Звезда

[charnel-grounds]

Simone Pinna, “Euthanasia”

graphite, 2025

[charnel-grounds]

Nikolai Konstantinovich Kalmakov (1873–1955)

“Tamara and Demon”

illustration for Mikhail Lermontov’s poem The Demon

watercolour & gouache over traces of pencil, 1917

[mariatallchief]

Miami City Ballet | Alexei Ratmansky’s “The Fairy’s Kiss”

[charnel-grounds]

Edward Gorey (1925–2000), “Summer Cum Laude”

illustration from ‘Cultural Slag’ by Felicia Lamport, 1966

source

[charnel-grounds]

Marc C. Green, “Nightmarish - in a good way of course”

[chaosophia218]

Adrian d’Amboise - Ovime Sibi Ivnxit Amores Abstvlit, “Dévises Royales”, 1621.

[junealexandrite]

”يجب أن تدرك أن لا شيء ينتهي بسهولة ، كل ما ينتهي يأخذ شيئًا من روحك لن تستطيع استعادته مرةً أخرى.“

[blondedboy]

[random-brushstrokes]

Federico Beltran Masses - Under the Stars (1915)

[charnel-grounds]

Karl J. Kuerner (b. 1957), “The Light Within”

acrylic on panel, n.d.

[pinkblanc]

Jack Neely & Aaron Jay, The Marble City: A Photographic Tour of Knoxville's Graveyards, 1999

[charnel-grounds]

Katie Eleanor, “A New Prosperine”

from the series ‘We Met as Strangers’

ink on paper, 2020

[charnel-grounds]

Remedios Varo (1908–1963), “Summon the Dead”

oil on canvas, 1956

source

[funeral]

Georges Bataille, The Impossible

[eucanthos]

Ron Cobb (US, LA, Sep 21, 1937 - 2020, Sydney, AU)

His 1st sketch for Los Angeles Free Press, 1965

https://roncobb.net/cartoons.html

[henk-heijmans]

Dance scene, from the “Exposition Internationale des Arts Décoratifs et Industriels Modernes”, Paris, 1925 - by Franz Löwy (1883 - 1949), Austrian

[thinkingimages]

Robert Doisneau | TATTOOED MAN (1952)