clairemation

•software engineer •former almost 2D animator •would-be comicker •paleo dork •infrastructure nerd

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When you learn something about yourself you maybe didn’t want to know

The Beau and the Beastess pg 6

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Love me then, pg 5 🫦

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Love me then pg 4

Somehow this page was just a struggle and a slog and then I ran out of time 😩

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Love me then, pg 3

Lots of things to fix if I had infinite time

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When things take a ✨turn✨

This is my back-burnered The Beau and the Beastess project… I’m not officially working on it, this is just an image that fell out of my head in page form

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“But I frighten you, my love” pt 2

I feel kinda caught here, I have full thumbnails for a sort of chapter zero, but I also had some major “D’oh!” realizations that would change the story a lot (for the better I think) but I’m a bit stuck on how to develop on. Dunno if I should try to develop the new ideas or if that’s a trap and I should just move ahead with what I have 🫠

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But I frighten you, my love

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What’s Left of Me

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Took part in my first #paleostream flocking night! Well, half a night. I had not drawn dinos in a while and I had DEFINITELY not speed-painted in a while, so it was a rough start, but fun!

Amargasaurus, I kinda forgot to indicate the structure of the spines within the sail

Bajadasaurus

Close relative of Amargasaurus, with forward-pointing spines. But the holotype is missing all its vertebrae except the first two, leaving room for speculation. So I decided to make each spine longer than the last. Managed to briefly make @knuppitalism-with-ue speechless at the implausibility 😆

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Briefly entertained the idea of a slightly different design for the assassin wraith character.

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Oops

Just story/vibe sketching

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Oh wow, uh, long time no post.

I have been spending a lot of time developing that fancomic I was talking about making. So much, in fact, that, in what may come as a disappointment to like five people, I’ve decided to make it an original work instead of a fancomic of that thing. But hopefully, if you like the thing that inspired it, you’ll still love this!

The bright side is that I now get to really push the designs to support my story and play up the vibes I’m going for!

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Literally nobody cares about my original art, but here’s an old unposted sketch of some of my OCs, just for proof of life 😅

These characters are from the same project as the one further down on my blog. They still don’t have official names.

More Olympic Torchbearer content coming… sometime! I’m working on it!

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More finished version of that torchbearer and flagbearer fanart from earlier!

ART PROCESS RAMBLING BELOW:

Oddly, I feel the composition would work better if they were facing left, but then it feels like they’re going the “wrong” way. Like they’re just skipping out on the Olympics 😆

This way, it feels to me like they’re coming from the ceremony, having just discharged their duties. I think if they were further left in the frame, especially relative to the Tower, it would look like they were going TO the ceremony.

Also, I meant it to look like there are water droplets on the “camera lens,” but realistically if there were, they would be SO out of focus that you wouldn’t be able to see the forms like that. They’d just be bright spots. Artistic license.

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More finished version of that earlier masked torchbearer fanart!

(Edit: I edited in an even MORE finished version! 😆)

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How the HELL am I going to account for this in the fancomic

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Stuck on a design point for the torchbearer & flagbearer story I'm cooking up

In my story, both characters are former humans who lived and died during the French Revolution. In flashback segments, I want to keep their appearances ambiguous. I don’t want to override readers’ preferred mental image (or lack thereof) with my own. And I don’t want the "phantom" versions to have less presence/charisma in comparison.

Even a silhouette would require me to reveal a face shape and hairstyle. So I need to obscure the WHOLE head area down to the shoulder to keep it totally ambiguous.

Problem is, this constrains the acting. I can get around lack of a face, but losing the whole head AREA makes it hard to even make expressive body poses.

How can I keep head anatomy and hairstyle completely ambiguous, but still be able to indicate neck and head position? 🤔

BTW, the effect I called “line pull” was inspired by some awesome expressionistic shit I saw in a Craig Thompson comic