From a poetry collection by Mary Oliver, where after a hundred poems showcasing gentle observations on nature and animals, she hits you with this:
Today's Document

Discoholic 🪩
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Andulka

Janaina Medeiros
cherry valley forever
Three Goblin Art
taylor price
Peter Solarz
Cosimo Galluzzi

roma★

if i look back, i am lost
tumblr dot com

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AnasAbdin
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sheepfilms
will byers stan first human second

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@deadrabbitohno
From a poetry collection by Mary Oliver, where after a hundred poems showcasing gentle observations on nature and animals, she hits you with this:
full kit by moey p. wellington
I like when construction workers spray paint their strange sigils on the pavement
You know, if you felt like it, you could learn the language of the beings which shape your world.
Asunder is basically the most classic way to be torn, and if you're looking to be cleft, in twain is a vintage but stunning choice
Veil thick as fuck today
just another day in the trenches of tumblr dot com
there is a moment between jumping from the frying pan into the fire that feels a lot like liberation
Fine, yeah. Fine.
oh oo ohhh ooo oh
Another thing of Astra I did years ago. Eternal material girl
and yep, you guessed it: a dark wind blows
human pov following objects 😭
everybody: hello ryland you are now the Main Character ryland: Yikes!! No Thanks!
View of the Lot of Saint Cirq Lapopie, 1913, Henri Martin
Medium: oil,canvas
While Everything Else Was Falling Apart by Ada Limón
me: yeah so a few years ago someone invented infinite scrolling and really it was a terrible idea
the elf I just hooked up with, taking the lavender and honeysuckle lollipop from their mouth: An infinite scroll... most elfmaidens learn to enchant a scroll to never end before they're a mere 300 years old. It saves on paper.
me: oh see that's just writing, with social media it's really bad, it just leads to people doomscrolling all day
the elf I just hooked up with, spluttering and panicked: The Doomscroll! Be silent human, thou shoulds't not speak the name of that fell parchment
me: oh so you get it
The View Can Wait - Richard Claremont , 2026
Australian , b. 1965 -
Acrylic on board , 24 x 30 cm.