NEVER LET YOURSELF BE STOPPED BY WHAT IT WOULD HAVE BEEN LIKE IF YOU STARTED EARLIER!!!!! THE ONLY TIME WE HAVE IS NOW

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Stranger Things
Claire Keane
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d e v o n
I'd rather be in outer space 🛸

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Xuebing Du
almost home

Discoholic 🪩

Love Begins
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shark vs the universe

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❣ Chile in a Photography ❣

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@dani-fandom
NEVER LET YOURSELF BE STOPPED BY WHAT IT WOULD HAVE BEEN LIKE IF YOU STARTED EARLIER!!!!! THE ONLY TIME WE HAVE IS NOW
I can't watch a television show until a demon possesses me and compels me to do it
Finally drew the furry witches!! ✨
Captain Aquavita and The Silent mermaid Dumá’h ⚓️
Updated art of them I did for artfight
ily
Ryland Grace and his popularity as a character feels like such an important step in repairing the cultural tsunami left by the long running trope of every genius character needing to be an insufferable asshole to everyone in a ten mile radios about it.
Conversely, Eva Stratt is doing wonders for repairing and inspiring a appreciation for commanding women with dubious moral convictions who are fully willing to bend laws for the greater good without hesitation.
And together they are doing brilliant things by not kissing or hooking up even once.
clicking 'stay signed in'-buttons used to mean that u would stay signed in
Sleepy morning 🌄
I hate when I go to copy a picture and it doesn’t paste. Do not disobey me.
Crepúsculo (Twilight) (1890) by Ulpiano Checa Sanz
little miss echolalia would like to repeat what u just said
little miss auditory processing disorder would like you to repeat what you just said
little miss auditory processing disorder echolalia would like to repeat what she thinks you just said as a nonsense vocal stim ad nauseum
I looooove being a pirate 🏴☠️
Photos by Julie Floro on IG
Love when artist just draw Rocky like this. Reminds me a lot of our favourite ray of armoured plate sunshine.
love me love me say that you love me fool me fool me go on and fool me
I won't publish the ask (they asked me not to), but I thought I'd still answer it publicly!
no, royalties are not a significant source of income for most authors. if you wrote something like Project Hail Mary, then absolutely, the royalties would be substantial! but that's like winning the lottery. Ryan Gosling is not starring in the movie adaption of most books.
when you sell a book to a publisher, you get what's called 'an advance against royalties'. it's usually split into multiple parts, so you might get one third for the initial sale, one third for the final revised manuscript, and one third on the publishing date.
an advance against royalties is the publisher saying "we believe you will eventually make X amount in royalties, so here it is ahead of time." and then you don't actually see any money from royalties until the advance is paid off. most books do not make enough in royalties to pay off the advance (I have two children's books and one fiction book, and have yet to see royalties for any of them).
advances are still great, but you need to make them stretch! for instance, last year my net income was about 30k Canadian (21k USD), which is fantastic when you consider that I mostly made it through writing. but I'm definitely not a millionaire. I can live off my writing (not trying to undersell that!) but I'll probably remain in a low income bracket for the foreseeable future.
this isn't meant to discourage anyone from seeking out writing as a career! however, there is a reason that many authors have alternate jobs with writing on the side. or, you know, rich spouses.
this isn't me making a fuss about pirating (I've pirated way too many shows to run my mouth on that lmao), but there IS actually a financial incentive to having people buy your books!
buying books shows the publisher that they can make money off you, which means they're more likely to give you advances for future books. and advances are what authors live off (if they don't have a side job). that's why I always push pre-orders so hard! you have to be a racehorse worth betting on, or else they send you to the glue factory....
if I can offer one alternative to pirating: asking your library to stock the book also helps authors, and doesn't cost anything. the only downside is the patience required.
OOPS yes, @stjohnstarling makes a good point! everything I'm saying is from the perspective of traditional publishing, but it's a very different game if you're a self-published author
I will also add that this is why pre-orders can make a HUGE difference to authors - because if there's enough hype, publishers can pull more levers to build that momentum and reach more readers to help authors earn out their advance faster.
Trad publishing contracts person here to co-sign everything in this post. If you want to support an author you really like but are broke as hell, then you can buy their book when it's discounted, buy it used, borrow it from a friend, or use the library. The first step as an author is to get your book read, not to get it bought. The important thing for you as a reader is to spread the word about how good the book is so the publisher knows the audience is there even if sales aren't spectacular. Piracy of books, especially books from small/indie publishers, means the publisher will print fewer copies of their next book, and sometimes if it's an ongoing series the next books in the series will be canceled, either to be replaced by a book with a different premise or they'll cancel the contract for the next books entirely. The "hack" where you buy the ebook or audiobook and then return it for a credit also takes money directly out of the author's pocket since those payment/royalty systems are set up differently than if you were to buy a book from a bookstore and return it. In that situation the bookstore absorbs that loss, but returning the ebook means the money gets clawed back from the author's advance or royalties and they'll have to earn that back.
Pre-orders and Amazon/Goodreads reviews are used as a gauge by publishers to predict how many copies they are likely to sell and therefore how many copies they want to print. They want to sell most of what they print rather than print too many and end up with a bunch of copies no one wants that they'll have to pay to store or sell at a huge discount or recycle, which is what happens to unsold books. Most publishers have a limited amount of money and manpower to dedicate to any particular book, so if there's a book building up a lot of buzz, that'll give them reason to put their resources towards promoting that book to get a better return on their investment. If the publisher can't make money off a book or author they'll dump them.
Generally, every aspect of the publishing and book industries, including writers, agents, publishing employees, librarians, and booksellers are overworked and underpaid. Unless you're Stephen King or already famous, you don't make money off of books. We do it for sheer love of the game.
Use your library! Publishers have a whole department dedicated to selling their books to libraries and the author gets part of those sales. Increasing circulation of library resources means the libraries can make a better case to get more money from the government to buy more books that you want to read and they're a place to hang out for free. Libraries are the best gift humanity gave itself, use yours as often as possible.
The thing is, in order to have a healthy and robust fandom, a piece of media NEEDS to leave some questions unanswered. Some relations unshipped. Some plot holes unfilled. Some backstories unwritten. Some lore unexplained. You need possibilities that will keep people up at night. The beautiful thing about an empty lot in a neighborhood is what people make in it