, as an entity, as a pillar to the heavens, as a radiance, as a dawn. The solidity of it. These are cities as the epitome of humanity’s ability to say ‘I built this’. I made this mountain, and I made it radiant. I put this thing here and it is so solid that no wrath of any god could strike this babel down.

(They wouldn’t have needed to. We’d never have gotten them up, and if we had they’d have slowly killed us in and of themselves. But damn they look good)

I really love his stuff …

[batancha]

tell me where it hurts, oil and gesso on canvas, 36x42, 2022

[jetix]

Moraff’s Spherejongg, 1995

[propertyofjameswilson]

happy pride month everyone!!

[thesophistiicate]

if you want to experience life more deeply you have to find more beauty. stop training yourself to dismiss, to mock, to assume the worst all the time — when you do this you build walls between yourself and the world. and after a while you stop feeling the warmth of it entirely.

beauty requires openness. it asks you to let things reach you, to soften enough to be moved. it’s not naive to see beauty everywhere—it’s a skill, a form of intelligence, a kind of quiet bravery. because it is so much easier to critique than to create, to detach than to engage, to dismiss than to love.

let yourself be affected. let yourself find things beautiful and let that be enough. life is not asking you to be cool, sitting on the sidelines and nitpicking everything. it’s asking you to see life and experience it fully.

[redlipstickresurrected]

Calvin Laituri (American, b. 1997, based Brattleboro, VT, USA) - Down Cellar, 2021, Ink and Etching on Clayboard

[ccorinthian]

Detransitioning more like retransitioning let’s see what comes out on the other end

[parakavka]

くまぽん on X: “うちの愛犬がマムシに噛まれた顔みさきさんの腹筋崩壊させる自信微妙にあるんやけど…笑 #ジョイチュン https://t.co/dAiM28Mwli” / X

[punkitt-is-here]

so I had an interesting time yesterday

[whitepeopletwitter]

[ramshacklefey]

No IDs, but these tags got me in a huff:

So ok look. The point is not the flared leg by itself. These cannot be yoga pants. These are, and you have to understand this if you are too young to have worn them, BLUE JEANS. And this was the last years before all jeans were 70% spandex.

They were denim, and they weren't bell bottoms. They hung loose from the knee in a way that would make a wizard envious. We all walked around like we were wearing hakama. And they dragged on the ground. That was important. Ragged cuffs. If your jeans weren't so long that they had ratty cuffs, they were embarrassingly short.

And the thing about denim is that it's a twill weave and it's cotton. So not only does it hold a lot of water, it wicks. Walking around in these suckers on a wet day could get you wet to the knees even if you never stepped in a puddle.

Then you'd go inside and take off your shoes and try to avoid letting your freezing, wet, filthy pant legs touch your skin.

Yoga pants. Hmf.

[elodieunderglass]

people in cold climates would have a tide line of white marks around their knees (if they were normal height) in the winter.

From wicking up road salt.

[huariqueje]

Half Asleep - Jeremy Miranda , 2026.

American , b. 1980 -

Acrylic , 7 3/4 x 9 1/2 in.