Once upon a timeâŠ
I really wish the overused sentence âYou either die a hero, or live long enough to see yourself become the villain.â was less relevant but here we are
let's talk about Bridgerton tea, my ask is open
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@cearo
Once upon a timeâŠ
I really wish the overused sentence âYou either die a hero, or live long enough to see yourself become the villain.â was less relevant but here we are
Vincent van Gogh, Wheat Fields after the Rain, 1890, oil on canvas Carnegie Museum of Art, Pittsburgh, PA
âBACK WHEN TIME DIDNâT MATTERâ â AN OIL PAINTING BY RIONA
Raymond Bonilla (American, b. 1983, based Buffalo, NY, USA) - Soon, 2021, Paintings: Oil on Panel
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The Raven Cycle
cersei in winterfell..đ
I honestly think that like all of my issues with the plot structure of Inquisition can be summed up by this sign. Itâs right next to a path up a hill at the Storm Coast, one surrounded by little boulders and rocks that have fallen. But at no point during gameplay does a rock fall.
Why bother putting this sign and the fallen rocks there if youâre not going to have a rock fall on the player?
Why include blatant character flaws in the companions that donât serve much purpose beyond ârounding them outâ by existing? Why have Dorian be focused on reforming all of Tevinterâs issues except slavery if it only comes up exactly one time in non-essential dialogue? That is a HUGE-ASS FLAW. Why give Sera such vitriolic self-hatred and internalized racism when oppressed elves are precisely the sort of âlittle peopleâ that she fights for? Why can the Inquisitor not talk about these things with them and help them realize that they need to change their thinking?? Can you IMAGINE the character arc Sera could have had???
Why can Clan Lavellan be killed if no one in Skyhold ever acknowledges it? The only possible purpose it could serve would be to provide emotional stakes for the odds the player is up against, but nothing emotional actually comes of it.
Why can you customize Skyhold if none of those changes make a difference? Why can you build up over 300 power at the War Table if itâs completely useless outside of main quests, of which there are ridiculously few?
Why have a storyline about Lyrium addiction among Templars if itâs never acknowledged that said addiction is entirely the Chantryâs fault?Why include Fiona in the game if all she ever does is stand in a hallway? For that matter, why make an entire game leading up to the mage rebellion if the ACTUAL BEGINNING of it is shunted off into a book that a lot of players wonât know exists and the rebellion itself is just going to be background noise in the next game?
Why are Alistair/Stroud/Loghain and Hawke in the game for literally about 1 hour (out of a solid 90, generally) if one of them has to die? The Inquisitor doesnât know them. New players donât know them. To have an actual emotional impact in-universe, they should be legitimately introduced into the story in a significant way. Instead they appear, die/leave for Weisshaupt, and disappear again. They do nothing; things happen to them.
There are so many signs for falling rocks, but no rocks actually fall.
loghain duel any %
The waiters
Wait For Me hits every time. also this is so beautiful i love how Penelope looks
i can understand the trials but were the tribulations really necessary
Roman aqueducts
when i say i think about rome every day this is the kind of thing i mean
Dickie boy đ©”