Claire Keane

oozey mess

⁂
let's talk about Bridgerton tea, my ask is open
hello vonnie
Cosimo Galluzzi
Xuebing Du
occasionally subtle
Cosmic Funnies

Kaledo Art

Discoholic 🪩
cherry valley forever
tumblr dot com
$LAYYYTER

#extradirty
Lint Roller? I Barely Know Her
Mike Driver

roma★

titsay
Not today Justin
seen from United States
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@chabernaud
We know the sea does not give itself up. We can hear its shouts beyond the shutters: it is night’s throat, the voice of that which doesn’t speak, the mute recitation of distances, the muffled chatting of silence, a beautiful blend of words placed like plaster on the tongue’s emptiness…
Jean-Michel Maulpoix, “They look at blue but will never know how to say it”, A Matter of Blue: Poems (trans. Dawn M. Cornelio)
A conversation w/ a snared fox at the edge of the field
Ernst Stöhr (1860-1917), “Ver Sacrum”, #12, 1899 Source
You are the only one with the natural ability to understand this: I am always writing, even when I am not.
Marcel Proust, from a letter to Jeanne Weill Proust c. October 1903, featured in Letters of Marcel Proust (via abrce)
19 November. Self-pity, because it is cold, because of everything.
Franz Kafka, Diaries (via antigonies)
Dua Lipa - Bang Bang (Full Version)
You are the only one with the natural ability to understand this: I am always writing, even when I am not.
Marcel Proust, from a letter to Jeanne Weill Proust c. October 1903, featured in Letters of Marcel Proust (via abrce)
i’ve started thinking about realms of language as worldings themselves– worldings that allow or negate the birth of certain identities, ideas, expressions, laws. thinking of this prenatal weight within language that gives rise to possibility spaces while preventing and/or destroying others– a sort of necro-linguistic dimension on one end. the way reality is even processed/encountered changes with each language space. for example, in aymara, instead of implying a gaze directed forward, moving through time (with tomorrow coming sequentially “ahead” of today which came “ahead” of yesterday), speakers instead face the past and have their backs to the future (q"ipa, the word for “future” translates as behind or back– q"ipüru, the word for “tomorrow” translates to “some day behind one’s back”). when i think of geography, i think of all the things that cling to/ define a body as it moves through space or manifests a locality, toward/ away from something else, where and what it was or couldn’t be. we carry whatever was thrown onto us at birth– things clutter, signalling divergent, sometimes contradictory messages, changing with each new environment we find ourselves in. i live as the embodiment of a continued dreaming by my ancestors– progenitors of stone, chemical, single-celled and zooidic forebearers, to my native family under the enslavement of the inca and then the spanish, to my mother arriving in the US as a child, unable to speak english at a school in Barstow, California. my desires quantize into the detrital unmooring that is Americanness. negotiating this scattering, this shift, is an act of de/recolonization, a continuous motion. pushed into waves, molecular vibrations recoordinate/realign with those nucleotidic impulses braided through me. musically, i use everything– recycle myself, regurgitating bowels and entrails– chance and haphazard divinations that would or might lead me back to certain lost rhythms and cadences; light shattering on the face of a river, the bob of a pigeon’s head in a city i have become homeless in, the syncopation of a human heart as it metabolizes an injection of tar and coke. this is my gait, the cascade of my dismemberment, seismic pulse of my re-formation, my American drift.
elysia crampton,
interview w/ rouge foam
(via
rabid
)
This interview makes me cry anytime I read it
(via rabid)
To fall in love is to individualize someone by the signs he bears or emits. It is to become sensitive to these signs, to undergo an apprenticeship to them (thus the slow individualization of Albertine in the group of young girls). It may be that friendship is nourished on observation and conversation, but love is born from and nourished on silent interpretation. The beloved appears as a sign, a “soul”; the beloved expresses a possible world unknown to us, implying, enveloping, imprisoning a world that must be deciphered, that is, interpreted. What is involved, here, is a plurality of worlds; the pluralism of love does not concern only the multiplicity of loved beings, but the multiplicity of souls or worlds in each of them. To love is to try to explicate, to develop these unknown worlds that remain enveloped within the beloved.
Gilles Deleuze, Proust and Signs (via nemophilies)
Time flows in a strange way on Sundays.
Haruki Murakami (via nespra)
me when I can’t find a specific vine
Q: What relation would you establish between responsibility and love? E.L.: I think that responsibility is the love without concupiscence of which Pascal spoke: to respond to the other, to approach the other as unique, isolated from all multiplicity and outside collective necessities. To approach someone as unique to the world is to love him. Affective warmth, feeling, and goodness constitute the proper mode of this approach to the unique, the thinking of the unique.
Emmanuel Levinas, Is It Righteous to Be? Interviews with Emmanuel Levinas (via ecrituria)
The secret of blue is well kept. Blue comes from far away. On its way, it hardens and changes into a mountain. The cicada works at it. The birds assist. In reality, one doesn’t know. One speaks of Prussian blue. In Naples, the virgin stays in the cracks of walls when the sky recedes. But it’s all a mystery. The mystery of sapphire, mystery of Sainte Vierge, mystery of the siphon, mystery of the sailor’s collar, mystery of the blue rays that blind and your blue eye which goes through my heart.
Jean Cocteau, from “The Secret of Blue,” Tempest of Stars: Selected Poems (via abrce)
For I do not say my confession; I am my confession.
Jean-Luc Marion, In the Self’s Place (via spiritandteeth)