“Toil & Trouble: 15 Tales of Women & Witchcraft” Edited by: Jessica Spotswood & Tess Sharpe
What’s the best way to end 2019, hellfire of a year as it’s been? With an anthology about witches of course!
Now, this is going to be different from the other book blog posts I’ve made; firstly, I’m not including the names of the authors in my main header or in the hashtags. There’s too many and I will be doing honest reviews of all the stories, which means an author may be tagged in a negative review. No one wants that. Secondly, these are short stories, so I will be doing a blurb on what I thought of them without my usual summary. If you want to learn what it’s about, you’ll just have to read it~ Thirdly, I identify as a witch, so some of these stories speak to me more than others. With that, let’s begin.
1. “Starsong” by Tehlor Kay Mejia: I really enjoyed the more modern take on witchcraft. It’s relatively rare to hear astrology described as magic, and how the protagonist came across her abilities was definitely something of a surprise, if not totally uncommon.
2. “Afterbirth” by Andrea Cremer: I have a fascination with witch trials, as most of the people tried were actually innocent. The fact that witches exist today only proves that the magic survived, even if our ancestors didn’t. Also, the judges were biased and cruel.
3. “The Heart in Her Hands” by Tess Sharpe: Revenge and rebellion is the best way to call on magic, in my honest opinion. And let your lesbian daughter love who she loves. I’ve never been a follower of Fate, but if She acts like this then I welcome her curse.
4. “Death in the Sawtooths” by Lindsay Smith: Death has always seemed less glamorous than life, kind of like a dark reality check. And honestly, if you treated your funeral directors in real life the way the protagonist was treated in this, your dead wouldn’t have a fancy coffin to lie in. Just saying.
5. “The Truth About Queenie” by Brandy Colbert: This is the first one I have to be critical of; I felt as though the pining and unrequited love business overtook the magic and witchcraft. In fact, I didn’t know what kind of magic they could do until halfway through the story. I suppose that might have been the point as the protagonist was supposed to hide her abilities, but it felt more like I was reading a slice-of-life novel instead of a magical one.
6. “The Moonapple Menagerie” by Shveta Thakrar: This story made me insanely happy and is definitely one of my favourites. There was so much magic, so much lore, and so relatable as someone wanting to become an author (the deadlines are scary), that it easily won me over. If you don’t read any of the others (though you should), you should 110% read this one.
7. “The Legend of Stone Mary” by Robin Talley: A dead witch in a forest? I’m sold. Again, not a whole lot of magic mentioned here, but the curse was intriguing and the ending got me good.
8. “The One Who Stayed” by Nova Ren Suma: Ah yes. This one. For more sensitive readers, I want to add a trigger warning about rape. It’s clear throughout what’s going to happen without being overly dramatic about it, but it’s still something you may not want to read if you’re not good with that kind of stuff. And while I do get the sisterhood compared to covens thing, the comparing rape victims to witches thing... I’m not even going to touch that subject.
9. “Divine are the Stars” by Zoraida Córdova: Nothing is more important than family, unless that family member is a literal pile of dung that just wants your money because than screw that family member. This is an even bigger deal when the thing being passed down is love and magic, not a house and property. Of course, I’ve never had so many family members get together in one place, but I still got a warm fuzzy feeling of home when reading this (which was perfect since I was stressed about the holidays).
10. “Daughters of Baba Yaga” by Brenna Yovanoff: Another favourite! I’m a sucker for anger and people getting what they deserve. And this story threw me back into my own high school days, which only made karma that much better. I really felt like I could relate to both these witches, even if my methods weren’t quite so elaborate and our ancestral backgrounds were different.
11. “The Well Witch” by Kate Hart: Men treated witches really badly back in the day, huh? And not just witches either, but women. And some still do. But I’m getting off track. I’m not usually one for Westerns, especially since the white guy has to save the girl or help the POC or whatever. The protagonist didn’t deserve what happened to her, yet what she did made me actually clap out loud. Another favourite.
12. “Beware of Girls with Crooked Mouths” by Jessica Spotswood: I don’t know if it was the author’s intention to make the sisters like the characters from “Little Women”, but that’s how I read into it. So, right off the bat I had a strong personal bias against this novel (don’t force kids to read books they don’t want to read ESPECIALLY if they won’t understand most of it). There was a moment one of the characters did something really out of character that seemed more of a method to push the plot forward, but outside of that I don’t have much to say about this one.
13. “Love Spell” by Anna-Marie McLemore: This one made me very, very happy. I’m not usually into a lot of romance stories, but this one got me hook, line, and sinker. And the fact that it was direct defiance against the church made this even sweeter.
14. “The Gherin Girls” by Emery Lord: The three sisters each having their own different form of magic and a toxic relationship that twists their abilities? Yes, please. Nothing is better than magic directly helping to solidify a character. And showing how nothing is stronger than when you’re together, even when the distance is far? The best.
15. “Why They Watch Us Burn” by Elizabeth May: This story was definitely inspired by the MeToo movement. Again, there are moments when it becomes very clear what has happened to the protagonist and her friends, which may be too much for some. Strength of will and the power of owning your name influencing magic was the perfect way to end this anthology. Never let anyone steal your identity and screw the people who blame the victims.