Nutmeg has little idea how any of this works. She doesn't have many reference points for healthy and true, loving relationships. Her mother has a complicated situation with the fathers of her children. Uncle Hansel is divorced. Aunt Cherry is a serial philanderer. The love lives of the rest of her extended family continue in a similarly lackluster fashion. Mr. and Mrs. Cheung from downstairs may very well be the only successful love story she has any personal familiarity with. She does, however, know the great romances of literature and the silver screen. The passion therein, she is certain, matches what she feels now.
Starry eyes, beating hearts, one hand taken urgently by another. Even though it hurts, she can't stop smiling. It feels wrong in the most wonderful way to have the sensation of overflowing without emitting any actual energy. She feels powerful, a supernova, and knows that in any other circumstances, she'd be glowing brightly enough to be seen at a distance even by the cars on the highway.
Suddenly she is the heroine of every grand Hollywood production she's ever watched. "Of course I'm insane." She giggles again and brushes his nose with hers once more. "You dummy. In a screwball comedy, I'd be Katharine Hepburn. You're Cary Grant." A quick-tempered, stubborn eccentric and a sharp-witted, debonair rogue. She brushes the tips of her fingers against his cheeks admiringly and realizes only then how long she's wanted to hold him like this. He looks so pretty with his face in her hands. She feels privileged to be this close to him at all. His smile now is entirely different from his typical devious smirk. It's dazzling, just for her: a new kind of trophy. He earns himself another kiss.
This, she thinks, is where the score would dramatically crescendo and the credits would begin to roll. Life, however, is different from a movie. There's no director to end this scene or urge them to do a different take. It's just she in his arms, and he in hers.
She feels a little silly doing it, but she wraps her legs around Five. It's the only thing she can think of, just to be as close to him as she possibly can. Whether Five will support her weight or the surprise means tumbling to the ground again, it doesn't matter. With his arm around her waist, the only thing that does matter is that he doesn't let her go. She knows this won't last forever. She can't let the opportunity go to waste. Until the moment her body betrays her, she'll continue to hold him. Even if it means having to drink cold coffee, she'll hold him.
As she settles into her position, she tilts her head in question. She knows that, no matter how badly she wants to do nothing but cling to him and kiss him, he must have other plans. She can't remember the last time she's touched anyone for any reason this long without either screwing up and shocking them, or else stressing herself out trying to keep her power contained. Whether he realizes this about her or not, the situation is surely not as dire for him.
Nutmeg tells herself she's kissing him just once more for good measure. Then, she reconsiders and it becomes a meandering trail: lips, cheek, forehead, jaw, anything she can reach. She even attempts to gently catch his earlobe between her teeth like a toy dangled before a dog. If she were wearing lipstick, his face would be thoroughly painted red. Sheepishly, she wonders if any of this is uncomfortable for him at all—if he feels like he's being slobbered over. As much as she's enjoying exploring her newfound freedom, it's not all about her. Her brows arch. "Five," she murmurs gently, "What happens now?"