Panel from my upcoming graphic novel MILES DAVIS AND THE SEARCH FOR THE SOUND, dropping in early November.
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@davechisholmmusicandcomics
Panel from my upcoming graphic novel MILES DAVIS AND THE SEARCH FOR THE SOUND, dropping in early November.
This fierce and focused graphic biography of jazz legend Miles Davis (1926–1991) matches the spirit of its subject. Chisholm (Ch...
My upcoming graphic novel MILES DAVIS & THE SEARCH FOR THE SOUND got a great review on Publishers Weekly!
"fierce and focused...an intoxicating introduction to a challenging genius."
Here's a crop of what I'm working on right now, a comic series written by Rick Quinn. This project...whew--you're NOT ready for it. Seriously, when I finished Rick's script for the first issue (this image is from page one of issue 3), I was left with this ineffable feeling, this inexplicable profundity. Unlike anything else. Can't wait!
Miles Davis and the Search for the Sound
This is my new graphic novel--due out later on this year.
I wrote, drew, colored, and lettered this book--and it's going to blow your mind.
Made in cooperation with the Miles Davis estate with a very cool Foreword by Erin Davis, Miles' son.
"Clark always takes so many breaks from work."
Sometimes weird things happen, I guess
Up, up, and away
In my new graphic novel Enter the Blue, part of the story takes place in a kind of alternate dimension--one created by music--and I wanted those scenes to have different storytelling rules from the "real-life" scenes. Here are a few pages to demonstrate this contrast!
The "real-life" scenes read one page at a time, with white gutters and a nice "breath" to the page provided by the negative space created by that extra gutter space.
Meanwhile, those scenes in The Blue are almost all built on double-page spreads that read across the center divide--which means on that first tier of panels I always had to have a wide panel spread that divide so readers wouldn't get confused about the reading order.
The other obvious difference between these two visual treatments is that, for the scenes in The Blue, I used blue ink washes to get the colors and values down--I just love art that's full of texture and here it makes those scenes feel so heavy and good--and also, the "real-life" scenes have virtually no instances of the color blue in the imagery!
Without getting *too* spoilery, in the climax of the book we get scenes in the real world and in The Blue happening simultaneously which provided another nice challenge.
If you're a comic creator, feel free to be bold in your manipulation of form to reflect and enhance your story/themes/plot. Comics are SUCH a form-forward medium--so, from my POV, you might as well go for it and push your pages around like this.
It's fun to try to find ways to control readers so that they read the panels in the "wrong" order--instead of L-R, top-to-bottom. In this page from my new graphic novel ENTER THE BLUE, the music notation pushes the reader down, up, and down, which brings a fitting momentum to Jimmy's collapse!
1940s Fleischer-era Superman vs. Doomsday -- ink and colored pencil
Incredibly honored to have my new book ENTER THE BLUE included on Forbes Magazine's list of the Best Graphic Novels of 2022!
2022 featured a great assortment of fiction and nonfiction graphic work for adult readers. Here are 10 top picks.
Cyclops
1940s Fleischer-era Superman vs. Doomsday -- ink and colored pencil
ENTER THE BLUE -- out now in comic shops everywhere!
If you like inspiring stories of self-discovery, great comics, or timeless music, then you really need to read this book. GET IT
Up, up, and away!
*umm so Clark's pants and glasses budget must be huge
Up, up, and away!
*umm so Clark's pants and glasses budget must be huge
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