Postcard from the artist collective project THINK AGAIN
Today's Document
2025 on Tumblr: Trends That Defined the Year
Game of Thrones Daily
d e v o n

No title available
Peter Solarz
Xuebing Du

izzy's playlists!
occasionally subtle

★

No title available
"I'm Dorothy Gale from Kansas"
sheepfilms
he wasn't even looking at me and he found me
taylor price

titsay

shark vs the universe
cherry valley forever
art blog(derogatory)
trying on a metaphor
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@cyberpot
Postcard from the artist collective project THINK AGAIN
(Image text: “I will no longer entertain debate about my right to exist.”)
Gender Troubles: The Butches
by bitothisbitothat http://ift.tt/1Rj1pZj
https://www.instagram.com/p/BQxYFNRAAhY/
stupid unreasonable idealist demand: abolishing time
practical sensible materialist praxis: shooting clocks
shooting clocks increases entropy though
we’ll shoot the second law of thermodynamics too
Can y'all destabilize reality faster I’m so tired
https://www.instagram.com/p/BQUz3oyBB2J/
https://www.instagram.com/p/BQxfColAJBW/
they’re so cute..god
In one of the largest organized marches in the history of the world, tens of millions of Shia Muslims made an incredibly heartening statement, by risking their lives to travel through war-stricken areas to openly defy ISIS. This massive event that would have undoubtedly helped to ease tensions in the West was almost entirely ignored [...]
kitchen
[LGBTQ History Month] Blue (1993) was British filmmaker Derek Jarman’s final feature-length film before his death in 1994 of an AIDS-related illness. Blue consists of 75 minutes of only a single shot of blue - “International Klein Blue,” a hue Jarman first encountered in 1974 and which inspired him to make a film. Jarman and three of his favorite actors, including Tilda Swinton, narrate in prose and surrealistic poetry - on fate and history and the universe between clinical, vivid descriptions of living with and dying of AIDS.
Jarman’s narration alternates between gloomy and thoughtful, whispered abstract observations, and sharp, matter-of-fact, explanatory, even mildly perturbed. All this over a still shot of blue, which in its bare minimalism expresses all: The suffocating personal and social stigma of Jarman’s illness. An existentialism both individual and communal, reflecting his own impending death and the lives and deaths of his gay and lesbian friends. “The virus rages fierce,” mourns Jarman, “I have no friends now who are not dead or dying.” “My heart’s memory turns to you.” He lists, presumably, dead friends, his voice dreamy and fading away into blue void: “David. Howard. Graham. Terry. Paul.”
Jarman was diagnosed HIV-positive in 1986 and toward the end of his life began to lose his eyesight. What sight was left “became filtered through a dense blue veil.” In Blue, he muses on color, and illness in colors - yellow for infection, yellow for evil, yellow for bile, yellow for jaundice; green for hospital pyjamas, green for Cytomegalovirus. Blue for blood, sky, for “infinite possibility,” for bliss, for a “bearded reaper” - for Death.
“In the pandemonium of image I present you with the universal Blue Blue an open door to soul An infinite possibility Becoming tangible”
Full Movie on YouTube
That YouTube link is broken, but you can still find it in parts here.
https://www.instagram.com/p/BGZdjGEhmDp/