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I figured out you can touch TĂœr inappropriately in GOW Ragnarök, specifically in Midgard when he stands behind a pile of snow.
It's not easy to accomplish but basically you side step into the gap between TĂœr and the pile of snow. Once in the small space Kratos hit box overlaps with TĂœr, causing him to shake in place.
Down below is physical evidence of this bullshit taking place but I'm not sure if it'll be patched out in the future.
Can you please write TĂœr x Kratos??? It can be headcanons of fluff, smut, or both!!! Just write whatever comes to mind!!! I'll be thankful with anything you write for me!!! đđđđ
Tyr/Kratos- Headcanons
warnings; NSFW
Two words⊠SLOW BURN, first and foremost both are still deeply hurt and grieving.  Tyr is fresh from being imprisoned and Kratos still reeling after Ragnarok.
Kratos is quite weary of the former god as he brings Mimir to speak with him.  If anything the two donât truly interact without outside help.Â
Awkward to the outside eye as they sit in an ominous silence around a camp fire.
The two find common ground when it comes to god hood and what it means.  Learning from one another and finding solace in their differences and similarities.
Their relationship is a very slow but meaningful one in my opinion.
Occasional trips to other realms or taking time to hunt together.  Quiet storytelling or quick âhelloâsâ when in passing.
There is no big gesture or ask the two simply just fall into place at each otherâs side.
Tyr is the more openly romantic one of the two with physical touch and words of affirmation being big things for him. Â
After being locked away for so long tho heâs very hesitant about opening up to another.
Kratos doesnât mind and often finds the gentle touches and closeness to be perfect.  More meaningful than some swooning kiss could ever be.
âMay I?â Would come his loverâs quiet voice as they walked together.  And without fail Kratos would offer his hand to him.
Tyrâs larger one wrapped ever so delicately around his own as they continued on their walk.
One thing about this pair is communication and proper boundaries are a must.  Very tentative and careful with one another no matter the occasion.
âIs this alright?â Kratos would mutter running his fingers through the giantâs soft hair.  A soft hum of approval and heâd continue on twirling the soft locs through his fingers.
And in the morning when those larger hands massaged at Kratosâ waist, and soft lips pressed against his shoulder all it took was quiet âcontinueâ and theyâd be all over each other.
On his back Kratos looked through hooded lids as Tyr loomed over him.  Legs spread wide and held up at his lover sunk deeper into him.
âSo beautifulâŠâ watching as his cock nestled deeper inside, kratosâ hole speared and puffy with glistening silk with every filling inch.
Tyr is so much bigger and it drives the both of them mad with lust.  Kratos is a pillow princess and Tyrâs only cowgirl and the god canât get enough.
Losing himself as he plows into the smaller man with each bed rattling thrusts. hands on his hips, pulling Kratos back and pushing into him over and over.Â
Kratos isnât a loud man but with Tyr heâs a growling mess.  Low moans filling the room to mingle with slapping skin and creaking bed frame.
These two have so much stamina itâs almost unreal how long they can go.  âSo good for meâŠâ Tyr would whisper finally as he buried his cock fully, Kratos holding onto with dear life as he was folded like a pretzel.
cum dripping from his hole as and down his thighs. Eyes rolled to the back of his skull choking on a breathless moan as he too reached a mind numbing climax.
Tyr is very much a service top and lives to make sure his love is satisfied.  Slowly pulling out and peppering Kratos with soft kisses.  Lips pressed together in a soft kiss as hands grasp and caress the other.
Aftercare and just taking care of one another is simply a must as well.  Relaxing in the bath some time later or cuddling up after a previously prepared meal.
These two are honesty just goals in my eyes.  Very sweet and slow in a way thatâs just perfectâŠ
Food is a shared love language between both Gods, so they both cook together. If Kratos can find the correct ingredients, then he surprises TĂœr by making Greek meals.
TĂœr has all types of tea for Kratos to help him relax and loves to shares different cultural recipes from across the world.
After days of harassing Kratos, TĂœr finally is able to convince him to do yoga. Kratos makes a valiant effort to be open-minded but he does not enjoy it. In the end TĂœr accepts this and is just glad that he tried.
Another thing TĂœr introduces to Kratos is meditation and mindfulness, which at first he doesn't see the value but soon ends up appreciating it. The Spartan even uses it sometimes but only if his usual ways of calming down doesn't work.
Despite generally not talking about his past, Kratos enjoys teaching TĂœr things about his homeland, like Greek words or fighting techniques like Pankration. He especially finds it charming how TĂœr accent shows when he speaks Greek.
Both bond over there love for collecting artifacts. Specifically TĂœr shows Kratos the clothes gifted to him from the country's he visted. At first it doesn't fully interest Kratos, until TĂœr walks out in a Himation. This pleasantly suprises and arouses him, to see the man wearing his homeland's fashion.
They train and workout together. TĂœr likes to bring friendly competition and always tries to outdo Kratos. He doesn't always win but he has fun anyway.
Once in a while when the weather is right, TĂœr and Kratos bathe together in a hot spring found in the wilderness of Midgard because they can't normally bathe together in-doors. The act of washing each other unravels bitter-sweet memories for the Spartan and makes him think of Atreus of Sparta but he's able to push that aside to enjoy the present.
The Fluff
Kratos is enamored with TĂœr's hair. He especially enjoys seeing him wear a bun or ponytail. Eventually TĂœr notices this and offers the Spartan to comb or braid it whenever he please.
Kratos blushing is extremely difficult to see because of the layers of ash on his skin but TĂœr notices the subtle change in his cheek colors.
TĂœr on the other hand, blushes fairly easily and it's becomes more noticeable when his whole face, ears, and shoulders turn pink.
TĂœr bifrost eyes subtlely glow when happy or excited but gets darker when he's sad or afraid.
The Angst
Kratos has an irrational fear of TĂœr losing feelings for him or getting bored and leaving to travel because he struggles to accept the Aseir's unconditional love. While TĂœr has a rational fear of losing Kratos because once he was free from imprisonment, everyone he knew either died or forgot about him.
Both feel eternally grateful to one another, that the other saved them. As TĂœr mentality heals Kratos in Valhalla, while Kratos physically rescued TĂœr from imprisonment.
Both struggle with rest. Kratos has insomnia and is a light sleeper because he was conditioned to always be ready for battle. While TĂœr struggles to stay asleep, as he is haunted by nightmares of waking back in his jail cell.
As a result of TĂœr's century long imprisonment, he developed claustrophobia and gets anxious if he stays in-doors for long periods of time.
Also TĂœr is touched starved because of the painful isolation. Now he's much more clingy then he would normally be pre-imprisonment.
Another result of TĂœr's imprisonment was torture scars. Specifically deep flogging slashes on his back from Odin's magical whip. The All-Father intentionally targeted the spine because his son enjoys yoga, so now it would hurt constantly. Not only that but the scars didn't heal properly because the Aesir had no medical attention.
This caused the usually confident TĂœr to develop a insecurity about the scars, since he felt shameful by how his father branded him.
Unfortunately TĂœr didn't tell anyone about this and kept it hidden. However that changed when he meets Kratos because he knows the Spartan has ugly scars of his own and will not judge.
Ultimately with time and trust, Kratos is able to see TĂœr at his most vulnerable and clean his back injuries. Which is a impactful bonding moment for both of them.
The Beginning & The Realization
In Valhalla many intense fights unfold but when things get too close and too sexually charged, they freeze, separate, and immediately pretend nothing happened.
Lots of subconscious lingering touches happen. Like TĂœr and Kratos holding a handshake for a few seconds too long or TĂœr placing his hand on Kratos shoulder and leaving it there for a while.
I'm not sure what the specific trigger will be but eventually Kratos realizes that he never had another sparing partner since Atreus of Sparta. Also before Valhalla, the Spartan was fighting only for survival or protection but now he's able to fight for the love of combat.
Another thing Kratos notices is that Atreus of Sparta was his first and last boyfriend. Sure, he engagements with men since then but it was few a far in-between. Since Ancient Greece was strongly homophobic and Scandinavia wasn't any better.
All of these new feelings manifested physically in Valhalla. First it showed as a mysterious Corinthian Helmet in the scrying pool, then in the inner reaches Kratos entered a new era. It was a battlefield where Atreus of Sparta died and he was surrounded by enemies. Suddenly Kratos knew who this was about and immediately panicked, getting forced out of Valhalla.
For the first time in a long time, Kratos felt genuine dread and fear. So he frantically picked up MĂmir, got on the boat, and pushed his way off the black shores. The head obviously knew something was wrong but could tell by Kratos blank stare, that he wasn't fully present. So he allowed the Spartan to row in silence and bring them home.
Once in the safe and private confined of the Cabin did MĂmir confront Kratos about what happened. It certainly wasn't easy for the Spartan but eventually he told everything to the head. Ironically MĂmir already figured out that Kratos liked TĂœr but decided to hold back the "I knew it". Instead, he helped his friend and encouraged him to confess to TĂœr.
After a few weeks of completely avoiding Valhalla and the complications within it Kratos returned. With MĂmir's emotional support, he managed to get back to the battle ground, fight off the hoards of enemies, and be there to hold the warrior when Atreus of Sparta died instead of being too late.
This pleased Valhalla and allowed Kratos to finally reach TĂœr in the Tholos arena. Naturally the Aesir doesn't want to fight, since he hasn't seen the Spartan in weeks and is deeply concerned. Unfortunately Kratos can't communicate normally, so he begins to attack TĂœr. Literally and physically fighting his bisexual thoughts.
Soon Kratos ends up winning but once seeing his opponents on the floor, beaten and bloody yet still smiling. It instantly makes the Spartan confess his feelings.
A lot of things happen afterwards that I haven't fully figured out but basically TĂœr feels the same way, accepts the confession, and Kratos apologizies and patches up the injuries.
Dating Life
Kratos and TĂœr both agree immediately to not label themselves because they want to take things slow. So their relationship is not public and only a few people even know because they prefer to keep things private.
Later on, they do end up becoming official but they still don't do public displays of affection because they're both reserved. However they do small shows of affection, like placing a hand on the shoulder or Kratos giving yearning stares and TĂœr smiling at him.
On a rare occasion when Kratos is feeling bold, he'll very non-chalantly hold TĂœr hand or interwind there fingers. Also sometimes when Kratos is sitting down and feels exhausted, he'll leans his weight on TĂœr.
In private Kratos adores cuddling and being the small spoon, since TĂœr being much larger makes him feel safe. However he'll never verbally ask to be held because he's too prideful. So Kratos just stand closer and gives TĂœr a look that says everything.
In general Kratos main love language is acts of service and physical touch. While TĂœr main love language is words of affirmation and quality time.
TĂœr enjoys calling Kratos pet names and is a little bit possessive. Some examples are sweet Spartan or my Spartan, my warrior, my strength, my treasure, my partner, my dearest or just my dear.
On the other hand, Kratos doesn't use pet names and just calls TĂœr by his name and on occasion calls him Northerner or partner. Also although Kratos know TĂœr is more then capable of defending himself, he can't help his instincts to be protective.
Meeting the Family
Both deeply relate to one another because of there dysfunctional families and terrible fathers Zeus and Odin.
Although TĂœr knows most of Kratos homeland family is dead, he still wished he could have met Kratos' mother Castillo, brother Deimos, wife Lysandra, and children Calliope & Pandora.
Thankfully Atreus is alive but since he left Midgard, it takes a few years until TĂœr can see him. However he has heard many stories of Atreus and admires the wonderful young man Kratos has raised.
Eventually when they meet one another, Atreus is very shocked but then becomes excited, as he realizes his childhood hero is alive. Immediately he asks TĂœr millions of questions and the God laughs as he enjoys the boy's enthusiasm. Kratos watches the interaction with satisfaction but soon that joy fades into anxiety, as he only introduced TĂœr as a comrade.
After giving his son a few days to process everything he missed, Kratos takes Atreus on a walk in the Wildwoods and sits on a log near a river. Once Atreus sits down, Spartan takes the peaceful moment to carefully explain that in his absence, he felt lonely and found someone else, and that person is TĂœr.
Atreus is stunned and confused at first but once Kratos elaborates that TĂœr will never replace the love he has for Faye. The boy starts to relax and accept the relationship because he doesn't want his father to stay stuck grieving his mother.
Slowly the fact that his father is dating the legendary TĂœr sinks in and Atreus starts to feel giddy by how surreal it all is. Although he never imagine his father being with another person, he couldn't be happier that his father is with his childhood hero. So Atreus decides to ressure Kratos by telling him that "If anyone would be worthy of his father's love, it's TĂœr."
ThrĂșd like everyone else, is naturally shocked by the reveal but immediately become supportive since she wants her uncle TĂœr to be happy. Plus she likes Kratos and admires his strength. So ThrĂșd has no problem with them dating.
Unfortunately the same cannot be said for Sif, since she doesn't like Kratos and always will hold a grudge for the God who killed her son. Therefore she took offense by the news, feeling betrayed and disturbed that TĂœr would date someone who killed his brothers. However despite disapproving the relationship, she's convinced by ThrĂșd to behave cordial. Only for the sake of keeping the peace.
Married Life
After being together for multiple years, Kratos realizes he wants to take things further with TĂœr and marry him but is nervous to propose, so with MĂmir's assistance and encouragement he does it.
TĂœr is shocked and slightly hesitant at first because he's never been married but then decides to accepts it because he trusts and loves Kratos.
On the day of the wedding, it's was a small private event as only friends and family were invited. Also the wedding was a beautiful mixture of both Greek and Norse tradition.
The wedding happened in autumn, which is a small reference to Zisa. She's the Goddess of harvest who is theorized to be mythology TĂœr's wife.
TĂœr was naturally great with kids but never desired having a family. Mainly because he was always focus on exploring the world and having his own independent life.
However that changed when TĂœr became married to Kratos because once he met Atreus, he began to understand the joys of children and slowly warmed up to the idea of having a family.
While building his son in law relationship with Atreus, TĂœr never acted like his parent because he respected Faye and didn't want to overstep boundaries. So in general TĂœr acted more like a mentor towards Atreus because he was friendly, compassionate, and gave advice.
Eventually as time went on, Atreus bonded more with TĂœr and started to view him as a parental figure. One day he accidentally called TĂœr dad and that made the God almost tear up because he was honored to be his step-father.
Fanfic or Fanart based on this post is acceptable but you must credit me by name
Enjin is the type to smack your ass every chance he gets. He can't help himself; he's handsy and shameless about it. He doesn't care who sees, and loves it when you get annoyed at him, laughing at how adorably flustered you get.
Zodyl waits until he's alone with you, then fully cups your cheeks and squeezes possessively as he leans into your body. He loves how you stop and shiver at the contact, and also arch your bottom against his hard thighs, as though asking him to be a little bolder.
Zanka isn't the ass-smacking type, so you do it to annoy and embarrass him whenever you can. It's gotten to a point where if you're in the vicinity, he's watching you from the corner of his eye, getting ready to dodge and defend himself from your ruthless smacking.
Gris is the quiet, appreciative, gentle pats kinda guy. He does it discreetly if you're in public, but it's always a soft little push against the rounded flesh, which makes you warm inside at the contact. When alone, he pats repeatedly and rhythmically, and it's comforting, almost a relaxation technique.
Tamsy makes touching your ass look like an accident. He'll brush up against it with his hand and you feel it glide across before he stops, looks you straight in the face and apologizes. But you see the little curve of his lips and know that he's not apologetic at all, that's merely his way of letting you know you're at his mercy.
Fun Story: My director kept telling me and my tenor sax buddy to play softer. No matter what we did, it wasnât soft enough for him. So getting frustrated, I told my buddy âDont play this time. Just fake itâÂ
Our Band Director then informed us we sounded perfect.Â
Okay yeah so I play the bass clarinet and the amount of air you have to move and the stiffness of the reed means it only has two settings and that is loud and louder, with an optional LOUDEST that includes a 50% probability of HORRIBLE CROAKING NOISE which is the bass equivalent of the ubiquitous clarinet shriek.
One day, when I was in concert band in high school, we got a new piece handed out for the first time, and there was a strange little commotion back in the tuba section â whispering, and pointing at something in the music, and swatting at each otherâs hands all shhh donât call attention to it. And although they did attract the attention of basically everyone else in the band, they managed to avoid being noticed by the band director, who gave us a few minutes to look over our parts and then said, âAll right, letâs run through it up to section A.â
And here we are, cheerfully playing along, sounding reasonably competent â but everyone, when they have the attention to spare, is keeping an eye on the tuba players. They donât come in for the first eight measures or so, and then when they do come in, what we see is:
[stifled giggling]
[reeeeeeally deep breath]
[COLOSSAL FOGHORN NOISE]
The entire band stops dead, in the cacophonous kind of way that a band stops when it hasnât actually been cued to stop. The band director doesnât even say anything, just looks straight back at the tubas and makes a helpless sort of why gesture.
In unison, the tuba players defend themselves: âTHERE WERE FOUR FâS.â
FFFF is not really a rational dynamic marking for any instrument, but for the love of all that is holy why would you put it in a tuba part.
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