Palazzo Daniele

if i look back, i am lost
Claire Keane

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@gunpressedagainstyouranatomy
Palazzo Daniele
Have you ever seen someone who hit you so hard right in the gay feels that you lost your sense of hearing for a few moments?
To all the poor gay messes desperately asking who she is, her name is Katy M. O'Brian and the pictures in the OP are from the series Z Nation. Here’s some other pictures.
You’re all welcome.
Thought y'all should know
Katy found out about this post and is delighted.
….so. That uh. That happened.
If grandmothers around the world had a rallying cry, it would probably sound something like “You need to eat!”
Photographer Gabriele Galimberti’s grandmother said something similar to him before one of his many globetrotting work trips. To ensure he had at least one good meal, she prepared for him a dish of ravioli before he departed on one of his adventures.
“In that occasion I said to my grandma ‘You know, Grandma, there are many other grandmas around the world and most of them are really good cooks,” Galimberti wrote via email. “I’m going to meet them and ask them to cook for me so I can show you that you don’t have to be worried for me and the food that I will eat!’ This is the way my project was born!”
The project, “Delicatessen With Love”, took Galimberti to 58 countries where he photographed grandmothers with both the ingredients and finished signature dishes.
He acted as photographer and stylist during each shoot with the grandmothers, taking a portrait of both the women and the food they made for him.
From top to bottom:
Inara Runtule, 68, Kekava, Latvia. Silke (herring with potatoes and cottage cheese). Grace Estibero, 82, Mumbai, India. Chicken vindaloo.
Susann Soresen, 81, Homer, Alaska. Moose steak.
Serette Charles, 63, Saint-Jean du Sud, Haiti. Lambi in creole sauce.
The photographer’s grandmother Marisa Batini, 80, Castiglion Fiorentino, Italy. Swiss chard and ricotta Ravioli with meat sauce.
Normita Sambu Arap, 65, Oltepessi (Masaai Mara), Kenya. Mboga and orgali (white corn polenta with vegetables and goat).
Julia Enaigua, 71, La Paz, Bolivia. Queso Humacha (vegetables and fresh cheese soup).
Fifi Makhmer, 62, Cairo, Egypt. Kuoshry (pasta, rice and legumes pie).
Isolina Perez De Vargas, 83, Mendoza, Argentina. Asado criollo (mixed meats barbecue).
Bisrat Melake, 60, Addis Ababa, Ethiopia. Enjera with curry and vegetables.
harry’s smile here just screams he’s going home to burn 4 privet drive to the ground and get the revenge he deserves
this is the funniest shit I’ve ever seen I can’t stop laughing
please, its 2:30 am, please stop
Every time I see this I’m not sure if its fandom content or just a summary of what being piss drunk with your best friend is like but either way it’s Perfect
Headcanon that an outraged 6-year-old Charlie Weasley writes to an elderly Newt Scamander wanting to know why Gringotts keeps a dragon locked up underground and begging him to fix it. Newt writes back saying that sadly he’s been fighting that fight for years and no one ever wants to listen to him because the powerful families whose money is being kept safe by the dragon always shut him down, and that Charlie is the first person he’s heard of who’s as angry as he is about it. Charlie decides that day to dedicate his life to finding out everything he can about dragons so that one day he can free the poor Gringotts dragon. After the war, when they hear that Harry, Ron and Hermione freed the dragon, they celebrate and immediately begin petitioning to have it made illegal to imprison dragons so that nothing like that ever happens again. It’s only when Hermione becomes Minister that it’s finally signed into law.
This is the best Harry Potter headcanon I’ve ever seen
yes yes yes
Just imagine how that conversation would go though, like Charlie’s been learning about dragons his whole life, studying them, learning about the laws surrounding them, practising the jailbreak of dragons by smuggling one out of Hogwarts, preparing for the moment when, one day, he can free the Ukrainian Ironbelly from Gringotts.
And Ron’s like “Oh, yeah, don’t worry about it—we broke into Gringotts and used him as our get-away vehicle. He’s just chilling in the wilds somewhere now so, yeah. Job done.”
I want an AU where Ron, completely convinced that he’s overshadowed by all his brothers and will never be as remarkable or as well-recognised as any of them, just accidentally achieves all of their major life goals without noticing. They’re all super jealous and think of him as The Golden Brother and he’s completely clueless.
I’m not sure this is an AU to be honest. I mean:
Bill Weasley: Curse-breaker, works for Gringotts breaking into cursed tombs and distributing valuables to heirs. Ron Weasley both broke into Gringotts itself and destroyed the ultimate cursed object, a Horcrux. Check.
Charlie Weasley: Aforementioned dragon stuff. Check.
Percy Weasley: Social climber, status seeker, desperate for attention and approval from his superiors. Ron: Literally married to the actual Minister of Magic. Check.
Someone else add on to this with Weasley-twin eclipsing stunts and hijinks, I’m sure there are some but my brain isn’t thinking of them right now.
Charlie:
The twins had it worse than anyone.
They wanted to be the worst troublemakers Hogwarts has ever seen?
Ron stole a flying car, flew it from London to Scotland (breaking the international statute of secrecy so many times in the process), and then crashed it into the Whomping Willow. In his second year.
They wanted to use the Marauders Map to learn all the secrets of Hogwarts castle?
Ron helped discover the entrance to the Chamber of Secrets, managed to sneak into the Slytherin common room and had weekly meetings in the Room of Requirement. Oh, and he also managed to top it all of by discovering the secret of the Marauders Map itself.
They wanted to at least make sure that they ended their last year at Hogwarts as the main talking point in the school— y'know, since they put so much effort into all those cool pranks and things?
Ron only goes and takes part in a battle at the Ministry of Magic, during which actual Lord fucking Voldemort shows up and posesses his best friend, safely ensuring that nobody’s going to be talking about that cool swamp the Weasley twins made anymore.
One of the main reasons they started Weasley’s Wizard Wheezes was that they knew that Ron wasn’t interested in starting a business and so was unlikely to one-up them in that regard (and then he ended up becoming a partner in the business…)
For years, whenever Ginny confided in her older brothers about her crush on Harry, it was a running joke with all of them except Ron (who never knew about it) to tell her that she’d better get a move on, whatever happened, lest Ron steal her dream too and propose to Harry.
all women born after 800 AD do is tempt, blaspheme, witchcraft, eat potent herbs to aid in their foul divinations, and lie
So this has been stuck in my head ever since I heard it three days ago.
this is the polar opposite of Everybody Knows Shits Fucked
i didn’t know this til i looked up the video on youtube, but this dude is a super cool and accomplished musician! his name is Rushad Eggleston–wikipedia describes him as “an innovative musician who has changed the way the cello is played,“ but according to his personal website he’s a “cello goblin & otherworldly jester currently touring earth”
This is a man who knows what he’s about.
my arch nemesis cynthia is, of course, at the bank, because we both were sent like clockwork to pick up the checks of our husbands. she is wearing a lovely long green gown, which i know was on behalf of me, because, as my husband will tell you, our house abhors green and glamour. already the tellers look at each other under their little hats, for they love our tirades, i’m sure, although not more than i hate them.
“oh, is that your knitting?” my arch nemesis cynthia peers her eyes at my hands. “is it some kind of… sock?” everyone knows she and i used to be close before we were married and our husbands, smartly so, have introduced us to the idea of true vengeance.
“it is a scarf,” i say. i want to tell her that when the time comes and the world gets cold it will go over my mouth and i will breathe warm air and it will fill my lungs and i will be able to run around with my love even in the dark night. “it is not,” i say, “over surprising that you should be caught unawares of a scarf,” i say, “as i’m sure enjoying winter festivities are too beneath the handsome qualities your husband prefers.” pompous ass.
the tellers pass each other eyes for now it has started and they are delighted.
my arch nemesis cynthia thrusts out her hand. a white bottle. “rat poison,” she says. “i would expect the whole town knows about your little problem.” stage whisper. “such a shame, my dear.” then she rustles her long green skirts - which i know she wore on behalf of me - and she shimmies herself out of the room like royalty. oh, she floats everywhere she goes, beautiful black hair behind her. the bottle in my palm is cold. i will devise how to get her back starting first thing tomorrow.
the week, as always, is a long week, for there is much to make and do and knit and be. my husband comes home and i love him for who he is; for he never comes home without checking the state of the house up and down. he is the kind who loves his home so completely and sets each room like a stage for a great band to come playing. i am too ashamed to tell him why so many of the rats go missing, only make him a stew the next morning to celebrate. his favorite, although not mine, i’m afraid. plenty left over.
my arch nemesis today - of course - in a green the color of rotting. a bruise is uncarefully covered on her cheekbone, so striking against all of her dainty. her husband would say it was for her ungraceful nature, and i know mine would agree. i strike first, already delighted by my master plan, shoving over our best picnic basket tied with a bow. “i made you and yours a stew,” i say, “for beneath all that you carry” all that horrible wealth of your husband “it seems you’re getting rather skinny.” i can’t resist one last comment. “i am worried you’re about to waste to nothing.”
She plucks it out of my hand. “yes, if it weren’t for you and your husband’s dwindling wealth,” her sarcasm is biting, “i’m sure i will be nothing in, oh, 5 weeks time.” she arches a brow. “so long from now.”
“i am counting the days,” i tell her. her lips purse. the tellers behind me make a choked titter. perhaps, by their estimation, i have won this round quite completely. i go home to my husband smiling. he asks where i have been and i tell him i’ve been at the bank, but he checks anyway because i like to get up to tricks and he doesn’t like to fall for it. it is a good game we play. at night, when he is asleep, i am so in love that i must convince myself to pull the covers over my nose and practice breathing. how silly to wake him up for a young girl’s feelings.
the first week of five: she gives me a solid, ugly ring that requires three knuckles to hold. “i feel so badly for your status, and i must remember to practice charity,” she says. “it such a small thing, but do be careful amongst all that thin pine furnishing of your house, which dents so easily.” my husband appears at the bank’s front door. just checking. so lovely to be picked up by him. at night, in a rage, i try it - beneath the table bends easily. i scuff out the scratch with walnut before my husband can see. i pull the covers over my face in bed and breathe.
the second week: i wear her ugly ring and give her more stew, this time hearty with meat. her dress is a meadow. my heart each time it sees her collapses on itself. she hands me clothes for my husband, since his wealth continues to go missing, and the charity of her heart is so loving. i am so ashamed i bury them far by the old tree, where all my shames go hiding. again, the covers. it, by now, helps me sleep. i have gotten so good at it that i can simply shimmy my shoulders to be perfectly toasty and buried.
the third week: she asks how comes my knitting. i tell her it’s nearly complete. she asks how comes my husband, whom she must know has been ill recently, and who is doing quite badly. i go home to him, shaking. even sick he is a good housekeeper, who comes home examining for dust and dinge so i do not fall behind on my chores. who checks over and being sure i spoke to only him and no one more. tell me, who else has a man so involved, in this day and age?
the fourth week she is envy green. i shove a whole heaping of stew at her, for now her husband has gotten it. i say it will return him to spirits, she laughs, a sudden, beautiful sound, even in the quiet of a bank. everyone stares. maybe it is the stress that is making her quite improper. i feel the same way. so much is happening and it always seems she knows. she says she heard he has left me nothing in the will, which everyone already knows. she says she doubts either of us can dig upwards from the hole we’re both in. i look at the bruise on her nose. i tell her to mind her own husband, and be careful where she goes.
the fifth week: so final. her, garishly lime green. and i in black, to pick up a check that hardly seems the effort. it will be enough to cover my husband’s funeral. she smiles at me and hands me a silver bottle. she says quietly: now that i am destitute, there is one thing for it all, and everyone would understand quite completely. it would be quiet, and quick, and complete.
it is the night of the new moon, so dark no man can see in it. i receive notice her husband has died, and i am sorry to say i find a terrible joy in it. the air has changed cold. i have left a note asking to be buried in my scarf, the last thing i have made on this earth. i go through each perfect room, but there is nothing else to take with me, for the house has always been his and his alone, and now aches to be gone of him. i would not serve as a good tender for it. having spend so many nights watched carefully, the silly girlish freedom i’d gain would surely set the house ablaze.
i follow her instructions. quick, quiet, complete.
the horrible rustling is what does it. like a million green skirts. and then it is dark, and i am in my own coffin, eerie with pine. my head hurts but i must be quick and quiet. they have listened and buried me with my scarf. i shimmy my shoulders just-so and get it over my face. bring my arms up, ugly ring heavy, and begin to hit as hard as i can, over and over, the thin wood of my husband’s favorite furniture, the cretin. it would be pine, of course - he left me no money to be buried in any nicer recourse.
the wood splits so horribly, and then it is very hard to breathe, harder than under the covers, and i have to remind myself to be patient and continue to dig upwards, while my throat closes and my heart beats so loudly and the whole thing is so heavy it is a universe. the shifting of gravedirt is loud, and loud, and i feel i will be turned into a worm, and i fear everyone has forgotten about me, or i have gotten the timing wrong, or i will really die down here in the dirt and the cold
but then her hand, and my hand, and we are both digging towards each other, and she lifts me so easily from the ground like a plucked turnip and holds me against her, us both panting and muddied. we can only stay like this for so long, here in my pauper grave, and then we are both running to the old tree where we met, and unburying a second thing; my lovely box of shame, and men’s clothes, and all of my husband’s dwindling fortune i have slowly been squirrelling away.
my love and angel cynthia, who has black hair like a curtain and a mind so fast i sometimes am in frank awe at it, who is, even now and dirty and raw: even now the only sun in my life.
like this, i a man in an almost-dawn, and us cleaned by the river, and her smiling so widely, and only a faint bruise on her, and our pasts behind us in ugly garish colors. and her delicate hand and beautiful nose and when i finally get to kiss her it feels like green feels; my favorite color, all warm and nature and sunny grace and grass and lying awake so filled with love it makes you shake.
i hold her, and she holds me, and our future is a love like a dream unburied.
Okay, that was pretty tight
this is what “boys will be boys” means
Blood Orange, Carrot & Coconut Cake
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Is this how you roll?
When you learned of the god of war, you thought he’d be tall and muscular and angry. When you were about to meet him, you braced yourself for the worst.
You weren’t quite expecting the short, scrawny, shy kid you ended up getting instead.
Olive skin, black hair, skinny, dirty face with pale lines where tears had sliced through the ash and dust. A white chiton dress and a threadbare shawl draped over her shoulders.
A pair of wings - huge, black vulture wings, far too large on her tiny body - were the only things that suggested she was divine.
The general shifted his weight from foot to foot. Obviously respect had to be given to gods, but… “Er - I’m sorry, I was invoking Ares? The god of war?”
The child god shrunk in on herself, and pulled the shawl over her shoulders. She muttered something. “Sorry?” the general asked.
“Ares is the god of slaughter,” the child god said in a slightly louder voice. “Not war.”
The general looked at the priest. The priest shrugged, clearly lost at sea. “Well,” the general said, “then maybe Athena? Goddess of tactics in war?”
“Tactics,” the child god repeated. “Not war.”
There was a long, ugly silence, as the huge vulture wings shifted with the whisper of brushing feathers. “My name is - was - Iphigenia. Daughter of Agamemnon, king of Mycenae, commander of the Greeks who stormed the walls of Troy. When my father disgraced Artemis, and the winds of Greece would not blow her battleships to Troy, I was brought to Aulis. For my wedding, I was told. I was-”
She sobbed. Teardrops dribbled off her chin and fell to the temple floor. “I was fourteen. And then I was brought to the highest altar in Aulis, and - and then - and-”
Another sob. “I was fourteen,” she said.
The vulture wings draped over her, and she disappeared under the cloak of black feathers. When they parted, and when the child god looked up at the general, he fell backwards. Those eyes. Eyes he’d seen a thousand times in battle -
“I am the true spirit of war, general,” the child god said. “I am the goddess of bloodshed, of sacrifice, of the slaughter of innocents. I am invoked when men ravage, burn and pillage. I am invoked when mothers cry out, when sons die, when daughters are stolen. I hear it all, general. I have heard it all since the fall of Troy.”
The terrible wings opened up. The child god loomed over the fallen man, twenty, thirty feet tall. Somewhere, the priest was screaming. “How dare you call upon my name.”
@lectorel @darthrevaan
I literally teared up, wow, this did so much in so few words. The last italic dialogue? Amazing.
i have to tell you something that will lower your entire opinion of me
when i was 12 i made flyers for my fanfiction and handed them out a train station
im blown away by the sheer confidence this act required. if anything my opinion has been raised. the poise. the fearlessness. the laughing in the face of death. i’m speechless
this scene is so fucking funny
Every time I rewatch Parks, and this episode comes on, I get excited solely for this scene. The way Ben gets the phone and dials Tom… I lose it every single time.
# who let him outside
Tom Holland : GQ Style, September 2019.