i’m a simple person. i see a dumbass bisexual slut (affectionate) with adhd and a heart of gold and I collect them like a pokemon card

blake kathryn
i don't do bad sauce passes
PUT YOUR BEARD IN MY MOUTH
tumblr dot com
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DEAR READER
Cosmic Funnies
One Nice Bug Per Day
let's talk about Bridgerton tea, my ask is open
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Kiana Khansmith
AnasAbdin
we're not kids anymore.
he wasn't even looking at me and he found me
d e v o n
"I'm Dorothy Gale from Kansas"
Lint Roller? I Barely Know Her

@theartofmadeline
Keni

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@disasterbisafespace
i’m a simple person. i see a dumbass bisexual slut (affectionate) with adhd and a heart of gold and I collect them like a pokemon card
i’m going to say something so brave and controversial on this gay sex blog and it is that the episode of New Girl where Nick and Jess get locked behind the iron curtain until they kiss but they WON’T because they are TOO IN LOVE and Nick is like ‘not like this’ and jess doesn’t know what he means and then at the very end of the episode he just GRABS her and KISSES THE SHIT OUT OF HER and then he says ‘I meant something like that’ and just WALKS OFF is one of the greatest romantic episode arcs on tv ever. fucking perfect no notes sometimes straight people do good stuff after all.
SHANEWEEK | DAY 1: FAVORITE MOMENT
➳ APPROACHING ILYA & INTRODUCING HIMSELF (EPISODE 1)
Hudson williams should get every role he wants because he’s funny and I like him
1st base: raw ethically dubious fucking
2nd base: exist in a public space together
3rd base: you witness me have a real, candid emotion
4th base: I reveal an aspect of my tragic backstory to you
image credits: @moonlightsonatah
Hudson Williams posing with his award for Best Leading Performance in a Drama Series (via cravecanada on Instagram)
Nadine Bhabha, Sophie Nélisse and Ksenia Daniela Kharlamova at the 2026 Canadian Screen Awards | May 30, 2026
eddie wakes up in the middle of the night to his phone ringing and his stomach is already sinking before he sees the name on the screen because it's not buck's ringtone. because the only person who could make a phone call in the middle of the night not terribly wrong is buck. buck forgetting that eddie isn't on the same 24-hour shifts with him anymore and calling him in the locker room to tell him about how crazy their last call was. buck remembering last minute about some wikipedia fact that he wants to make sure eddie told chris about, even though he already texted the article to chris. buck calling just because, just for, just a voice on the other end of the line who eddie uses to remember how to breathe, sometimes.
but it's not buck calling him, it's maddie, and there are no baseball bats in his room in el paso but he can feel the holes crumbling open in his walls anyways. he doesn't want to pick up the phone. he picks up the phone.
"eddie," maddie says, her voice strange and uncanny through hundreds of miles. he doesn't hear maddie's voice over the phone, unless he's facetiming with buck and she's in the background and buck tells her to say hi and she does, with a roll of her eyes and a smile caught in her voice shared between the two of them, the one that says hi, hello, what a ridiculous person it is that we love, what a wonderful thing it is to be loved by him.
her voice doesn't sound like that now. it's trembling, a little, shaky at the edges. the first responder worn down into something like a fissure in a shard of glass, and eddie is already prepared for the sharp edge to bleed him dry.
"maddie?" he says, because that's what you're supposed to say when you don't know already that the world is breaking in some way. because eddie is good at pressing the blindfold over his eyes and pretending he hasn't already tripped off a ledge into a long, long fall.
maddie inhales shakily over the line. "i-- i didn't want you to find out from the news," she says, then falls silent for a moment. "there was a call, and--"
and maddie is calling eddie now. in the middle of the night. maddie's face appeared on his phone screen, instead of the picture of buck smiling in his apron and glowing in the kitchen light. eddie knows. eddie doesn't want to know. he doesn't want to know.
"no," he says, and maddie's words falter, stop. the silence hangs between them, a blade hovering above his throat, the executioner's axe for every one of his sins. "no, maddie, don't--"
don't do this to me. not now, not here, not while my body is alive and breathing and his isn't. don't do this when my son is sleeping down the hall and has to wake up in a world where half of the world beneath his feet will suddenly be gone. don't do this when i can't crawl beneath his corpse. don't. don't. don't.
"eddie," maddie says again, and eddie wants to throw his phone at the wall like a child, make a world where the words won't come true if he never hears them.
"i can't," he gasps, and every breath is hitched, because the person who reminded him of how to breathe is not on the other end of the line.
"i'm sorry," maddie says, and there are real tears in her voice now, a sort of helplessness. she doesn't know how to help him through this. the person who does is not here. eddie has to do it himself, the way he's almost forgotten how to.
eddie closes his eyes, presses his hand over his mouth. maddie lets him shake for a moment, two.
"tell me," he says.
her voice is gentle. "i'm sorry, eddie. bobby's gone."
and for a long, terrible second, all eddie can feel is the air rushing back into his lungs.
cottage/lake thoughts
shane’s better at paddle boarding than ilya. they’re both professional athletes with great balance but it takes ilya awhile to get adjusted meanwhile shane’s doing yoga on his just to be a show off
shane and ilya argue over names for the boat and eventually shane gets “wolf bird” painted on it
ilya isn’t allowed to drive the boat that first summer bc he doesn’t have the proper license but shane helps him study for the written test
anya has a life vest with a shark fin
it’s equally impressive and annoying to everyone how well they do in a tandem kayak or canoe together, paddling in perfect unspoken harmony (hayden and jackie almost get divorced)
they run off the dock and do fancy jumps into the water, making the other person rate them like the olympics
they lay on the dock together at night and watch the stars, sometimes talking and sometimes in comfortable silence
the best part of the day is when they come inside, take a shower together, and collapse on the couch all sleepy from their outdoor shenanigans. ac is blasting so they grab a soft blanket and snuggle in to watch a movie
NICHOLAS GALITZINE as HENRY FOX in RWRB (2023)
Some art about coffee and certainly nothing else
The nature of television is that there are simply a finite number of actors in Vancouver BC
love and light to RR but the more you think about it, the less sense the entire premise of the long game makes. neither Shane nor Ilya expresses the concerns you’d reasonably expect them to, so you’re left trying to accept the premise and it just doesn’t ring true. at the end of the day, TLG asks you to accept that the biggest social hurdle to Shane and Ilya’s relationship is that they’re rivals, not that they’re both men, and maybe I just don’t care about sports enough, but it’s hard to accept that as true in a book series about closeted hockey players and as a human being who is alive on earth.
Like Ilya can’t come out because…..? Shane doesn’t want him to? That’s pretty much it? If you applied any logic, you’d think, oh, he’s worried about having his passport revoked and it impacting his ability to work, or losing his job, but nope, never contemplated. like in the text, the only reason it seems Ilya can’t come out is he and Shane are worried people will put it together that they’re a couple. which really only has consequences for Shane, and means Ilya is essentially in the closet just to protect Shane, which fine, makes sense as a motivation, but leads into the even more baffling premise of TLG: why did Shane come out to his team?
This happens between books and we don’t really get any insight into why Shane decided to come out to his team, but it’s really hard to reconcile with who he is as a person. Again, it implies that the issue is the rivalry, not homophobia. Shane is already dealing with being one of the only Asian players, and neurodivergent to boot—it’s hard to accept that he would willingly other himself further by coming out unless it was to also reveal his relationship. The strain on Shane is actually worse if he comes out but continues to hide his relationship?? Because he loses the plausible deniability of assumed straightness. And it’s not like he came out to soft launch his relationship, which would’ve also made some sense, because in TLG the plan is still to wait until retirement initially. Further, it doesn’t make sense for Shane to come out to his team rather than Ilya, because Shane is far more likely to experience professional consequences than Ilya—Ilya’s bad boy reputation protects him in a way that Shane’s model minority status does not.
It’s further strange that TLG asks us to believe the team is like mostly okay with Shane being gay, though I think this is a big opening for the tv show to explore. It’s implied they were awkward at first and they’re maybe distant now, but you can assume (as I think most fans do, in order to make it make sense) that Shane maybe isn’t the most reliable narrator about how bad it is, and finding out it’s Ilya is what causes that underlying tension to bubble over.
TL;DR, TLG suffers from trying to ask the reader to accept that the problem is the rivalry, not homophobia, and therefore the characters’ choices also don’t make sense when held up against the lived experience of any queer person, who knows that can’t possibly be true.
self reblogging to put into the universe that I’m begging Jacob to fix this by either just not having Shane come out to his team at all and let him have one positive coming out experience with just Hayden/JJ or explaining his motivation for coming out literally at all
love and light to RR but the more you think about it, the less sense the entire premise of the long game makes. neither Shane nor Ilya expresses the concerns you’d reasonably expect them to, so you’re left trying to accept the premise and it just doesn’t ring true. at the end of the day, TLG asks you to accept that the biggest social hurdle to Shane and Ilya’s relationship is that they’re rivals, not that they’re both men, and maybe I just don’t care about sports enough, but it’s hard to accept that as true in a book series about closeted hockey players and as a human being who is alive on earth.
Like Ilya can’t come out because…..? Shane doesn’t want him to? That’s pretty much it? If you applied any logic, you’d think, oh, he’s worried about having his passport revoked and it impacting his ability to work, or losing his job, but nope, never contemplated. like in the text, the only reason it seems Ilya can’t come out is he and Shane are worried people will put it together that they’re a couple. which really only has consequences for Shane, and means Ilya is essentially in the closet just to protect Shane, which fine, makes sense as a motivation, but leads into the even more baffling premise of TLG: why did Shane come out to his team?
This happens between books and we don’t really get any insight into why Shane decided to come out to his team, but it’s really hard to reconcile with who he is as a person. Again, it implies that the issue is the rivalry, not homophobia. Shane is already dealing with being one of the only Asian players, and neurodivergent to boot—it’s hard to accept that he would willingly other himself further by coming out unless it was to also reveal his relationship. The strain on Shane is actually worse if he comes out but continues to hide his relationship?? Because he loses the plausible deniability of assumed straightness. And it’s not like he came out to soft launch his relationship, which would’ve also made some sense, because in TLG the plan is still to wait until retirement initially. Further, it doesn’t make sense for Shane to come out to his team rather than Ilya, because Shane is far more likely to experience professional consequences than Ilya—Ilya’s bad boy reputation protects him in a way that Shane’s model minority status does not.
It’s further strange that TLG asks us to believe the team is like mostly okay with Shane being gay, though I think this is a big opening for the tv show to explore. It’s implied they were awkward at first and they’re maybe distant now, but you can assume (as I think most fans do, in order to make it make sense) that Shane maybe isn’t the most reliable narrator about how bad it is, and finding out it’s Ilya is what causes that underlying tension to bubble over.
TL;DR, TLG suffers from trying to ask the reader to accept that the problem is the rivalry, not homophobia, and therefore the characters’ choices also don’t make sense when held up against the lived experience of any queer person, who knows that can’t possibly be true.