"I'm Dorothy Gale from Kansas"

❣ Chile in a Photography ❣

blake kathryn
occasionally subtle
Cosmic Funnies

Andulka
Show & Tell
we're not kids anymore.
hello vonnie

ellievsbear
Sade Olutola
𓃗
trying on a metaphor
Game of Thrones Daily
ojovivo

Origami Around

roma★
Today's Document
🪼
Noah Kahan
seen from United States

seen from United States
seen from United States

seen from United States
seen from Brazil

seen from Malaysia

seen from Russia
seen from Russia
seen from Russia
seen from Russia

seen from Russia
seen from Russia

seen from Russia
seen from Russia

seen from Russia

seen from United States
seen from Türkiye
seen from United States
seen from United States
seen from United States
@cheepacheep
Today in labor history, October 4, 1936: An estimated crowd of more than 100,000 trade unionists, anti-fascist activists, and local residents barricade streets leading into London’s East End to stop a march by British fascists. The 6,000 police officers who attempted to clear a route for the fascists were met with fierce resistance in what became known as the Battle of Cable Street and the march was re-routed.
hey guys ever heard of
anime
whats that
hoooo buddy……… whoo hoo…….lemme tell you…..let me tiell you about this one
I’ve been trying to think of a good term for the “weepy movies about tragic queer people aimed at straight audiences” subgenre, and I think I’ve got it:
dead gays for the straight gaze
eh? eh??
queers die for the straight eye
SO YOOOO who wants to learn why this is a thing because the history is actually really fascinating and ties into some of my favorite shit ever?
Okay, so like, back in the mid-twentieth century, when being queer was still totally a crime everywhere in the United States, queer writers started working in pulp fiction–starting with Vin Packer (she is awesome)–and writing pulps to tell our stories.
So one day over lunch, her editor asks her, “Hey, Vin, what’s the story you most want to write?”
And she goes, “Well, I’d like to write a love story about lesbians because I’m, you know, gay.”
He says, “Hey, that’s awesome, I will publish it. One thing, though, the homosexuality has to end badly and the main character has to realize she was never gay in the first place. We can’t seem to support homosexuality. I don’t actually think that’s cool, but the government will literally seize our book shipments and destroy them on the basis of the books being ‘obscene’ if you don’t, so if we want this story actually out there, and not burning in a bonfire somewhere, it’s what you gotta do.”
So Vin goes home and writes Spring Fire, the book that launched the entire lesbian pulp genre. And while one character ends up in an insane asylum and the other ends up realizing she never loved her at all, it’s massively successful, and queer women everywhere snap it up and celebrate quietly in their closets across the nation because HOLY SHIT THERE’S A BOOK ABOUT ME? I’M NOT ALONE and it starts a huge new genre.
But: every publisher is subject to those same government censorship rules, so every story has to end unhappily for the queer characters, or else the book will never see the light of day. So, even though lesbian pulp helps solidify the queer civil rights movement, it’s having to do so subversively or else it’ll end up on the chopping block.
So blah blah blah, this goes on for about twenty years, until finally in the seventies the censorship laws get relaxed, and people can actually start queer publishing houses! Yay! But the lesbian pulps, in the form they’d been known previously, basically start dying out.
MEANWHILE, OVER IN JAPAN! Yuri, or the “girls love” genre in manga, starts to emerge in the 1970s, and even starts dealing with trans characters in the stories. But, because of the same social mores that helped limit American lesbian pulp, the stories in Japan similarly must end in tragedy or else bad shit will go down for the authors and their books. Once more: tragic ends are the only way to see these stories published rather than destroyed.
The very first really successful yuri story has a younger, naive girl falling into a relationship with an older, more sophisticated girl, but the older girl ends up dying in the end, and subsequent artists/writers repeated the formula until it started getting subverted in the 1990s–again, twenty years later.
And to begin with cinema followed basically the same path as both lesbian pulps and yuri: when homosexuality is completely unacceptable in society, characters die or their stories otherwise end in tragedy, just to get the movies made, and a few come along to subvert that as things evolve.
But unlike the books and manga before them, even though queer people have become sightly more openly accepted, movies are stuck in a loop. See, pulps and yuri are considered pretty disposable, so they were allowed to evolve basically unfettered by concerns of being artistic or important enough to justify their existence, but film is considered art, and especially in snooty film critic circles, tragedy=art.
Since we, in the Western world, put films given Oscar nods on a pedestal, and Oscar nods go to critical darlings rather than boisterous blockbusters (the film equivalent of pulps, basically), and critics loooove their tragedy porn, filmmakers create queer stories that are tragic and ~beautiful~ that win awards that then inspire more queer stories that are tragic and ~beautiful~ until the market is oversaturated with this bullshit.
The Crying Game? Critical darling, tragic trans character.
Philadelphia? Critical darling, tragic gay character.
Brokeback Mountain? Critical darling, tragic queer (? not totally sure if they’d consider themselves gay or bi, tbh?) characters.
And so on and so on VOILA, we now have a whole genre of tragedy porn for straight people, that started out as validation for us and sometimes even manages to slip some more through the cracks occasionally, but got co-opted by pretentious ~literary~ types. While tragic ends made these stories more acceptable to begin with, and in the mid-to-late nineties that started getting subverted a little bit (Chasing Amy, But I’m a Cheerleader), eventually that became the point, as more straight audiences started consuming these narratives and got all attached to the feels they got from the ~beauty of our pain~.
Queer history is crucial
Favourite Person: *doesn’t talk to me all day*
me: i knew it all along….. truly thou dost not care for i, and i dost not care for thee…….
fav: sorry i didn’t talk to you tonight i had so much homework ugh. goodnight, i love you
me: it’s ok, i love you too! what a great nice person, the best friend, my perfect darling………….
“There was a moment about 10 years ago when I was walking to the subway on the Upper West Side. It was the Fourth of July, and I was wearing a red, white and blue dress. I was feeling very patriotic, and it was really tight.
I passed these two men. One appeared to be Latino, and the other appeared to be black. The Latin guy says “Yo, mama, can I holla at you?”
And the black guy said “Yo dude, that’s an n word.” Then, the Latin guy says “No, man, that’s a bitch.” The black guy said “No, that’s an n word.”
They began to argue about whether I was the b word or the n word. What lovely options.
I was just standing there at the light, waiting for it to change “Please let it change so I can cross the street”, ’cause I needed to cross the street. At one point the Latin guy turns to me and says “You ain’t an n word, are you?”
That moment is indicative of a lot of the street harassment that I have had to endure. Street harassment started first because these men found me attractive, because I’m a woman.
Then they realized that I was trans, and it became something else. It turned into something else. So many trans women have to experience this.
Just last month in New York City, a young girl named Islan Nettles was walking down the street in Harlem with her friend and she was catcalled by a few guys. They realized that she was trans, and then they beat her to death.
In 2001, a trans woman named Amanda Milan, who I knew but not very well, something similar happened to her in the Times Square area, and she was stabbed to death.
Our lives are often in danger, simply for being who we are, when we are trans women. There are a lot of intersecting identities and intersecting oppressions that make that happen.
That moment when I was called the b or the n word, it was a moment where misogyny was intersecting with trans-phobia, was intersecting with some racist stuff.
The racial piece is actually really important, because I’ve talked to a lot of white trans women who haven’t experienced quite the level of street harassment that I have.
I’ve gotten in trouble by saying this publicly, that most of the street harassment I’ve experienced has been from other black folks. That’s not to suggest that black folks are more homophobic or trans-phobic than everybody else, ’cause I don’t believe that. But there are some homophobic and trans-phobic black folks.
I think the reason for that is there a collective trauma that a lot of black folks are dealing with in this country that dates back to slavery and to the Jim Crow South.
Most of us know that during slavery and during Jim Crow, black bodies, usually black male bodies were often lynched. In these lynchings, the men’s genitals were cut off. Sometimes they were pickled and sometimes they were sold. There was this sort of historic fear and fascination with black male sexuality.
I believe that a lot of black folks feel that there is this historic emasculation that has been happening in white supremacy of black male bodies. I think a lot of black folks dealing with a lot of post-traumatic stress see trans, my trans woman’s body, and feel that I’m the embodiment of this historic emasculation come to life.
So often when I am called out of the street, it’s as if I am a disgrace to the race because I am trans.
I understand that as trauma. I have love. I have so much love for my black brothers and sisters who might call me out on the street, ’cause I get it. I understand. They’re in pain.
I feel so often our oppressors are in a lot of, lot of pain. I think whenever someone needs to call out someone else for who they are, and make fun of them, it’s because they don’t feel comfortable with who they are.
If anyone ever has a problem with someone else, I ask you to look at yourselves first. What is it about you that you have a problem with? What is it about you that you have a problem with? I also think it’s important that when we talk about bullying, we understand that when kids LGBT/QI kids are bullied, oftentimes it is because of their gender expression.
We hear the gay slurs, the anti-gay slurs, and it’s really about these kids not conforming to the sex that they were assigned at birth. Gender expression is not meeting the expectations of society, so we have to begin to create spaces where we can express our gender in ways that are true to ourselves.
The gender binary model, most of us don’t fit that, and that’s OK. I think too, the violence so many trans women experience, trans women of color are disproportionately victims of violence.
Our homicide rate is the highest in the LGBT community. It went from 43% in 2011 to almost 54% of all LGBTQ homicides were trans women, and mostly trans women of color. There is a link between the bullying that we inflict on our LGBTQ youth, and the violence that so many trans women experience.
What are we going to do about that? I think love is the answer.
Cornell West reminds us that justice is what love looks like in public.
I love that, because I feel that love, if we can love trans people, that will be a revolutionary act.” - Laverne Cox
(Keepler Speakers, 2013)
(Photos are from 2009 Glaad Media Awards)
read this entire thing!!!!
I still feel a bit drunk ew
i just discovered the term ‘black knighting’ courtesy of reddit and i want to vomit :)
i can never believe how much men hate women. it just keeps getting worse and worse
I’ve never heard of that. Is it new? And what is it? I have a bad suspicion… :(
no idea how new it is, as i typically avoid reddit like the plague (but i discovered this term through the link to the gendercritical subreddit)
“A Black Knight is someone who pisses women off for entertainment.“ as opposed to a White Knight aka someone that stands up for women in order to try and get sex :/
here are some excerpts, courtesy of theredpill
on the subject of a woman walking away from you at night: “I’m just a man who decided to run an errand at night. Next time this happens jog after her. There is no law against jogging. Chase her for a while and then stop. Enjoy the fear you created. Woof woof you stupid cunt.”
on the subject of what they called “biological warfare”: “How do you exploit these two weaknesses? Start baking for the office. See how much butter and sugar you can make the little piggies eat. With sustained effort everyone will be up ten pounds in three to six months.”
“Fructose has various nasty biological effects when consumed in excess. Main ones we are interested in are raised blood trigs, adiposity and increased appetite (outside of normal insulin fuckery, but related).“
“Try replacing the fructose with a sugar alcohol like sorbitol. For a portion of the population, it causes “gastric distress” - diarrhea and gas, mostly.”
another story that im gonna paraphrase: guy didnt like his female boss, she was stressed over a project, someone “accidentally” sent flowers to the wrong desk- to HER boss- with a note saying “the interview went great and we look forward to working with you next month!” to make it look like she was secretly searching for another job. she got fired within the week.
using the womans bathroom at starbucks, which one man described as “empowering in a red pill way” because of course most women are going to look confused if not upset… clearly beyond the red piller to imagine reasons a man might enter a womans restroom besides to go to the bathroom
some things fairly innocuous like leaving empty condom wrappers in womens restrooms and stuff…. to intentionally trying to intimidate women, getting a woman fired, etc. men harassing women in various ways, “for teh lulz” i guess.
We could never hate men as much as they hate us.
Andrea Dworkin recommended for the women of the 21st century to harden our hearts and learn to kill. Perhaps she was right.
women who hate men want to distance ourselves from men, have our own communities, when women hate men, we want to get away from men. When men hate women they do the exact opposite, they invade our spaces, harass us, intimidate us, stalk us, are violent against us. It doesn’t matter how much women hate men, we don’t hate men the way they hate us.
^^^ the last comment is so important
Alex’s Band A Day (48/366)- Spiritualized
Song- Ladies and Gentlemen We Are Floating In Space
Album- Ladies and Gentlemen We Are Floating In Space (1997)
Genre- Neo-Psychedelia, Space Rock
???????????????????? alright jared dark'ness dementia raven way you know u dont actually have to kill anyone right maybe chill out a bit
Winona Ryder February 22, 1989
New mindset who dis