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happy international women's day to anyone who feels maybe kinda sorta like a woman today
Gothic Fiction Binge List
This October, I plan to do a deep dive into the gothic fiction genre. This is for research purposes, but I am excitedly creating a list of fictional works to consume this Halloween season. I may not read or watch all of these, and I may start working on this list much sooner than October. Anyway, here it is...
Books
1. The Castle of Otranto by Horace Walpole - Foundational
2. Frankenstein by Mary Shelly
3. Dracula by Bram Stoker
4. Wuthering Heights by Emily Brontƫ
5. The Monk by Mathew Lewis - Foundational
6. Melmoth the Wanderer by Charles Robert Maturin - Foundational
7. Stories of Edgar Alan Poe (The Pit and the Pendellum, The Mask of the Red Death, the Fall of the House of Usher)
8. The Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson - Foundational
9. A Picture of Dorian Gray by Oscar Wilde - High Key Need to Read
10. The Turn of the Screw by Henry James - High Key Need to Read
11. Rebecca by Daphne du Maurier - High Key Need to Read
12. The Haunting of Hill House by Shirley Jackson - High Key Need to Read
13. Haunted Castles by Kay Russell - High Key Need to Read
14. House of Leaves by Mark Z. Danielewski
Movies
1. Crimson Peak
2. The Others
3. The Woman in Black
4. Sleepy Hollow
5. Bram Stoker's Dracula
6. Rebecca (1940)
7. Interview with a Vampire
8. The Haunting
9. The Innocents
10. The Changling
Poetry in Motion ā the phenomenal Florence Welch
Bette Davis with her knitting buddies circa 1941
Impeccable October vibes right here.
So I finally watched Netflixās Persuasion and yes, I pretty much hated it, but not for the reason youād expect. My Austen-loving friend and I set aside a whole night for this. We watched three films as follows:
Appetizer: Persuasion (2007) with Sally Hawkins and Rupert Penry-Jones
Main course: Persuasion (2022) on Netflix with Dakota Johnson and Cosmo Jarvis
Palate cleanser: Emma (2020) with Anya Taylor-Joy and Johnny Flynn
Watching things in this order really threw some things into relief. Now, obviously as an adaptation Persuasion 2022 is inaccurate in ways people have already explained. There are significant disparities between the film and the source text (Anneās a wine lush now?). There are also egregious anachronisms in costuming, hair, and makeup (through pure oversight the side characters end up being the most historically accurate). But, that aside, in my writerly opinion this isnāt even a competent stand alone film. You know the whole rule of āshow donāt tellā? This film is fundamentally incapable of following that rule. Everything its told ā verbally, explicitly, almost condescendingly ā to the audience.
Keep reading
God can you imagine if Donald Trump became president? Thereād be like a new bubonic plague and heād be like āidk drink bleach about itā
Throwback to when I took acid for the first time in 2013 and predicted the events of 2020 like the fucking oracle of Delphi
Holy shit
Book date! ā¤
reading list - gothic
CLICK HERE TO ACCESS MY OTHER READING LISTS.
āµ ACTIVELY UPDATING āµ
ā āALDERMAN, Naomi ā The Lessons ā āATWOOD, Margaret ā Lady Oracle ā āAUSTEN, Jane ā Northanger Abbey ā āAZEVEDO, Ćlvares de ā Noite na Taverna ā āBECKFORD, William Thomas ā Vathek ā āBIERCE, Ambrose ā The Death of Halpin Frayser ā āBIERCE, Ambrose ā The Spook House ā āBLACKWELL, Anastasia ā The House on Black Lake ā āBLACKWOOD, Algernon ā The Listener and Other Stories ā āBRONTĆ, Charlotte ā Jane Eyre ā āBRONTĆ, Charlotte ā Villette ā āBRONTĆ, Emily ā Wuthering Heights ā āBROWN, Charles Brockden ā Wieland ā āBROWN, Charles Brockden ā Ormond ā āCAPOTE, Truman ā Other Voices, Other Rooms ā āCARTER, Angela ā The Bloody Chamber ā āCATHER, Willa ā My Ćntonia ā āCAZOTTE, Jacques ā Le Diable amoureux ā āCHAMBERS, Robert W. ā The King in Yellow ā āDANFORTH, Emily M. ā Plain Bad Heroines ā āDANIELEWSKI, Mark Z. ā House of Leaves ā āDICKENS, Charles ā Oliver Twist ā āDICKENS, Charles ā Bleak House ā āDICKENS, Charles ā Great Expectations ā āDICKENS, Charles ā The Mystery of Edwin Drood ā āDOSTOYEVSKY, Fyodor Mikhailovich ā The Double ā āDOSTOYEVSKY, Fyodor Mikhailovich ā The Landlady ā āDOSTOYEVSKY, Fyodor Mikhailovich ā Bobok ā āDOSTOYEVSKY, Fyodor Mikhailovich ā The Brothers Karamazov ā āDOYLE, Sir Arthur Conan ā Lot No. 249 ā ādu MAURIER, Daphne ā Jamaica Inn ā ādu MAURIER, Daphne ā Rebecca ā ādu MAURIER, Daphne ā My Cousin Rachel ā ādu MAURIER, George ā Trilby ā āFARING, Sara ā The Tenth Girl ā āFARRELL, Henry ā What Ever Happened to Baby Jane? ā āFAULKNER, William ā The Sound and the Fury ā āFAULKNER, William ā As I Lay Dying ā āFAULKNER, William ā Light in August ā āFAULKNER, William ā Absalom, Absalom! ā āFLAMMENBERG, Ludwig ā The Necromancer ā āGARSHIN, Vsevolod Mikhailovich ā The Red Flower ā āGAUTIER, Theophile ā The Mummyās Foot ā āGILMAN, Charlotte Perkins ā The Yellow Wallpaper ā āGOGOL, Nikolai Vasilievich ā Evenings on a Farm Near Dikanka ā āGOGOL, Nikolai Vasilievich ā Mirgorod ā āGOGOL, Nikolai Vasilievich ā Arabesques ā āGOGOL, Nikolai Vasilievich ā The Nose ā āGRACQ, Julien ā Au chĆ¢teau d'Argol ā āHAWTHORNE, Nathaniel ā Young Goodman Brown ā āHAWTHORNE, Nathaniel ā The Ministerās Black Veil ā āHAWTHORNE, Nathaniel ā Edward Randolphās Portrait ā āHAWTHORNE, Nathaniel ā The House of the Seven Gables ā āHAWTHORNE, Nathaniel ā Rappaciniās Daughter ā āHILL, Susan ā The Woman in Black ā āHOFFMANN, E. T. A. ā The Devilās Exilir ā āHOFFMANN, E. T. A. ā The Entail ā āHOFFMANN, E. T. A. ā Gamblerās Luck ā āHOGG, James ā The Private Memoirs and Confessions of a Justified Sinner ā āHOLT, Victoria ā Mistress of Mellyn ā āHOLT, Victoria ā Kirkland Revels ā āHUGO, Victor ā Notre-Dame de Paris ā āHUYSMANS, Joris-Karl ā LĆ -bas ā āINGOLDSBY, Thomas ā The Ingoldsby Legends ā āIRVING, Washington ā The Adventure of the German Student ā āIRVING, Washington ā āThe Legend of Sleepy Hollowā ā āJACKSON, Shirley ā The Lottery ā āJACKSON, Shirley ā A Visit ā āJACKSON, Shirley ā The Haunting of Hill House ā āJACKSON, Shirley ā We Have Always Lived in the Castle ā āJACOBS, W. W. ā The Monkeyās Paw ā āJAMES, Henry ā The Turn of the Screw ā āJELINEK, Elfriede ā Die Kinder der Toten ā āLATHOM, Francis ā The Midnight Bell ā āle FANU, SHERIDAN ā Uncle Silas ā āle FANU, SHERIDAN ā In a Glass Darkly ā āle FANU, SHERIDAN ā Carmilla ā āLEE, Harper ā To Kill a Mockingbird ā āLEIGH, Julia ā The Hunger ā āLEROUX, Gaston ā Le FantĆ“me de l'OpĆ©ra ā āLEVIN, Ira ā The Stepford Wives ā āLEWIS, Matthew Gregory ā The Monk ā āLEWIS, Matthew Gregory ā The Castle Spectre ā āMACHEN, Arthur ā The Great God Pan ā āMARRYAT, Florence ā The Blood of the Vampire ā āMARRYAT, Florence ā The Phantom Ship ā āMATURIN, Charles ā Melmoth the Wanderer ā āMEANEY, John ā Bone Song ā āMĆRIMĆE, PROSPER ā La VĆ©nus d'Ille ā āMOORE, John ā Zeluco ā āMORRISON, Toni ā Beloved ā āNERVAL, GĆ©rard de ā Les Filles du feu ā āOATES, Joyce Carol ā Bellefleur ā āOATES, Joyce Carol ā Night-Side ā āOATES, Joyce Carol ā A Bloodsmoor Romance ā āOATES, Joyce Carol ā Mysteries of Winterthum ā āOATES, Joyce Carol ā My Heart Laid Bare ā āO'CONNER, Flannery ā Wise Blood ā āODOEVSKY, Vladimir ā Russian Nights ā āPARKER, Gilbert ā The Lane that Had No Turning, and Other Tales ā āPARSONS, Eliza ā The Castle of Wolfenbach ā āPARSONS, Eliza ā The Mysterious Warning ā āPEACOCK, Thomas Love ā Nightmare Abbey ā āPEAKE, Mervyn ā Gormenghast ā āPHILLIPS, Arthur ā Angelica ā āPOE, Edgar Allan ā āBereniceā ā āPOE, Edgar Allan ā āLigeiaā ā āPOE, Edgar Allan ā āThe Fall of the House of Usherā ā āPOE, Edgar Allan ā The Narrative of Arthur Gordon Pym of Nantucket ā āPOE, Edgar Allan ā āThe Masque of the Read Deathā ā āPOE, Edgar Allan ā āThe Oval Portraitā ā āPOE, Edgar Allan ā āThe Pit and the Pendulumā ā āPOE, Edgar Allan ā āThe Black Catā ā āPOE, Edgar Allan ā āThe Tell-Tale Heartā ā āPOTOCKI, Jan ā The Manuscript Found in Saragossa ā āPUSHKIN, Alexander ā The Bridegroom ā āPUSHKIN, Alexander ā The Undertaker ā āPUSHKIN, Alexander ā The Queen of Spades ā āRADCLIFFE, Ann ā A Sicilian Romance ā āRADCLIFFE, Ann ā The Romance of the Forest ā āRADCLIFFE, Ann ā The Mysteries of Udolpho ā āRADCLIFFE, Ann ā The Italian ā āRAY, Jean ā Malpertuis ā āROCHE, Regina Maria ā Clermont ā āROCHE, Regina Maria ā The Children of the Abbey ā āROSTOPCHINA, Yevdokia Petrovna ā Poedinok ā āSETTERFIELD, Diane ā The Thirteenth Tale ā āSHELLEY, Mary ā Frankenstein ā āSHELLEY, Percy Bysshe ā Zastrozzi ā āSHELLEY, Percy Bysshe ā St. Irvyne; or, The Rosicrucian ā āSLEATH, Eleanor ā The Orphan of the Rhine ā āSTEVENSON, Robert Louis ā Strange Case of Dr Jekyll and Mr Hyde ā āSTEWART, Mary ā Nine Coaches Waiting ā āSTOKER, Bram ā Dracula ā āSTOKER, Bram ā The Lair of the White Worm ā āSTORM, Theodor ā Der Schimmelreiter ā āTARTT, Donna ā The Secret History ā āTARTT, Donna ā The Little Friend ā āTHOMAS, Elisabeth ā Catherine House ā āURBAN, MiloÅ” ā SedmikostelĆ ā āWALPOLE, Horace ā The Castle of Otranto ā āWILDE, Oscar ā The Picture of Dorian Gray ā āZAFĆN, Carlos Ruiz ā La sombra del viento
The Faust Cinematic Universe
Things that are Faust
Faust - Goethe
Doctor Faustus - Marlowe
Things that try very hard to be Faust
Manfred - Lord Byron
Things that are unashamedly inspired by Faust
Faust - Turgenev
The Master and Margarita - Bulgakov
Doctor Faustus - Thomas Mann
Mephisto - Klaus Mann
Johannes Cabal the Necromancer - Howard
Melmoth the Wanderer - Maturin
Things that are Goethe (but not Faust)
The Sorrows of Young Werther
Wilhelm Meister
Things that are unashamedly inspired by Goethe (but not Faust)
Lotte in Weimar - Thomas Mann
Things that are Faust if you squint
Howards End - Forster
Peer Gynt - Ibsen
obsessed with this image
fuck this handmaids tale country.
some dracula book covers
Milton Charles was the accomplished designer and artist behind the cover of Flowers in the Attic. Charlesās idea was to create a die-cut window that would show a single character on the front cover at first glance, and then would reveal a cast of characters behind the āhouseā when the reader turned the page to what is sometimes called the āstepbackā. The contrast in the cover between the stark, graphic, almost secessionist-style house ā resplendent in foil ā and the almost photo-realistic portrait of the family (illustrated by Gillian Hills) is both queasy and intriguing. It also cleverly evokes the narrative without being too explicit ā had he shown the whole family in the attic on the cover in the first place, the magic would have been completely lost. The books that followed directly after Flowers employed Charlesās established template ā stark imagery with foil and a die-cut revealing photo-realistic illustration of the bookās characters. (x)
ya being kafkaesque isnāt about turning into a bug itās about how if you turned into a bug your boss would still be like āok but weāre short staffed can u still come inā
while i understand that this is meant to be a joke about hellish capitalism, again, we cannot erase an important dimension to his work: franz kafka was a jew. he and his families were jews during a time period where traditional, religiously-based jew hatred was being replaced with a new pseudoscientific belief that jews were to be hated and oppressed because they were a subhuman race. this transition to race-based hatred of jews meant that even assimilated jews- who considered themselves citizens of states before they were ever jews- were now being irrationally targeted and hunted.
the termĀ āanti-Semitismā was created specifically to name this new racial hatred of Jews. it was coined in 1879- 4 years before Kafka was born.Ā
inĀ āthe metamorphosisā,Ā Gregor Samsa wakes up one morning to find himself transformed into a "monstrous vermin". in kafkaās real world, jews woke up one morning, in their country that they were told was now enlightened and accepting of all people, and found out that they were now consideredĀ āmonstrous verminā. and then 6 million jews of his generation were exterminated.Ā
i am giving the simplest analysis to this right now, but we need to understand that you cannot just blanketly universalize his work. you cannot remove the context of kafkaās jewishness or that he lived at a time when antisemitism became fervently racial. yes, discuss how his work comments on capitalism, society, etc. but to only use ONLY these lenses and to ONLY universalize his work is dishonest, whitewashes his work and life, and further exhibits how little non-jews know or care about the jewish history and the how antisemitism has impacted jews for over 2000 years.
I see a lot of American cryptids and mythical creatures on here, so I thought I'd share some of my favourite creatures from here in Wales! š“ó §ó ¢ó ·ó ¬ó ³ó æ
Afanc
A crocodile and beaver type creature. It lives in welsh lakes, and sometimes Conwy river. It's a demonic creature that eats anyone who swims in its home.
Ceffyl Dwr
Similar to the Scottish kelpie. It inhabits mountain pools and waterfalls. North wales lore says it's quite evil and foreboding, whereas south wales lore says it's quite a friendly creature. I'm north Walian so this is our version: It entices people to ride it and then evaporates mid air, so the rider falls to his death.
Llamhygin Y Dwr
The Water Leaper. It's a bat/frog/lizard hybrid. It lives in lakes and ponds, snapping fisherman's lines and eats livestock and fishermen.
Y Ddraig
The famous welsh dragon, featured on our flag. Legend says that Vortigen wanted to build a castle right where 2 dragons were said to be sleeping. When they started digging, they found 2 dragons fighting, one white and one red. The red dragon won.
Gwillgi
Similar to the English black shuck, gwillgi is a fearsome black dog who haunts rural welsh roads at night.
Coblynau
Gnome like fairy creatures, they live in Welsh mines. They help the miners find the rich veins of ore and other treasures by knocking.
Cyhyraeth
Similar to the Irish Bean Sidhe, y cyhyraeth is a disembodied moaning voice that foretells death.
Cath Palug
Palugs cat was an enormous cat that lived on Anglesey. It killed 180 warriors who were sent to kill it.
Adar Llwch Gwin
Griffin type creatures that were gifted to Drudwas ap Tryffin by his faerie wife. They understand human language and obey commands.
Cadair Idris
Translates to "Chair of Idris". Idris was a huge giant and this mountain was his chair. Legend has it that if you sleep on this mountain, you'll either wake a madman or never wake at all. I've actually been here, it's not far from my house.
Hope you enjoyed these few creatures from Wales!!š“ó §ó ¢ó ·ó ¬ó ³ó æ