Book of Hours of Isabelle de Lalaing, Cambray, 15th Century
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Book of Hours of Isabelle de Lalaing, Cambray, 15th Century
Reliquary shrine, French, circa 1325-1350
from The Metropolitan Museum of Art
Beasts from Aberdeen Bestiary illuminated manuscript PNGs.
(source)
Prodigiorum ac ostentorum chronicon, quae praeter naturae ordinem, et in superioribus et his inferioribus mundi regionibus, ab exordio mundi usque ad haec nostra tempora acciderunt. (1557) Conrad Lycosthenes
more medieval manuscript repairs
all from a miscellany containg thomas de chabham's "summa poenitentialis", southern germany (?), first half of the 13th c.
source: Basel, Universitätsbibl., B X 1, fol. 56r, 67r, and 71r
Medieval Keys
favorite pages from the book of kells (digital collection of the library of trinity college dublin)
The heart of Christ viewed through the wound in his side, illustrated in a Book of Hours made in the Netherlands between 1405 and 1413.
From Medieval Bodies: Life, Death and Art in the Middle Ages, by Jack Hartnell
Manuscript Case | European (Medieval style) | The Metropolitan Museum of Art
Book of Hours (Use of Rouen): fol. 106r, Master of the Geneva Latini, c. 1470, Cleveland Museum of Art: Medieval Art
Size: Codex: 19.5 x 13.1 cm (7 11/16 x 5 3/16 in.) Medium: ink, tempera, and gold on vellum
https://clevelandart.org/art/1952.227.106.a
The Gotha Missal: Fol. 111r, Text, Master of the Boqueteaux, c. 1375, Cleveland Museum of Art: Medieval Art
This elegant Latin manuscript is known today as The Gotha Missal after its eighteenth-century owners, the German Dukes of Gotha. The volume was originally copied and illuminated in Paris around 1375 – a commission of the Valois king, Charles V “the Wise” (1364-1380), one of the great bibliophiles of the fifteenth century and brother of Dukes Philip the Bold of Burgundy and Jean de Berry. Manuscript missals were not intended for the lay user, but rather for the use of the celebrant at Mass. The present volume was therefore meant to be used by the king’s private chaplain and was probably housed in Charles’s private chapel, possibly in his principle residence, the Palace of the Louvre (demolished in the sixteenth century). The main decorative body of the missal consists of two full-page miniatures comprising the Canon of the Mass and twenty-three small miniatures. The style and high quality of the decoration points to its inclusion withing a select group of manuscripts accepted today as from the hand of Jean Bondol. Bondol was active at the court of Charles V from 1368 until 1381 where he headed the court workshop and also served as the king’s valet de chambre. The blind-tooled leather binding dates to the fifteenth century. Size: Codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.) Medium: ink, tempera, and gold on vellum; blind-tooled leather binding
https://clevelandart.org/art/1962.287.111.a
Joan of Arc. Painting, ca. 1485. An artist’s interpretation, since the only portrait for which she is known to have sat has not survived.
The Codex Gigas is the largest medieval manuscript in the world. It is also known as the Devil’s Bible because of a large illustration of the devil on the inside and the legend surrounding its creation. It is thought to have been created in the early 13th century in the Benedictine monastery of Podlažice in Bohemia (modern Czech Republic). It contains the Vulgate Bible as well as many historical documents all written in Latin.
Picture of the book.
Source.
Merlin dictating his prophecies to his scribe, Blaise; French 13th century minature from Robert de Boron’s Merlin en prose.
Book of Kells.
Illustration of the Black Death from the Toggenburg Bible (1411)
This little guy is LJS 382, a collection of alchemical notes and recipes gathered by Georg Hayniger of Dormpoch, near Vienna, ca. 1476 Online: bit.ly/3AC6Swp