Henri-Léopold Levy, 1840-1904
Orphée et Eurydice, ca.1870/74, huile sur toile, 61x42.5 cm
Private Collection
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@classicaliberalism
Henri-Léopold Levy, 1840-1904
Orphée et Eurydice, ca.1870/74, huile sur toile, 61x42.5 cm
Private Collection
Alois Hans Schram (detail)
Jean Siméon Chardin: Attributes of the Arts, 1731, Musée Jacquemart-André, Paris
Apollo and Hermes
Statues at the Sansoucci Park
Adherence to men is often disloyalty to principle.
John Taylor of Caroline
The past and future / Are conquered, and reconciled.
TS Eliot
The Dry Salvages
Do not deny the immortality of the soul, God's wisdom, the value of life, the order of the universe, physical beauty, the love of the family, marriage, social institutions.
Comte de Lautréamont
Poésies, Part I
I replace melancholy by courage, doubt by certainty, despair by hope, malice by good, complaints by duty, scepticism by faith, sophisms by cool equanimity, and pride by modesty
Comte de Lautréamont
Poésies I, 1870
I have written of evil as Mickiewicz, Byron, Milton, Southey, A. de Musset, Baudelaire, and others have all done. Naturally I drew register a little exaggerated, in order to create something new in the sense of a sublime literature that sings of despair only in order to oppress the reader, and make him desire the good as the remedy. Thus it is always, after all, the good which is the subject, only the method is more philosophical and less naive than that of the old school...is that the evil? No, certainly not.
Comte de Lautréamont
Letter, October 23, 1869
Jacob Fighting the Angel (detail). By Jürgen Ovens (German, 1623-1678)
Poète Maudits - "The Accursed Poets"
“By the Table”
Henri Fantin-Latour, 1872
Oil on Canvas
Musée d'Orsay
Poets: Paul Verlaine, Arthur Rimbaud, Léon Valade, Ernest d'Hervilly, Camille Pelletan, Elzéar Bonnier-Ortolan, Émile Blémont, Jean Aicard
Duomo di Milano by US Loxinha
Through Cataclysm - Andreas Birath
Minerva of Peace, Minerva of War
Library of Congress
Washington, D.C.
Antique Candle Holders
cr: circecurio
Duomo di Milano by US Loxinha
Napoleonoic sword.