fatima aamer bilal, excerpt from moony moonless sky’s ‘i am an observer, but not by choice.’
[text id: i have the everlasting tendency to ruin everything i love.]

if i look back, i am lost
macklin celebrini has autism
$LAYYYTER

❣ Chile in a Photography ❣

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KIROKAZE
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art blog(derogatory)

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@cissawrites
fatima aamer bilal, excerpt from moony moonless sky’s ‘i am an observer, but not by choice.’
[text id: i have the everlasting tendency to ruin everything i love.]
Writing Worksheets & Templates
will update this every few weeks/months. alternatively, here are all my tagged Writing Worksheets & Templates
Chapter Outline ⚜ Character- or Plot-Driven Story
Death & Sacrifice ⚜ Magic & Rituals ⚜ Plot-Planning
Editing: Sentence Check ⚜ Writing Your Novel: 20 Questions
Tension ⚜ Thought Distortions ⚜ What's at Stake
Character Development
50 Questions ⚜ Backstory ⚜ Character Creation
Antagonist; Villain; Fighting ⚜ Protagonist & Antagonist
Character: Change; Adding Action; Conflict
Character: Creator; Name; Quirks; Flaws; Motivation
Character Profile (by Rick Riordan) ⚜ Character Sheet Template
Character Sketch & Bible ⚜ Interview your Character
Story-Worthy Hero ⚜ "Well-Rounded" Character Worksheet
Worldbuilding
20 Questions ⚜ Decisions & Categories ⚜ Worksheet
Setting ⚜ Dystopian World ⚜ Magic System (AALC Method)
Templates: Geography; World History; City; Fictional Plant
Writing References: Worldbuilding ⚜ Plot ⚜ Character
all posts are queued. send questions/requests here.
How to Develop a Memorable Antagonist
Antagonists are one of the most important characters in your book. Without an antagonist, writers wouldn’t have a story to write in the first place. They bring the action, drama, trauma and many other factors that are often the reason for a book’s success. However, their pivotal role in the book is often why antagonists can come across as poorly-written one-dimensional characters.
From stereotypical backstories to a lack of humanisation, authors often make simple mistakes that can result in a cliche or boring antagonist. Are you struggling to create a compelling antagonist for your WIP? Here are some tips to help you get started.
Give Your Antagonist A Clear Motive
People don’t just wake up one day and decide they want to fundamentally alter society and possibly end the world. Or, maybe they do, but their idealogy starts somewhere. Voldemort wanted to change the wizarding world because he loathed muggles due to his parents, Hannibal’s tragic past triggered his cannibalistic tendencies.
Every antagonist has a reason for their crimes, and it's important to understand your antagonist’s motives and goals in order to create a compelling villain. Start with your antagonist’s backstory.
Did they have a tragic childhood? Did they desperately want to achieve a certain goal but failed and were driven insane? Are they following someone? Are they being manipulated? There is an endless list of possible reasons you can choose from in order to create a compelling motive for your antagonist.
Make Your Antagonist Multi-Dimensional
Once you have established their initial reasoning it’s time to go into more detail. I would start by taking their dynamic with the other characters into consideration. Why do they despise the protagonist? Do they want to simply remove the obstacles in their way or do they have a personal vendetta?
It’s also important to consider the other characters. Is there a mentor figure in your book who the antagonist has a personal vendetta against? What about their allies and henchmen? How did they meet them? Did the antagonist start off alone or have they worked with the same group of people since the start?
Your readers don’t necessarily need to know every single detail of your antagonist’s past, but having a clear understanding of their motives and dynamics can help you create a clear image of the antagonist. For example, they could be particularly spiteful towards the protagonist’s best friend because she is the daughter of the antagonist’s ex-ally. This could make for an easy subplot or come in handy if you need to distract the antagonist in a fight scene.
Make Your Readers Empathise With Them
When developing a motive authors should always look for a way to make their readers empathise with the antagonist. Show us why we should feel sorry for them, tell us they could have had a promising future if it weren’t for an unjust moment in their lives. When you make your readers feel conflicted about your antagonist they become more than just a character on the page.
Your readers begin to question whether their tragic past justifies their actions, some might root for them, others might dislike them more and regard them as apathetic. However, the goal is to make your readers view your antagonist as more than just the person causing issues for your protagonist.
Give Them Strengths And Weaknesses
Everyone hates a Mary Sue protagonist, but the same can be said for an antagonist. Think of it this way—if your antagonist is an all-powerful flawless villain who could destroy the world if they wanted to, then why haven’t they already won? Why do they have to fight the protagonist?
The good vs bad, protagonist vs antagonist dynamic only entices readers if they can’t tell who is going to come on top at the end of it all. This is why it’s essential to give your antagonist appropriate strengths and weaknesses.
Here’s an example of an antagonist with appropriate strengths and weaknesses: a main antagonist is an all-powerful witch who wants to destroy the protagonist’s home country but she lost most of her power in a fight against the mentor and can’t gain them back without a special artefact.
This example shows your readers how big of a threat the antagonist is while also providing her with appropriate strengths and shortcomings. This can look a little different depending on the genre you write for. Maybe the antagonist in a romcom wants to get the love interest married off to a side character and has the leverage to do so but the main character is introduced to the love interest’s family to try and sway the antagonist’s plans.
You don’t need to create a comprehensive list of all of your antagonist’s strengths and weaknesses, but it’s important to have a proper understanding of what puts them in a position to easily combat your protagonist and what stops them from outright winning.
Showcase Their (Negative) Impact On The Story
An antagonist can only be labelled as such if they actively do things to hinder or harm the protagonist. Simply saying your antagonist is a bad person isn’t enough, you need to show your readers this too.
When you start reading Harry Potter it is made clear that Voldemort was an all-powerful wizard who severely damaged the wizarding world during the first war, however, his bad deeds aren’t only reserved for the past. He was also just as evil in the present and was out to harm Harry from the first book itself.
From small confrontations with the protagonists to entire fights, it’s important to create a range of situations and chapters that can showcase your antagonist’s ‘true colours’.
Keep Their Personality Consistent
Just like every other character, it is important to ensure you have a consistent personality type for your antagonist. An antagonist regularly spotted in a suit known for their professional and calculative plans wouldn’t casually joke around with the protagonists during a showdown. The way they contradict the protagonist should also be reflective of their personality.
You should also take their personal history into consideration and how that could impact their dynamics with certain characters. For example, a character like Tom Riddle who despised both of his parents would likely be spiteful whenever they see the protagonist with their mentor figure and could even target the mentor out of spite.
The only time an antagonist’s personality should change is during a pivotal point in the book’s plot. Maybe the put-together antagonist shows off their frustrated side when the protagonist outwits them, maybe they let out maniacal laughter when the protagonist asks them about their motives.
It’s important to treat your antagonists like humans and consider how a person with that personality would realistically react to the situations they are in.
Avoid Creating A Stereotypical Antagonist
Nobody likes an overdone cliche. When writing your antagonist try to avoid creating stereotypical villains. Here are a few examples of stereotypical antagonists and how to avoid them:
The Evil Mastermind: Instead of making the antagonist an all-powerful villain with no weaknesses, give them flaws and limitations that can be exploited by the protagonist. Make the antagonist's motives more complex than just wanting to take over the world, and consider giving them a personal connection to the protagonist or a sympathetic backstory.
The Brainwashed Henchman: Rather than having the antagonist control their minions through brainwashing or mind control, make the henchman have agency and free will. Consider making the henchman conflicted about their role, or have them question the antagonist's motives and methods.
The Vengeful Ex-Lover: Instead of making the antagonist a scorned lover seeking revenge, consider giving them a different motivation for their actions. For example, the antagonist might be seeking revenge for a perceived betrayal, or they might be trying to protect someone they care about.
The Unfeeling Machine: Rather than making the antagonist a cold, calculating machine with no emotions, consider giving them a personal stake in the conflict. The antagonist might be acting out of fear or desperation, or they might be struggling with moral dilemmas related to their actions.
The Crazy Cult Leader: Instead of making the antagonist a stereotypical cult leader with a group of brainwashed followers, consider giving them a more nuanced personality. The antagonist might genuinely believe in their cause and be able to convince others to follow them, or they might be struggling with doubts and conflicts within their own ideology.
Avoid ‘One Man Armies’
Let’s be honest, one evil wizard cannot destroy your protagonist’s entire world by themselves. Just like protagonists have mentors, allies, coworkers, friends and sidekicks your antagonists need to have allies too. Voldemort didn’t conquer the entire wizarding world by himself right after graduating from Hogwarts, he instead built his troops and only fought Dumbledore once he was ready.
When worldbuilding for your novel it’s important to create some semblance of character development for background antagonists as well as the lead antagonists.
I hope this blog on how to develop a memorable antagonist will help you in your writing journey. Be sure to comment any tips of your own to help your fellow authors prosper, and follow my blog for new blog updates every Monday and Thursday.
Looking For More Writing Tips And Tricks?
Are you an author looking for writing tips and tricks to better your manuscript? Or do you want to learn about how to get a literary agent, get published and properly market your book? Consider checking out the rest of Haya’s book blog where I post writing and marketing tools for authors every Monday and Thursday
How To Write Jealousy
🦢 ― &. JEALOUSY . ( how to write it? & a list of jealousy )
Along with many other emotions, jealousy is very complex emotion and requires you to break it down into tiny pieces in order for you to identify and write them.
It is very effective in writing as it helps a character realize what they really want and how badly they want it. It doesn't have to be central to the plot; it can be understated and supported by anger or fear.
It comes across in simple examples like a villain who is jealous of the hero, when two characters want one thing / have the same goal or when one character is more successful than the other.
Types Of Jealousy:
1) Sexual Jealousy ― when a character's spouse or significant other displays or expresses sexual interest in someone else.
2) Romantic Jealousy ― when your character fears the loss of a romantic partner or fears rejection from a potential or current romantic partner.
3) Possessive Jealousy ― when he/she feels threatened by someone who could interrupt a friendship or relationship that they value.
4) Separation Jealousy ― when your character has fear of separation or loss of a lover, partner, friend or parent due to their relationship with another person.
5) Work Jealousy ― when your character feels cheated out of a promotion at work, or feels jealousy towards a specific person at work.
6) Friend/Sibling Jealousy ― When he/she feels inadequate when comparing themselves to their friends/family/siblings (they always try to one-up their friend/sibling).
7) Abnormal Jealousy ― extreme psychological jealousy that results in or a combination of morbid, psychotic, psychological, delusional, anxious, controlling, immature and insecure behavior.
Understand What Fuels Their Jealousy:
There are many reason for someone to be jealous of another person. It could be rejection, confusion, frustration, powerlessness, insecurity, suspicion, loneliness or distrust. Choose the reason that fits the type of jealousy.
How Does Jealousy Effect Them Physically:
Do they have an increased heart rate or body temperature? Do they become angry and clench their fist, have verbal outbursts, stare downs and tensed muscles? Do they become quiet and have a dry mouth?
How Do They React To Others Or The Person They're Jealous Of:
Make up stories/gossip about that person so that others will have negative feelings towards the same person.
Feel overwhelmed and underachieve in every sphere of their life.
Avoid the person all together.
Take up a bad habit or addiction in an attempt to deal with their feelings.
Become obsessed about something (like over exercising and dieting to beat their rival in a tournament or something more sinister like plotting another character’s demise).
Manipulate others into feeling sorry for them.
Over criticize themselves and everything they do.
Harm themselves, their environment or others.
Show a blatant disregard for the needs and desires of others to fulfill their own.
Bully or intimidate the people around them to gain a false sense of power.
Abuse others physically or psychologically.
Flaunt their wealth (or fame, intelligence, status, beauty, etc.) to mask their own insecurities.
The Hofburg, Vienna, Austria
by Andres Herrera
All year round🖤
Get to know me meme: Royal Palaces/Castles [3/7] Hpfburg Palace
For over 600 years the Vienna Hofburg was the residence of the Austrian sovereigns. Originally a medieval fortified castle dating from the 13th century, the Hofburg was extended by each emperor. The sprawling, asymmetric complex which extends over 240,000 m² consists of 18 wings, 19 courtyards and 2,600 rooms in which nearly 5,000 people still work and live today. Until 1918 the extensive palatial complex at the heart of Vienna was the political centre of the monarchy.
She’s not the kind of girl you choose your battles for. She’s the kind of girl you fight to the death for.
Colleen Hoover, November 9 (via wordsnquotes)
family members
supcrnovae:
All muses have a family of some sort, whether it be a biological one or an adoptive one, and usually muns aren’t able to talk much about them. However, this meme will allow you to expand on your family headcanons! Have fun~
Send me a ♠ to have my muse talk about their parents.
Send me a ♡ to have my muse talk about their siblings.
Send me a ♢ to have my muse talk about their cousins/nephews.
Send me a ♣ to have my muse talk about their children.
Send me a ✎ + a family member that wasn’t mentioned in this post ( grandparents, aunts, uncles, etc ).
“BOOHOO mean Snape tested a potion made by Neville on Trevor keeping the antidote on hand and the familiar was unharmed, my God what and AWFUL and CRUEL man!!!”: 13385491763591736254 notes
“Snape saved Lupin’s life during the Battle of Little Whinging”: 4 notes, one of them complaining about George’s ear
“Snape saved Katie Bell”: 1 note
“Snape saved many people while spying”: 10 notes, one saying “But he was still a dick!”
Ladies and Gentlemen, let me introduce you to…
Okay. As much as anti discourse makes me impossibly frustrated, so does this. The “where the life of a toad is more meaningful than human lives” comment is as much of a strawman as any “friendzone” argument from the “other side,” and it’s part of the reason why so many antis think they have such a strong case. That scene was about so much more than just a toad, and I suspect you know that. Of course, if you would like an explanation of that using a close reading of the text, I can offer that here.
The point of that scene is that it is terrible. That behavior is unacceptable. But that does not change the fact that he was a superb healer who used his power to save many students and keep Dumbledore alive. It does not change the fact that he exercised immense skill and self-control as a wildly successful spy, and carried immense guilt “for those I could not save.” The spells that come from the deepest parts of him—his patronus and Vulnera Sanentur—are visually, emotionally, and/or audibly beautiful pieces of magic. And again, those things do not change the fact that he uses his power as a teacher to purposefully and unnecessarily antagonize some of his students.
The point of Snape’s character is that he challenges our empathy, our compassion, and our ability to forgive. Harry doesn’t name his son after Snape because he realizes that Snape never did anything wrong. He does so because he recognizes that despite the cruel things that Snape did, he was still a good person trying to do the right thing and that’s what counts in the end. If we, as those who appreciate Snape, neglect to acknowledge the bad things that he did, then we also neglect to meet this challenge as much as those who write off Snape as singularly bad. Feeling compassion for Snape is supposed to be difficult. It’s supposed to be complex. It’s supposed to challenge us to start with someone in a book and then extend it to the real world, where real people are hurting and maladjusted and try to hurt us in turn, but we must think critically and complexly to compartmentalize their behavior and how it affects us. It challenges us to identify those who are sorry, and to do our best to reach out and help those people the best that we can. It does not, however, teach us to blindly accept abuse and allow ourselves to be repeatedly hurt by people who don’t want to heal. It’s up to us to figure out the difference—to separate the Snapes from the Voldemorts. (Though of course, we know Harry was ready to forgive even Voldemort if he had “shown some remorse.” The man who killed his parents, his friends. Surely that was not easy to do. Yet, it is the extent to which we, as readers, are being challenged to forgive.)
If we disregard Snape’s faults and shortcomings—if we insist that he did nothing that requires forgiveness to begin with—then we are missing the point of Rowling’s call to action and missing the point of what it means to love this character. Then we too are guilty of flattening him to be either “good” or “bad,” when we know that he is “all grey”: a deeply flawed and wounded human being. He is both a victim and a victimizer, caught in a cycle of abuse that can only be broken by forgiveness and personal growth—things that Harry represents, and things that Snape never had access to in his lifetime. We should not excuse these scenes despite loving Snape, but because we love Snape, and loving Snape is about forgiveness, about seeing the best in people despite their flaws, and believing that everyone deserves to be loved even if sometimes it’s difficult to do so.
Keep reading
See what your followers think of you.
BLACK = I would date you. GREEN = I think you’re cute. BLUE = You are my tumblr crush. GREY = I wish you would notice me. PURPLE = I don’t talk to you but I really love your blog. TEAL = We have a lot in common. YELLOW = I don’t know you at all. ORANGE = I don’t like your blog. BROWN = I don’t like you. PINK = I think you are unattractive. RED = I hate you with a burning passion. WHITE = You scare me. RAINBOW = BED PLZ.
Okay I’m gonna add more meaningful colors because this list is inadequate.
SCARLET = You have influenced my decision/thoughts on something.
MAROON = You taught me something new.
CINNAMON = You’re a really cool person and admire you from afar.
PERIWINKLE = You make me laugh
MAUVE = You are really talented
BLUSH = Seeing you on my dash makes my day a little better.
Actually I’m gonna add a few too
CYAN = We have very little in common
THISTLE = I only just started following you
INDIGO = I’ve been following you for a long time
FUCHSIA = Your blog content is gold
COPPER = Your blog content is trash (and I love it)
VERMILION = You make me feel passionate
HONEYDEW = I want to call you by a nickname
LAVENDER = You inspire me
CORAL = You’re a meme
UMBER = I want to know more about you
FORGET-ME-NOT = You remind me of somebody
RAZZMATAZZ = I would share my favorite food with you
ARSENIC = I don’t know how to describe the way I feel about you
WINE = You make me feel kinda funny, like when we used to climb the rope in gym class
SAFFRON = I love your ideas
TIMBERWOLF = I trust you
FALLOW = I want to run through the Northern wilderness barefoot with you
PLUM = I’d like to chat with you
TANGERINE = I love your aesthetic
SAGE = You make me cry
CRIMSON = We should collaborate on something!
VIRIDIAN = I wanna hang out on your blog
CHARTREUSE = You’re my homie
BURGUNDY = I get excited when I see posts from you
the 100 ways to say 'i love you' teen wolf edition
1. "A key to your house, already?"
2. "I am the one keeping you alive, okay?"
3. "If you die, I will literally go out of my freaking mind."
4. "She is my best friend."
5. "Not all monsters do monstrous things."
6. "You electrified the windows?"
7. "You are the hottest girl."
8. "I would never leave without you."
9. "Dance with me, dumbass."
10. "You can do it."
11. "Am I going to regret this?"
12. "When I kissed you, you held your breath."
13. "You remembered my name."
14. "You are the hot girl."
15. "You were just trying to kiss me."
16. "After everything we've been through, I believe you."
17. "Because I trust you."
18. "I need you."
19. "I knew you liked me."
20. "You are coming back, right?"
21. "I'd like to help you figure it out."
22. "I think you look beautiful."
23. "What do you want me to do?"
24. "You are showing me plenty right now."
25. "It's progress."
26. "I heard you almost got killed."
27. "Why is your heart beating so fast?"
28. "Stay behind me and stay quiet."
29. "Did you find her?"
30. "I don't want you to sleep in the chair."
31. "It didn't matter to me."
32. "I don't want you to be normal, I want you to be alive."
33. "Wait here."
34. "You did not just say that."
35. "Do the right-side brakes on your dad's SUV squeak a little bit?"
36. "She stays."
37. "Stay behind me and stay quiet."
38. "Just tell me how to fix this, alright?"
39. "I will come with you."
40. "Is she okay?"
41. "Just focus on the sound of my voice, alright?"
42. "If you got something else in mind, I am okay with that too."
43. "I am not going anywhere."
44. "Part of you is doing something."
45. "Trust me, I do plenty of sucking just for his benefit."
46. "You're not nervous, are you?"
47. "There's no such thing as fate."
48. "I think you mean..."
49. "Be the Alpha."
50. "Are we still milking that?"
51. "What did you tell her?"
52. "Why do you want to know?"
53. "You wanna play Catwoman, I'll be your Batman."
54. "Can you get me out of here before I drown?"
55. "I won't judge, I promise."
56. "They tip toe."
57. "You know, I put those pants on you."
58. "He can't be dead."
59. "So is that hypothetical situation we talked about getting any less hypothetical?"
60. "Close your eyes."
61. "You want to leave so we can figure it out?"
62. "I'll be your Yoda."
63. "What's this look on your face?"
64. "You're the one who always figures it out."
65. "Can't you trust me just this once?"
66. "You're getting an idea, aren't you?"
67. "What were you thinking going after them?"
68. "I can see it on your face."
69. "I am frustrated."
70. "That's because it doesn't hurt."
71. "Don't be such a sour wolf."
72. "We need help."
73. "I can take care of myself."
74. "Do you still?"
75. "I figured you shouldn't be alone."
76. "I couldn't let that be the last memory you had of her."
77. "Why'd you help me?"
78. "She still is."
79. "Not all of us are."
80. "I wanna paint your body."
81. "I think you could definitely take him."
82. "So what are you gonna do?"
83. "I did ask her out once."
84. "If anything happens, find me."
85. "I am not watching The Notebook again."
86. "We are not leaving without her."
87. "What am I, a nun?"
88. "I am just looking at your eyes."
89. "I really hope you are."
90. "I love your smile."
91. "I only had one friend and she's dead too."
92. "Look at me."
93. "Good thing I had my period last week then."
94. "I hate you."
95. "Who are you?"
96. "I am not leaving, okay?"
97. "You are my brother."
98. "I am here to save my best friend."
99. "Why did you do that?"
and...
100. "Because I love you."
Too Shy To Reach Out?
Send A Symbol To Explain Why We’re Not RPing Yet
♔- I can’t think of a plot for us and I want to figure that out first! ☃ - I’m not sure how our characters would meet. ☁- I’m worried you only RP with a certain group of people. ♛ - I wrote you a starter and you haven’t replied yet… ★ - I’m intimidated by how much you write ☂ - I’m intimdated by how often you post ☾ - I don’t know how to approach you ☄ - I’m super anxious about EVERYTHING ☀ - I keep hoping you’ll message me first…