submitted by @apocalypticanuyushi
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❣ Chile in a Photography ❣

shark vs the universe
Cosimo Galluzzi
h
Keni
I'd rather be in outer space 🛸
Sade Olutola
Game of Thrones Daily
almost home
🩵 avery cochrane 🩵

PR's Tumblrdome
The Stonewall Inn
No title available
One Nice Bug Per Day
noise dept.

titsay
Monterey Bay Aquarium
"I'm Dorothy Gale from Kansas"

#extradirty
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@citrus-corvidae
submitted by @apocalypticanuyushi
This is what I was alluding to when I discussed that the volume of name changes you have to make as a trans person highlights the ridiculous amount of documentation attached to you.
Lyrics from Scylla- Epic the Musical
things in phm that really tickled me as a marine biologist:
the concept of star-eating microbes causing a crisis and the solution being the introduction of space wolves to space yellowstone to control the space elk population. i love a good trophic cascade
dr ryland grace immediately pitching "turn the spaceship into a giant centrifuge to generate gravity" and then not balancing his actual centrifuge later on
the entire "life is reason" scene really
grace forgetting to open the mystery alien container in a fume hood AND immediately sticking his nose in it. if we did this in chemistry lab we were executed on the spot
academia drama being one of the cornerstones of grace's character
grace switching through every spectrum setting on the microscope to try to see into the astrophages and not being able to (relatable)
also: the astrophage dying and grace going "ohhh it died..." (very relatable)
grace having his not-scientist buddy Carl to give him frank solutions when he's overthinking. yes, often the solution is just to put the box in another box
copious duct tape usage
just sticking a filter into the path of the petrova line to collect astrophage goop
eva going "so it's alive" when grace tells them the astrophage are moving, and him being like "WELL ok that could be for a lot of reasons" in the tone of someone who doesn't even know where to start explaining why that's a hasty assumption
grace referring to the first new astrophage as his and carl's baby multiple times (HIGHLY relatable)
humanity's greatest hope being a teacher. humanity being saved by grace's ability to find novel ways to communicate well with others -- something that made him excellent as an educator, and enabled him to bond with rocky
“Unfinished Painting” — Keith Haring
This painting was left intentionally incomplete. Haring began it when he was dying due to complications from AIDS, and knew he didn’t have much time left. The piece represents the incomplete lives of him and many others, lost to AIDS during the crisis.
“AIDS Memorial Quilt” — Multiple
This quilt is over 50 tons heavy, and one of, if not the, largest pieces of community folk art. Many people who died of AIDS did not receive funerals, due to social stigma and many funeral homes refusing to handle the deceased’s remains, so this was one of the only ways their lives could be celebrated. Each panel was created in recognition of someone who died due to AIDS, typically by that person’s loved ones.
“Untitled” (Portrait of Ross in L.A.) — Felix Gonzalez-Torres
This pile of candy weighs the same amount as an average adult man. Visitors are encouraged to take some of the candy. As they do so, the pile of candy weighs less and less. This is a commentary on how AIDS deteriorates the body of those who have it. Gonzalez-Torres’ partner, Ross Laycock, had died due to AIDS-related complications the same year.
The SF Gay Men's Chorus
This photo was taken in 1993. The men in white are the surviving original members. Every man in black is standing in for an original member who lost their lives to AIDS.
“Electric Fan (Feel it Motherfuckers); Only Unclaimed Item from the Stephen Earabino Estate, 1997” — John Boskovich
After the death of his lover, Stephen Earabino, from AIDS, Boskovich discovered that his family had completely cleared his room, including Boskovich’s own possessions, save for this fan. An entire person, existence and relationship had been erased, just like so many lives during the AIDS crisis. Boskovich encased the fan in Plexiglass, but added cutouts so that its air may be felt by the viewer, almost like an exhalation. In a sense, restoring Earabino’s breath.
“Blue” — Derek Jarman
This was Jarman’s final feature film, released four months before his death from AIDS-related complications. These complications had left him visually impaired, able to only see in shades of blue. This film consists of a single shot of a saturated blue color, as the soundtrack to the film described Jarman’s life through narration, intercut with the adventures of Blue, a humanization of the color blue. The film's final moments consist of a set of repeated names: “John. Daniel. Howard. Graham. Terry. Paul". These are the names of former lovers and friends of Jarman who had died due to AIDS.
“Untitled” (Perfect Lovers) — Felix Gonzalez-Torres
Created by the same man who created the previous untitled piece, this piece was also inspired by his lover’s deterioration and death due to AIDS. This piece consists of two perfectly alike clocks. Over the course of time, one of the clocks will fall out of sync with the other.
In a letter written to his lover about the piece, before his lover’s passing, Gonzalez-Tourres wrote, “Don't be afraid of the clocks, they are our time, the time has been so generous to us. We imprinted time with the sweet taste of victory. We conquered fate by meeting at a certain time in a certain space. We are a product of the time, therefore we give back credit were it is due: time. We are synchronized, now forever. I love you.”
Please feel free to reblog with more additions
i was watching the karaoke scene again last night and genuinely like it fucks me up
bc in no way can be read that she was always gonna send grace on the hail mary, or that she suspected or knew she was going to have to send him.
when she sings, it is absolutely to him, but it's to reassure him that she knows she's going away but that she's coming back. she's telling him to hang in there, that it's going to be hard but that she believes in him and that she will come back when the time is right and they'll meet again somewhere far away from here.
that's the captain of the ship telling her first mate "youre gonna have to run things when im gone but its okay bc i believe in you and youre gonna do fine. I'll be back soon."
she KNOWS she's a scapegoat. she's been planning for her arrest and eventual escape the whole time on the backburner.
and then the disaster happens and she has to send her second in command, her friend, to his death or they all die.
and suddenly there is no more "we'll meet again someday" bc she's never gonna see him again. even if everything goes to plan and she escapes and the beetles arrive with a solution-- she loses grace forever.
if that doesnt just fucking gut you, if youre too busy being mad at her for killing grace to appreciate the fucking tragedy that is their relationship, you are missing out on some prime angst.
Ngl I totally forgot fandom discourse was a thing. I don’t care man, I have car payments
starting a collection
If I may submit:
Mooooreeeeeeeee Graces because he is in fact fun to draw sound the alarm the rumors are true
People who commit to portraying Simon and Grace's masculinity in their shipping content, yall are real as fuck
Why would you hide all the juicy stuff in the tags
Grace is sapiosexual and Simon is a man's man.
The first time Simon goes on a detailed explanation of how to more effectively fly the Hail Mary after hours of reading through the system's piloting manuals with his hair tied back in a messy bun and Grace's whiteboards scattered everywhere filled with navigation notes, it makes Grace react the same way Simon does when he first sees Grace's muscles flexing as he lugs around heavy equipment to do maintenance work around the ship with a socket wrench clutched between his teeth and just the right amount of sweat shining along his abdomen
Oh, Mary, full of grace, receive the bloodied sufferer into your arms
I really wanted to show how I see what is happens to bloodymary right after the moment when Grace takes Simon from the bloody ocean I feel like I want it to be creepy and disturbing.
oh no, who's that standing against the wall in the last frame? It seems like while Rocky sleeps, Grace will survive the real Ripley-trying-to-survive-on-the-ship-with-Alien experience
I wish age gap discourse hadn't spiraled the way it has because I want there to be a safe space to say "Men in their 40s who date 25 year olds aren't predators, they're just fucking losers"
... honey you just described a predator LOL
No, I said what I said. But thank you for providing an example of how this topic has become insufferable on the internet.
i am honestly burningly curious about how a 40 year old man who fucks around with college grads is not a predator
"College grad" is not a developmental stage, nor is it what I would describe a 25 year old as. I was 4 years out of college at 25. My mother had two children at 25. You can be a fucking congressman at 25.
There's a difference between a man who is immature and buys into misogynistic views of beauty and aging and one who is a predator. Also, many actual predators? Not losers and able to move through society pretty freely being seen as cool and the ideal, so conflating the two isn't helpful.
This is going to be my final response to any attempt at discourse. You're welcome to continue amongst yourselves.
also sometimes a 40 year old and a 25 year old just weirdly find each and it's a perfectly normal relationship - like all human relationships are complex and situational, it's so rarely an either/or thing let alone just one thing only
if a 40 year old dude only dates 25 year olds, DiCaprio style or something adjacent to it, then yeah he's a loser
if a 40 year old dude meets a 25 year old through social event or friends or whatever and they happen to hit it off and make a go of it, and this isn't some sort of reoccurring pattern for the guy, that's just a relationship with an age difference
being predatory means something specific, and man I agree w/ OP and really wish people just stopped ascribing it to any and all relationship dynamics they personally might not like
predator and groomer - two words that need to go up on the "can't use till you learn their meaning" shelf
Something I find really stressful is this seemingly endless creep of infantilisation and removal of autonomy from young people. Like, not to be all “in my dayyyy” about it, but… at 16, my friends and I were expected to be broadly responsible for our presence in the world. Most of us had jobs, we navigated public transport, looked after younger siblings. We were expected to make informed decisions about our future careers and our sexual partners. We were allowed to leave education and work full time (this was not necessarily good thing - I think increasing the school leaving age to 18 was broadly for the best). Most of us were smoking, or drinking, or both - again, not good things, but just facts - and many of us were sexually active. Many of the AFAB people I knew were on the pill. Legally, we could live independently, or get married with adult consent.
Legally (I live in the UK) we were not minors, although we inhabited an odd legal limbo until we turned 18, and we were certainly not “children”. Intellectually, socially, though, we were considered (young) adults, or at the most “older teenagers.” We were expected to read mostly adult books (rather than middle grade or YA), watch the news/read papers, watch mostly adult television.
And I do think we a bit under-protected, under-supported, and in some cases - neglected and financially exploited - and I’m not necessarily advocating that. But it did make us feel, I think, in charge of our own lives, capable and competent to make decisions.
At 16-17 my parents knew they could leave me alone overnight/for a couple of nights, and I wouldn’t starve or burn the house down. I felt comfortable getting cross country trains on my own, or booking and staying at a hotel (yes, with my boyfriend.)
Then there was this… creeping of sentiments that we were all Too Young to trouble our heads about certain things. A lot of it was good - more stringent licensing laws, raising the school leaving age, raising the minimum smoking age(!) - but some of the broader cultural stuff was… a bit patronising? Eg, the introduction of “New Adult” as a category of books aimed at 18-25 year olds, the way cartoons and books written for the 9-12 age group were being marketed as for the 12-15 age group, referring to late teens as “children,” etc etc.
Then, in 2008, there was the big financial crash and suddenly my generation were (broadly) robbed of all the usual markers of adulthood and success, meaning that we got ‘stuck’ in the lifestyles and modes our late teens/early 20s. And suddenly, all the emphasis shifted from social and legal protections for late teens/ younger adults, to legal restrictions on their freedoms/rights, and strange philosophical protections on the emotional states.
So, OF COURSE a 23 year old can’t buy a beer without carrying an ID card, and a 17 year old can’t have a crush on a 16 year old, but also, because you’re *children* you don’t need to live like adults. So the UK government got to save money by saying “18 isn’t a proper adult,” then “20 isn’t a proper adult,” and “25 isn’t a proper adult” because it meant they could refuse to give single occupancy housing benefit rates to people of those ages (I think they’ve raised it over 30 now.) Or by refusing to clamp down on exploitative temporary/zero hours contracts - because they’re just “temp jobs for young people!”, or by raising the retirement age because “60 is far too young to retire. You’re not a real adult until 35.”
And it means the discursive environment is such that you can claim that a 21 year old trans person is too young to make their own medical decisions, or a 15 year old is too young to consent to the contraceptive pill.
Meanwhile, they are not offering additional *protections* to these newly infantilised adults. 18 year olds are still encouraged to saddle themselves with enormous educational debt, or allowed to have credit cards, or expected to pay rent, or no longer receive child benefits. You still have to *work*. In fact, in the States, they’re looking to removed child employment restrictions - but that’s fine, because 20 year olds are being protected from making their own medical decisions, and adults get to say which books their teen kids are reading in school, and kids aren’t allowed to change their name or what they wear without parental consent.
We can see what these people are doing to the rights of children - so why are we being so complacent in expanding the definition of ‘child’?
Regardless - 25 is VERY CLEARLY an adult. At 25 I was married, had two kids, an overdraft, rent to pay, and experience of living in the world for 6 years. I had more in common with someone of 40 than I did with someone of 15. Hell, at*20* I had more in common with someone of 40 than someone of 15. Any sexual or relationship decisions you make at 25 are your own to make.
Of course there are likely to be power imbalances in a 15 year age gap - which is why most 25 year olds don’t date 40somethings - but not actually necessarily. And yeah, a 40 year old who only dates 20somethings is a skeeze - just like a 30 year old who routinely ingratiates themselves with rich 80 year olds is a skeeze.
But if any young people are reading this (doubt it)… your rights are much, much more important than your protections.
Yes, young people should be protected, but if someone claims they’re protecting you while denying you access to personal autonomy, financial stability, intellectual curiosity, or sexual self-determination because you’re “too young” to need, or understand those things… be very suspicious of their motives.
And if you’re legally an adult, ask yourself why you don’t feel comfortable defining yourself in those terms.
This thread is from 2023, and now with the Cass report we have seen the real, tangible danger that comes from infantilizing adults in their 20s.
"Your rights are much, much more important than your protections."
The last time I saw Earth.
Magnetic ball in magnetic putty
me trying to get comfortable in my covers at night
thats the kind of thing i would love to just have in a little jar on my shelf so that when people came over they would be really unnerved by the mysterious shifting blob i have in a flask and i would refuse to acknowledge its existence
I think a fun little unintentional cruelty in all the phm/iron lung crossover stuff is that Simon will never get to stand in a forest.
Like obviously he can sit in the don't go crazy room and watch all the footage he wants of trees and plants and whatnot, and a lot of people are giving the Hail Mary a greenhouse (which I don't know if it's canon to the book or not, I haven't finished reading it yet, but given the fic fluctuations in what the greenhouse contains my guess is it isn't canon) but if Simon is on the Hail Mary, he is not going back to Earth, he is going to Erid. And there is uh. Little to suggest that Erid has trees.
So we have pulled this man out of the blood and deposited him into the arms of someone who will help him and let him do whatever he wants, but at the end of the day he is going to live in an enclosure and he only gets to see trees on a screen.