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64. Liquid Facade by Gisela Stromeyer, Los Angeles
Inspired by the wrapped buildings of Christo and Jeanne-Claude and the stretch fabric interiors of Gisela Stromeyer, this facade presented a reverse unveiling of the new architecture and landscape research center, Materials & Applications.
63. Fimmúzeum Amsterdamban, by Theo Watson
Introduction of the new Dutch Filmmuseum's building.
We used the only material on the site (sand) and the core of a film museum , projection to introduce the new building to the world. After days of building and nights of testing the minister of culture ignited this augmented sandsculpture. This is the test version of the sculpture, 4-sept-2009
Artist : Theo Watson
Sculpture : The Sandfactory
Art director : Thijs Biersteker
Copy writer: Karian Weijers
Sound design : Theo Watson
60. Nils Völker, Eighty Eight, 2012
A site specific installation for the exhibition Oh, Plastiksack! at the Gewerbemuseum Winterthur, Switzerland.
The installation is placed in the old wooden staircase of the Museum filling up a whole wall along two storeys. The black standard rubbish bags on its front create a strong contrast to the bright warm appearance of the old building.
The plastic bags are selectively inflated and deflated in controlled rhythms, creating wavelike animations across the wall. Although each bag is mounted in a stationary position, the sequences of inflation and deflation create the impression of lively movements. Forms appear from the net-like matrix and disappear back into the surface. In this way shapes and the boundaries of the installation itself start to dissolve.
51. Kinetic Rain by ART+COM
In the course of refurbishment works ART+COM was commissioned to create a signature art installation for the Departure-Check-in hall of Terminal 1 at Singapore Airport. “Kinetic Rain” is composed of two parts, each consisting of 608 rain droplets made of lightweight aluminum covered with copper. Suspended from thin steel ropes above the two opposing escalators, each droplet is moved precisely and seemingly floating by a computer-controlled motor hidden in the halls ceiling. The drops follow a 15-minute, computationally designed choreography where the two parts move together in unison, sometimes mirroring, sometimes complementing, and sometimes responding to each other.
50. Jacob Hashimoto, The other Sun
Jacob Hashimoto uses traditional kite-making techniques to create distinctive works comprised of hundreds of bamboo and paper elements strung together and suspended between parallel dowels to form fragmented and layered fields. The works take into account the spatial considerations of sculpture and the pictorial devices of painting, operating as a hybrid between what are conventionally separate disciplines. For this new body of work, Hashimoto references another artistic practice: each individual kite element portrays a graphite drawing. Values ranging from lightly hatched gray to dense black complement translucent white paper, replacing the kaleidoscope palette of cut paper collage evidenced in previous works. The subtle hand introduced by the traced and meandering pencil lines accentuates the intricate construction of the works’ foundation.
49. RedBull Headquaters, Amsterdam
Encouraging a discourse involving work, play and rebel culture, Red Bull’s Amsterdam offices are multifunctional, despite their raw simplicity.
'We wanted to create stand-alone architectural pieces that not only represent the site but also express the essence of the Red Bull brand,' says architect Jean Pelland of Montreal-based Sid Lee Architecture.
Located in North Amsterdam in a converted shipbuilding factory, the offices are spread over three adjacent bays. Resembling the anatomy of a brain, the ‘logical’ left bay is a public space with cafeteria, while the ‘creative’ bays on the right house office and workstations.
As a whole, the space represents its nickname, ‘angel versus beast,’ the latter denoting the geometric black-metal-and-plywood structure on the public side. The structure is capped with semi-open rest areas handcrafted out of plywood, a material that recalls the building’s previous function – the boards might have been ripped off the hull of a ship – while referencing skateboard ramps to further enhance the brand’s wild side.
47. AESOP, Grand Cenrtal, NYC
Paying homage to the written word and the history of each city in which it engages, a kiosk in NYC has been made entirely of newspapers.
In fact, the Aesop shop – which is inside Grand Central Station – has been made out of 1800 copies of The New York Times. Powder-coated in steel, the stacks of newspapers were pressed into a solid mass, forming layered stands upon which products can be displayed.
According to Aesop, the kiosk is located in a popular area for commuters, making the use of newspapers a perfect fit.
‘It’s like a handshake to New York,’ says Giovanni Lepori, general manager and president of Aesop Americas. ‘It’s situated in an information centre, and the use of the papers is like our personal greeting to commuters.’
This is the Australian brand Aesop’s first stand-alone store in the USA. The design was completed by Aesop’s Director Dennis Paphitis and NY-based architect Jeremy Barbour of Tacklebox.
48. AESOP, Hong Kong
Skincare retailer Aesop has created a temporary installation in Hong Kong’s I.T HYSAN ONE flagship shop.
On show until 4 December, the pop-up structure is made of a whopping 800 resin boxes. Arranged on steel rods of various lengths, the black and white display has a gentle, delicate luminosity. Each box is placed in a way that looks as though it’s being drawn upward by an invisible thread.
The project’s designers, Cheungvogl Architects, say they were inspired by traditional floating lanterns. The installation will operate as a display counter for Aesop goods; some boxes hold products while others reward visitors’ curiosity through sound, scent and touch.
Come 4 December, the installation will be dismantled and reassembled as a permanent county on I.T HYSAN ONE’s first floor. Visit the space at 1 Hysan Avenue, Causeway Bay, Hong Kong.
46. Camper Store, Amsterdam by Michele de Lucchi
Despite being in the heart of Amsterdam, Camper’s newest store is a nod to Memphis.
With brightly coloured walls and patterned furniture, the shop is a vibrant reflection of the upbeat, avant-garde 1980s design world.
‘There is a thin red line that links the uninhibited, purposeful spirit of the Memphis Design of the 1980s with the free, fresh, happy Camper attitude,’ says architect Michele de Lucchi. ‘It’s no coincidence that over the years, Camper stores have been decorated with furniture and objects created by Memphis designers.’
Camper Together is the shoe label's initiative that invites designers to collaborate in creating unique boutique shops.
45. Textile Field by Ronan & Erwan Bouroullec An invitation to lascivious reverie. The project's intention is to propose a different, casual approach to freely experience what can be a quite intimidating environment, such as a museum.
44. Bits ‘n Bytes by Marije Vogelzang
For museum Boymans van Beuningen Marije Vogelzang created a huge low tech conveyor belt where ball shaped food got transported by the participants and caused people to interact while eating. The installation supplied low tech mail messages exchanging notes between people.
43. Tantalus Dinner by Ioli Sifakaki
Royal College of Art graduate Ioli Kalliopi Sifakaki designed a dinner service cast from her own body and then invited a dozen of her male friends to feast from the tableware.
41. Sweatshoppe
SWEATSHOPPE is a new multimedia performance collaboration between Bruno Levy and Blake Shaw that works at the intersection of art, music and technology. Developing software to construct a totally unique interactive performance, the duo works towards creating unique ways of affecting an audience. Whether it be as a dance driven electronic music performance that emphasizes sound reactive visuals, building interactive installations, or the fabrication of guerrilla technologies to augment public space, the duo strives towards an element of pop accessibility that is so often ignored in the technocentric world of experimental media.
Laika is a dynamic typeface which changes its shape and appearance based on a broad spectrum of inputs. Developed by Michael Flückiger and Nicolas Kunz for their thesis at Bern University of the Arts in Switzerland.
Jody Xiong of DDB China in conjunction with the China Environmental Protection Foundation created this wonderful outdoor campaign to create a subtle visual reminder of the environmental benefits of walking versus driving. Enormous white canvases with a bare tree were placed across 132 crosswalks in 15 Chinese cities. As pedestrians crossed their shoe soles were imprinted with a small amount of green paint, leaving behind a trail of leaf-like footprints. BBD estimated that nearly 3,920,000 people passed through the installations, and the final posters were eventually hung has billboards in several urban locations.
Bâtiment (Building) is a mirrored installation by artist Leandro Erlich currently on display at Le 104 in Paris as part of their In_Perceptions exhibition. The piece is clever in its simplicity: a massive building facade is constructed on the floor near a towering mirror giving anyone reflected the uncanny appearance of being weightless.
A surprisingly simple yet ridiculously amazing installation for the Queensland Gallery of Modern Ar, artist Yayoi Kusama constructed a large domestic environment, painting every wall, chair, table, piano, and household decoration a brilliant white, effectively serving as a giant white canvas. Over the course of two weeks, the museum’s smallest visitors were given thousands upon thousands of colored dot stickers and were invited to collaborate in the transformation of the space.