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Meryl ‘Metal Gear Solid’ PlayStation

I feel like anyone who calls the dialogue in kojima games "contrived" or any variation thereof is simultaneously missing the point and denying themselves the fun of watching an extremely long game-movie, but also, the man literally just tweets like this

exeggcute

exhibit B

domicileensnared

Please know that second one is about him being locked out of his instagram account for 15 minutes

slimetony

Just tried to play an ancient flute and it started filling the room with this awful miasma that wont go away

slimetony

Why does staff still allow people funnier than you to leave tags on your posts. They should have fixed that by now

fascinationstreetmp3

me when i recommend something to someone and they end up not liking it

gayvampyr

no offense but you guys need to learn the difference between someone implying their experience is universal and a post simply just not being about you

markadoo

Show me where I've made this mistake. Cite a specific time when I misinterpreted a post in this manner.

simplyspider

nothing in the new fallout show will ever have the raw cinematic power of this bit

(source)

maybe-someday-eventually

memingursa-deactivated20250625

Something about the mental image of Doomguy, a hulking force of nature being stuck in a house and going deeper and deeper in and uncovering memories, traumas, and even little inside jokes that are all devoid of context but are still inexplicably and lovingly tied to the house. Doomguy having to fight monsters but unable to fully comprehend the love and pain tied to this House that warps reality more than any demon he’s ever fought could comprehend. He needs to go through and every step goes deeper in the House becomes more and more inexplicable. The idea that Doomguy, a man who literally conquered hell, will struggle against a House that is haunted and grieving for the love that was once there.

tomhoppusdelonge

taking resumes for someone that wants to sit under my work desk and lick me through my knickers for 2 hours. attach a cover letter for a serious consideration

waifuhomunculus-deactivated2025

My family: "If you could do any job you wanted, what would it be?"

Me: *sweating profusely, trying to come up with anything to say that isn't ^*

reallyreallyreallytrying

everyone knows that space is very very cold, and the sun is very very hot. so i assume there's a bit of space kind of near the sun which is just right. balmy space

porcupine-girl

Yes, that’s. That’s where we are.

wikicamp2

catchymemes

mlarayoukai-archive

This guy's psyduck keeps trying to drive the bulldozer

mlarayoukai-archive

swan2swan

Whoever conceived and animated this moment, I hope they're doing well and thriving. This is S-rank romance stuff here.

swan2swan

#what is this???#i need to know#im so invested

Oh, this? This is the 2000 masterpiece Titan A.E., the master animator Don Bluth's bold venture into the world of Science Fiction. Boasting script treatments by the increasingly-famous Joss Whedon and the voice talents of Matt Damon, Drew Barrymore, Bill Pullman, and Nathan Lane (among others), it was also one of the first ventures of a fresh new sub-studio at Fox called Blue Sky Studios!

It boasted a terrifying premise of a future where alien invaders not only overwhelmed, but physically destroyed the entire Planet Earth--dramatically depicted in a trailer that ran before every single screening of 1999's Star Wars: The Phantom Menace. Boldly fusing 2D animation with 3D ships, environments, aliens, and camerawork, it was a tremendous fresh step in the world of animated cinema. Creed's "Higher" was the theme song for the trailers and TV spots.

It made negative seventy million dollars at the box office, bankrupted Fox Animation, and killed animated films forever