big fan of the recent trend ive noticed of people adding flaming text of the original word over censored words in posts. do NOT sanitize the internet. say fuck with your chest
he wasn't even looking at me and he found me

roma★

Origami Around
2025 on Tumblr: Trends That Defined the Year

Kaledo Art

tannertan36
Cosmic Funnies

Product Placement
Claire Keane
Alisa U Zemlji Chuda
Peter Solarz

pixel skylines
todays bird
No title available
almost home

Discoholic 🪩
d e v o n
art blog(derogatory)
Aqua Utopia|海の底で記憶を紡ぐ

No title available
seen from Germany
seen from Türkiye
seen from Italy
seen from United States

seen from Singapore
seen from Argentina

seen from Italy
seen from United States

seen from Saudi Arabia

seen from Russia
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States

seen from Malaysia
seen from United States
seen from United States

seen from United States
seen from United States
@chantelbecky
big fan of the recent trend ive noticed of people adding flaming text of the original word over censored words in posts. do NOT sanitize the internet. say fuck with your chest
today there was a “flash mob” set up by the seniors because it was their second to last day so they blasted the macarena over the loud speaker and did the dance in the main lobby but our headmaster knew about it so it wasn’t even funny but whilst walking past the elevator i found out why they really did this so called “flash mob”
it was a distraction
they put chickens in the elevator
This was wild because I forgot your high schoolers are called seniors and I thought you were talking about old folks
“it was their second to last day”
Was so concerned till we got to “headmaster”
Foul beast ate that adventurer whole, RIP
everyone wants to feel like a teenage girl sometimes, a little bit
strongly disagree
somewhat disagree
???
somewhat agree
strongly agree
"When I Say That We Are All Teen Girls", Olivia Gatwood
The Artemis II images are making me emotional for a lot of reasons but one of them is:
From "The Eve of Judgement Day" by Robert L. Reiner, sequential art historian, exhibitions curator and defender of banned books:
In the March-April 1953 issue of the comic book Weird Fantasy, an astronaut named Tarlton is sent to evaluate a planet for inclusion in the Great Galactic Republic. He finds a world which is designed based on Earth’s history, values, and legacy, and populated by sentient robots segregated by color. The robots are identical in every other way. After a thorough review of the education, living conditions and treatment of the “inferior” blue robots, he concludes that this society needs to evolve further to join. The orange robots protest, not understanding where they fell short. But Tarlton assures them that there is reason for hope. Tarlton explains that his world had had a similar history but in time was able to move forward and mend its ways. When the astronaut returns to his spaceship and removes his helmet, we see that he is a Black man. The story, Judgment Day, was a bold and potentially suicidal move for a comic book publisher. In a medium which more often would feature a muscular white super-hero or a funny cartoon animal, Entertaining Comics (EC) placed in one of its science fiction comics a tale in which the only human being is a Black man.
Astronauts are so funny man. Here's just a couple of things I've found hilarious from this past week of space stuff:
It's probably already been spread around here enough already, but in case anyone's missed it; 7 hours after launch, commander Reid Wiseman, dealing with tech issues, uttered the generational quote "I have two Microsoft Outlooks and neither one of those are working."
After fixing the issues that were afflicting the onboard toilet, mission specialist Christina Koch (who has quickly become my favourite of the four) laughingly said “I’m the space plumber, I’m proud to call myself the space plumber.”
On Easter Sunday, the Artemis II crew hosted a makeshift egg hunt, by hiding packets of dehydrated scrambled eggs around their Orion capsule.
The way the crew always makes sure to make it very clear they're in space when doing interviews. From stuff like Wiseman just hanging out floating sideways on screen or Koch letting her hair loose so it can freely span out flowing around her.
While in transit, the crew decided to record a parody of those bad 80s sitcom intros where everyone turns and smiles at the camera.
When the crew reached the furthest point from Earth in the mission, they jokingly clambored over each other in an effort to get to the far side of the capsule, so that they could individually claim to be the furthest person from earth.
At the same time, on the ISS which was at the time on the other side of earth, the 7 astronauts onboard had a light-hearted race to the far side of the station, making jokes about being the furthest humans from Artemis.
On the way back to earth, NASA actually managed to establish an audio call between the crews of the ISS and Artemis II (where they shared the above info), and Koch called one member of the ISS crew, Jessica Meir, her "astro-sister" as the two of them previously spacewalker together in 2019. Meir then responded I'm so happy that we are back in space together, even if we are a few miles apart" (a few here being 230,000).
While Jeremy Hansen was doing an interview, Wiseman and Koch were just in the background swatting the mission mascot (a little moon plush toy named Rise) back and forth between each other.
Earthset over the lunar surface and the sun eclipsed by the Moon, seen by the Artemis II crew as they passed behind Earth's closest neighbor yesterday.
Just got off a whole day on a bus to check the world's most beautiful pictures of the Moon and Trump threatening genocide upon a whole civilization
oh carlitos we're really on it now
self isolate
Diva down
“but what if you abort the baby who’ll cure cancer?!” sir the baby who will cure cancer is an organic chemistry major who works at a Home Depot because you use AI to go through your resumes
Two Souls ➜ One Soul
the fuck you lookin at keep scrolling
I think the Hunger Games series sits in a similar literary position to The Lord of the Rings, as a piece of literature (by a Catholic author) that sparked a whole new subgenre and then gets blamed for flaws that exist in the copycat books and aren’t actually part of the original.
Like, despite what parodies might say, Katniss is nowhere near the stereotypical “unqualified teenager chosen to lead a rebellion for no good reason”. The entire point is that she’s not leading the rebellion. She’s a traumatized teenager who has emotional reactions to the horrors in her society, and is constantly being reined in by more experienced adults who have to tell her, “No, this is not how you fight the government, you are going to get people killed.” She’s not the upstart teenager showing the brainless adults what to do–she’s a teenager being manipulated by smarter and more experienced adults. She has no power in the rebellion except as a useful piece of propaganda, and the entire trilogy is her straining against that role. It’s much more realistic and far more nuanced than anyone who dismisses it as “stereotypical YA dystopian” gives it credit for.
And the misconceptions don’t end there. The Hunger Games has no “stereotypical YA love triangle”–yes, there are two potential love interests, but the romance is so not the point. There’s a war going on! Katniss has more important things to worry about than boys! The romance was never about her choosing between two hot boys–it’s about choosing between two diametrically opposed worldviews. Will she choose anger and war, or compassion and peace? Of course a trilogy filled with the horrors of war ends with her marriage to the peace-loving Peeta. Unlike some of the YA dystopian copycats, the romance here is part of the message, not just something to pacify readers who expect “hot love triangles” in their YA.
The worldbuilding in the Hunger Games trilogy is simplistic and not realistic, but unlike some of her imitators, Collins does this because she has something to say, not because she’s cobbling together a grim and gritty dystopia that’s “similar to the Hunger Games”. The worldbuilding has an allegorical function, kept simple so we can see beyond it to what Collins is really saying–and it’s nothing so comforting as “we need to fight the evil people who are ruining society”. The Capitol’s not just the powerful, greedy bad guys–the Capitol is us, First World America, living in luxury while we ignore the problems of the rest of the world, and thinking of other nations largely in terms of what resources we can get from them. This simplistic world is a sparsely set stage that lets us explore the larger themes about exploitation and war and the horrors people will commit for the sake of their bread and circuses, meant to make us think deeper about what separates a hero from a villain.
There’s a reason these books became a literary phenomenon. There’s a reason that dozens upon dozens of authors attempted to imitate them. But these imitators can’t capture that same genius, largely because they’re trying to imitate the trappings of another book, and failing to capture the larger and more meaningful message underneath. Make a copy of a copy of a copy, and you’ll wind up with something far removed from the original masterpiece. But we shouldn’t make the mistake of blaming those flaws on the original work.