I enjoy CD's. I enjoy actually owning a physical copy of the music. It's so much more than just having the item however. There are some benefits of being patient and getting the CD vs obtaining to songs ASAP.
For example, here are some similarities with movies. If you're really excited to see the movie it can be tempting to watch it via a downloaded cam version, or even a review copy with warning text at the bottom occasionally. The thought that you get to see it early is enthralling. Aiming to be the first person you know to have gathered this new "thing" to start watching and discover. You are cheating yourself however. Like a child cheating on a test just to pass won't fully learn the lesson, You won't get the fullest experience.
There have been many people that have seen it before you. Same with the music. Through out the process of being; written, recorded, mixed, mastered, manufactured, transported, reviewed, and any other steps along the way, there have been quite a large amount of people who have already experienced it. For this article I wish to compare it to the sense of discovery. By rushing the gate you are not the first one to discover anything. Instead all you have done is diminished the quality of what you can discover. Like a movie, in order to rush and see it (often but not always) there is a large amount of quality loss. If it's a handy cam version then its not going to look right. Part of the information conveyed to you is lost. As with music, if its a "web rip", purchased from iTunes, or "normal" quality stream, it will suffer information loss too. Not including the physical aspects and just looking at the amount of information available, music purchased through iTunes is less than 20% of the information on the actual disc. This was needed in the times of dial-up and low data caps but is a slap in the face of the consumer in today's market.
It can be argued that analogue is the purest form of information transfer in regards to audio (tape, vinyl). Analogue is not digitized so there isn't really the same kind of numerical measurement of difference between it's intended quality and conveyed quality. It has its own "information loss" too. It can be argued that it makes it sound warmer. The same can be said for older projectors, video/audio tapes, and photographs. By presenting a warmer representation of something not designed with that in mind, it has being altered. What you are getting is not the truest representation of the experience as it has been designed.
Now to return to a previous point. The feeling of discovery. When you wait for the product, you are not being robbed of discovering it early. Instead your discipline is rewarded with a fuller, more engaging immersion in your initial experience. First impressions are important, the experience that has been created does not get another at your initial reaction. You now get to listen to what has been created while looking through the supplied booklet. Inside can be accompanying art, lyrics, sometimes even hidden secrets within parts of the casing, or differences between the track list and the CD's internal Table on Contents creating hidden Pre-Gap tracks. A great example of this can be found on album Prisoners, by The Agonist. Around 5:55 into the track Ideomotor, a cd player will change over to track 7, counting up if the player can handle negative timing, otherwise the track will stay at 0:00 for 2 minutes while a sweet instrumental plays, before kicking into Lonely Solipsist. This creates a hidden track that can not be selected, but must be heard through the albums progression. When the album is ripped to individual tracks however the instrumental song is just tacked onto the end of track 6.
Most Audio CD's are in the "Redbook" format. I'm sure some of you reading this may remember Hybrid/Enhanced discs that came with Video clips, Games, or other extras for when the CD was used in a PC. This is defined as the "Bluebook" format. On a side note, some video game discs employed the "Blackbook" format. This simply means they didn't conform to a standard format. Making the discs harder to make an exact copy of on consumer grade disc burners. One example used by Sony for the PSX includes "Bad Blocks" Young Dave wasted many blank discs trying to get around this DRM (Digital Rights Management). Too many.
To further go into the sense of discovery you can find in a music CD, I'll take the article into the scary realms of... Dun dun dun... Subjective taste! I like metal. I like that you can't hear and interpret the lyrics on the first listen. If you have the disc and it came with lyrics then you have the resources to find them. Metal lyrics can take weeks to be put online after release so the only way you'll be able to know is if you participated in the release. Its almost like a form of time sensitive DRM. (Metal has built in DRM, the "blackbook" format is used often as a form of DRM, and metal-heads almost exclusively wear black Causation or just correlation? There's no data so the debate is still in the air on this one.) You can even give it a listen with out the lyrics. Try to pick up what you can. Then cross check with your book and see what you got right and wrong.
Alternatively you can never look into what the lyrics actually are. You can keep listening to the track and try to interpret the lyrics yourself. In this you can find advice, comradery, inspiration, and much more. The important thing is you found it for yourself. It took work. It wasn't easy. Almost learning to like chilli, it takes some time to build up to it. When you do though it can make the food so exhilarating and rewarding. Importantly enough you weren't fed these ideals. You discovered them within the material for yourself. It wont feel so abrasive to take them on board.