A collection of Beatles quotes about the breakup
Link to masterpost of quote compilations
Quotes from/about Ringo:
1969:
People really have tried to typecast us. They think we are still little moptops, and we are not. I don’t want to play in public again. I don’t miss being a Beatle anymore. You can’t get those days back. It’s no good living in the past.
Ringo Starr, 24 March 1969 while filming The Magic Christian in New York
1970:
Ringo? He was the peacemaker for John, George and himself to Paul and was shaken to find Paul intransigent to the point of saying some pretty blunt things. But none of the Beatles is vindictive, and pettiness is their natural enemy, and when Paul released his album, Ringo sent a telegram congratulation him on “Maybe I’m Amazed” (one of the tracks) and meant it. Ringo has a lot of heart and more soul than most and since he knows he will be a Beatles to the grave, he will cooperate should it all come together again.
The Party's Over for the Beatles - written by Derek Taylor
“The Beatles have not split up. We are waiting for John to get back and then we will have a friendly Beatle chat and see what we are going to do. I keep looking around and thinking, ‘Where are they? What are they doing? When will they come and talk to me?’ This is supposed to be a press conference to promote my new film. The other Beatles aren’t here, so I don’t want to be answering questions for them. I hope to see Elvis in Las Vegas before I return to England. But, I will not be in the States for very long.”
The Beatles Off the Record (Keith Badman)
1971:
The Beatles might yet stay together as a group. Paul is the greatest bass player in the world. He is also determined. He goes on and on to see if he can get his own way. While that may be a virtue, it did mean that musical disagreements inevitably rose from time to time. But such disagreements contributed to really great products. […] I was shocked and dismayed, after Mr. McCartney’s promises about a meeting of all four Beatles in London in January, that a writ should have been issued on December 31. I trust Paul and I know he would not lightly disregard his promise. Something serious, about which I have no knowledge, must have happened between Paul’s meeting with George in New York at the end of December. […] My own view is that all four of us together could even yet work out everything satisfactorily.
Ringo Starr’s affidavit – From “The Beatles Diary Volume 2: After The Break-Up 1970-2001” by Keith Badman
No one doubted that Starkey would go along with the majority.
You Never Give Me Your Money – Peter Doggett
1977:
RINGO: "That's not the problem. That's the easy stuff. We don't care about that. It's the four of us. You've gotta remember, it's the four of us sitting in a room deciding that we all want to do it. And we've all said yes. I've never seen anyone of the other three who said 'NO!' ...you know, heavy No. We've all said, 'I'd like it if it be a reunion.' It takes the four of us to sit 'round and rap about it, just to sort out-- Are we gonna do 'Love Me Do' like we did it? Or are we gonna do it like we'd like to do it now. How would YOU like to do 'Love Me Do.' How would I like to do 'Love Me Do.' Simple basic questions like that. 'HOW are we gonna do it?' Never mind WHAT are we gonna do."
Ringo Starr Interview: Inner-view, 8/29/1977
Later/unknown year:
RS: But that’s only Imagine. You know what I’m saying? Paul with his Band on the Run. We all started on a bus and small clubs and things like that, but Paul is that type of person. Paul wanted to do it all over again, and he did. And he went through hell. He went through hell. I mean, now he’s not talking to me and that’s too bad, but he started again from the bottom to do the Paul McCartney show. I don’t wanna do it anymore. I did it once.
All You Need Is Love – Peter Brown & Steven Gaines
Quotes from/about George:
1969:
The thing is, we become more and more individual, The same time we become more of a group. You know, I can see the Beatles sticking together forever really. You know, I think we've been together a long time.
BBC Scene and Heard, March 1969
“Yeah, quite definitely, but I’d like to do it with the Beatles but not on the old scale, that’s the only drag. With the Ono Band and me playing with Delaney and Bonnie there’s no expectations because it’s really quite anonymous, you just go and do whatever you can do. Once the Beatles are advertised and all the crowds come along they expect too much. I’d like to do the Beatles thing, but more like Delaney and Bonnie with us augmented with a few more singers, and a few trumpets, saxes, organs, and all that"
Interview conducted by Roy Carr, NME, 20 December 1969
1970:
I certainly don’t want to see the end of The Beatles. And I know I’ll do anything, you know. Whatever Paul, John, Ringo would like to do, I’ll do it. As long as we can all be free to be individuals at the same time. I think that’s just part of our life, you know, is to be Beatles. And I’ll play that game, you know, as long as the people want us to.
George Harrison is interviewed for the BBC’s The Beatles Today
So in a way it’s a great relief for everybody to be able to work separately at the same time, and maybe if I get a chance I’d like to do an album as well, just to get rid of a lot of songs. And so I’ll try and get that together sometime during this summer and I expect by that time we should be ready to do a new Beatle album.
1970-03-11 BBC Radio 1 - Scene And Heard - Johnny Moran - BBC Studio Aeolian Hall - Broadcast 1970-03-15 - George Harrison
George was greatly disappointed that Paul should come off like he was injured by Klein (business manager) whom George believes to have greatly eased the effects of the present and insured the safety of the future. George view is “Did you have to be so nasty. You can go so far but you can never get back, and you can say things which get in the way forever. For me, I would be glad to play with all of us again.”
The Party's Over for the Beatles - written by Derek Taylor
Q: “You think the Beatles will get together again, then?”
George: “Well, I don’t… I couldn’t tell, you know, if they do or not. I’ll certainly try my best to do something with them again, you know. I mean, it’s only a matter of accepting that the situation is a compromise. In a way it’s a compromise, and it’s a sacrifice, you know, because we all have to sacrifice a little in order to gain something really big. And there is a big gain by recording together – I think musically, and financially, and also spiritually. And for the rest of the world, you know, I think that Beatle music is such a big sort of scene – that I think it’s the least we could do is to sacrifice three months of the year at least, you know, just to do an album or two. I think it’s very selfish if the Beatles don’t record together.”
WABC-FM, May 1, 1970
The Harrison quote that went around the world that spring was purely optimistic: 'Everyone is trying to do his own album, and I am too. But after that I'm ready to go back with the others.'
You Never Give Me Your Money – Peter Doggett
A typed letter on WORDS FROM APPLE color stationery from George Harrison to the other three Beatles: This letter was posted on the wall at Apple and asks the Beatles NOT to break up (via an original unreleased zen like poem/koan reading, “A flower on it’s pretty. A flower in a garden is beautiful.”
Beatles collection for sale - Hand signed by George Harrison. With a COA and history from Geoffrey Giuliano. From the collection of Derek Taylor. Formerly the property of George Harrison.
1971:
The only serious row was between Paul and me. In 1968 I went to the United States and had a very easy co-operation with many leading musicians. This contrasted with the superior attitude which, for years past, Paul has shown towards me musically. In January 1969, we were making a film in a studio at Twickenham, which was dismal and cold, and we were all getting a bit fed up with our surroundings. In front of the cameras, as we were actually being filmed, Paul started to ‘get at’ me about the way I was playing. I decided I had had enough and told the others I was leaving. This was because I was musically dissatisfied. After a few days, the others asked me to return and since I did not wish to leave them in the lurch in the middle of filming and recording, and since Paul agreed that he would not try to interfere or teach me how to play, I went back. Since the row, Paul has treated me more as a musical equal. I think this whole episode shows how a disagreement could be worked out so that we all benefited. I just could not believe it when, just before Christmas, I received a letter from Paul’s lawyers. I still cannot understand why Paul acted as he did.
George Harrison’s affidavit – From “The Beatles Diary Volume 2: After The Break-Up 1970-2001” by Keith Badman
“In a “Come back Paul, all is forgiven” mood, George Harrison said this week: “I wish we could all be friends again. It’s a drag that things are as they are, because Apple is now becoming much more what we originally wanted it to be. “Personally I’d like to see Paul back at Apple and let him do what he wants to do. After all the new studio is his studio, too, and I’d like to see it all happening for us all.”
October 1971 Record Mirror
When John finally hinted that he would be willing to play with George when he appeared at Madison Square Garden. “Well, maybe I can come and help ya,” he said. “That’d be nice.” George glowered at John. Then George’s anger really burst forth. “Where were you when I needed you!” he snapped. It was the first of a series of explosions, each of them followed by moments of tense silence. “I did everything you said. But you weren’t there,” he repeated. “You always knew how to reach me,” John would reply evenly to each of these outbursts. There was no doubt in my mind, watching those two, that George’s anger with John had been accumulating for years. It was exactly the kind of situation that John usually ran from. But I could see in that moment that he loved George enough to remain calm and still as George drilled away at him. George said that repeatedly in the past he had sung what John wanted him to sing, said what John wanted him to say. Because John wanted it, George had gone along with the decision to go with Allen Klein. In the nearly four years since, John had virtually ignored him, a fact that pained George deeply. George’s voice grew even more harsh as he blasted John for his sudden appearance, as if out of nowhere, to offer an evening’s worth of help. Yet again George said furiously, I did everything you said, but you weren’t there.”
May Pang, Loving John
1973:
"George came into the office and said, 'I wanted you to know before anyone else. We're leaving Allen.' I said, 'Why?' And he said, 'We'll never get together again with Allen managing us.' And that was it. They left. George always had that distant hope."
Allan Stecker, Mojo interview 2023 (on Monday April 2 1973)
"[Allen Klein] made [John, George and Ringo] feel financially and artistically secure,” Steckler reckoned. So why did they decide that Klein had to go? Steckler believed he knew the answer. “George called me and said, ‘We’re not re-signing with Klein,’” he recalled. “I asked him why, and he said, 'The only way The Beatles can get together again is if Allen isn’t there. I’m ready to do it, so is Ringo, and I think we can persuade John to go along with it. But if we’re going to work with Paul, we need to get rid of Klein.’"
Peter Doggett, You Never Give Me Your Money
1978:
Personally, I’m not opposed to the idea, if it’s done through mutual agreement. But the pressure seems to be bigger than any of us, and when they talk of sums like $50 or $60 million, it’s almost a farce. I know Paul’s booked for the next few years, and John may have lost interest in the idea. Ringo and I are closest on it; we both feel it’s not impossible, but it’s highly unlikely, if only because of the legal and business maze that would have to be resolved before the four of us set foot on stage together.
M. George Haddad interview with George Harrison for Men Only magazine (Nov. 1978 issue)
1979:
Recently, the idea was given further impetus when an agent claiming to represent the United Nations approached each of the Beatles to ask them to play a benefit concert to raise money for the Vietnamese boat people.
"George rang me up to talk about it," says Paul, "I said I'd told the guys that Wings were rehearsing and we didn't want to do anything yet but that we would try to do something sometime.
" And George said, 'I thought that if you were doing something, maybe we'll get together and do something' or whatever. So that was just left. Then, just a week ago, I got a letter from Kurt Waldheim, the UN Secretary-General, saying that the guy who approached us hadn't been authorized to do so, but it would obviously be a great idea to do something, particularly with the situation in Cambodia now. So would I please take his letter as an invitation to do something, either individually or with The Beatles.
McCartney - Just an Ordinary Millionaire No author listed. Evening News (London) November 30, 1979
Quotes from/about Paul:
1970:
On the eve of the release of the Beatles new movie and album “Let it Be,” Paul McCartney said, “I quit,” or “I think I quit,” which is roughly the same thing. As a publicity stunt, it’s as good or bad as any stunt they ever appeared to pull. But like every stunt they never did pull, this isn’t one either. McCartney’s declaration of independence was entirely impromptu, spontaneous and personal and so far had the group’s lines of communication become crossed that none of the Beatles really knew when the album would be out, or whether, nor did they greatly care.
...
I guess the way it stacks up now and the way it was around the time when Paul dropped the big on is that he wants right out of it all and they don’t.
The Party's Over for the Beatles - written by Derek Taylor
"John's reply was that I was daft!" He then said he wanted to leave the Beatles and wanted an immediate divorce. None of us really knew what to do about the situation, but we decided to wait until our film 'Let it Be' came out in April. I got bored and made 'McCartney' instead!"
Paul McCartney, in his first magazine interview since the split, tells FLIP's Keith Altham... "THE BEATLES ARE FINISHED!"
When we had to go to the studios, Linda would make the booking and we’d take some sandwiches and a bottle of grape juice and put the baby on the floor and it was all like a a holiday. So as a natural turn of events from looking for something to do, I found that I was enjoying working alone as much as I’d enjoyed the early days of the Beatles. I haven’t really enjoyed the Beatles for the last two years.
Paul, Interview for Evening Standard • Tuesday, April 21-22, 1970
Klein tells George he will get him more money and he tells Ringo the same. He tells them all that there are four first-class Beatles, not two and John doesn’t mind being told this. Paul doesn’t like any of it, none of it. He has a father-in-law who is also from New York and his name is Lee Eastman. Lee Eastman is also a toughie, but his manners are more formal than Klein’s and some people like him. Paul would like Eastman to be the Mr Big Apple needs. John wants Mr Klein to be Mr Big. A year passes. It is 1970. Paul still doesn’t like Klein but John digs him more than ever and George digs him more than that and Ringo doesn’t mind him. Paul? He is so uptight about Klein he only leaves the Beatles, that’s all.
As Time Goes By - Derek Taylor
1971:
Klein: “If Paul McCartney doesn’t get his way, he bitches. He may have a choirboy image in the press and with fans, but I’m here to tell you its bullshit. If anybody broke up the Beatles, it was him.”
Allen Klein, Playboy: A candid conversation with the embattled manager of the Beatles. (November, 1971) (note: obviously we should not trust a word Klein says, but at this point why isn't he repeating John's party line that he wanted a divorce?)
I think John thought I was using this press release for publicity-as I suppose, in a way, it was. So it all looked very weird, and it ruffled a few feathers. The good thing about it was that we all had to finally own up to the fact that we'd broken up three or four months before. We'd been ringing each other quite constantly, sort of saying, 'Let's get it back together.' And I think me, George and Ringo did want to save things. But I think John was, at that point, too heavily into his new life-which you can't blame him.
You Never Give Me Your Money – Peter Doggett
Paul: And it's good, man. And I think it is Alan Klein who's holding me back, because he's informing me to advise the others that there are tax reasons, great tax reasons why they can't let me go. But I have an idea that it wouldn't be that difficult to sort out, to just let me slip out of the partnership and just carry on everything as it was going, just let me out and leave me with any sort of tax problems or whatever, you know?
But I think the easiest way for it to be solved would be for the other three, the other Beatles, and--- not the other three Beatles for Christ's sake, John, George and Ringo and Alan Klein, to just let me out of all my involvement with them and sort of give me what's mine. I just think it's as simple as that. I'm being told there's a reason, this reason, that reason. But when I go to my publisher and I asked for more royalties, he has many reasons why not to give me more. That's the point, you know. So in this Beatles thing, I know I should get out; nobody really hangs out with each other anymore. We haven't recorded or played or done anything together now for about two years. I'm being told it's difficult, it's too difficult for me to be let out of the Beatles contract, but that must be nonsense. It's just gotta be crazy, because I'm out of the Beatles. I can't go on seven more years. That contract runs seven more years. You know it means everything I will have to go through and be governed by the Beatles contract, and that just ain't on, as you say in America.
An Interview with Paul at McCartney Productions From the I.F.A. (Independent Free Apple)
1972:
“We planned a big festival for one afternoon in Central Park, and ‘Imagine’ was the theme. Each retarded person from an institution would be paired with one able-bodied volunteer – twenty-five thousand people in the park. The issue arose whether the retarded should come to the matinee concert at Madison Square Garden. Obviously it would be a huge revenue loss. So Allen Klein and John just bought $50,000 worth of tickets and gave them to the retarded kids and volunteers.” Suddenly John got cold feet, after the concert had been sold out for weeks. “John said he didn’t want to do it,” Rivera recalled. “He said he hadn’t played in public for years, he hadn’t rehearsed with a band, he was just too nervous. …When they had that rush of insecurity, Yoko told me that she and John called Paul and Linda. They said, ‘Let’s bury the hatchet and appear together at the concert.’ Why Paul said ‘No’ I’ll never know.” Rivera and others managed to calm John’s fears and get him to start rehearsing with Elephant’s Memory.
Jon Wiener, Come Together: John Lennon in His Time. (1984)
“A few months ago, John asked us to do a concert with him at Madison Square Garden (note: same concert as the above quote) and it’s a pity now that we didn’t do it. I didn’t want to do it at the time but we will do things, I’m sure. I don’t see any reason why all four Beatles shouldn’t be on stage at some time all playing together and having a good time. I don’t think you’ll ever get the Beatles reforming, because that’s all gone. The Beatles were a special thing in a special era and I really couldn’t see it all coming together again. But I think it’s daft to assume that just because we had a couple of business upsets we won’t ever see each other again, or that if John has a concert some time we won’t go up and play on it.”
Paul McCartney, interview with Ray Connolly in The Evening Standard, December 2, 1972 (source: The Ray Connolly Beatles Archive)
“Don’t ever call me ex-Beatle McCartney again. That was one band I was with. Now I’m not with them. I’ve got another band. We won’t do things the same way any more. We’re not so bothered in trying to please other people all the time even though we obviously don’t try to displease them. All we want, in Wings, is to please ourselves with our music, That’s all.
“If people start fan clubs for us, do that kind of thing from the past, well, fine. But we won’t start one. I just get irritated by people constantly harping on the past, about the days when I was with that other band, the Beatles.
“The other Beatles get together and that is fine, but I’m almost always in another part of the world. The Beatles was my old job. We’re not like friends – we just know each other. But we don’t work together. so there’s no point keeping up old relationships.”
“All I know for sure is that I’ll never be conned again. I’m 30 now and, after what I’ve been through. I should know my way around. I get angry with fans, who interrupt my life, even now. I get fed up with the feeling that I was losing my identity, becoming some kind of legend, not a person. And I’m downright angry with the people who keep trying to get me back with the others again.
Paul McCartney and 'that other band'' by Peter Jones, in the Liverpool Echo, 13 December 1972
There’s no hard feelings or anything, but you just don’t hang around with your ex-wife. We’ve completely finished. ’Cos, you know, I’m just not that keen on John after all he’s done. I mean, you can be friendly with someone, and they can shit on you, and you’re just a fool if you keep friends with them. I’m not just going to lie down and let him shit on me again. I think he’s a bit daft, to tell you the truth. I talked to him about the Klein thing, and he’s so misinformed it’s ridiculous.'
Paul interviewed by student journalist Ian McNulty for the Hull University Torch, May 1972 [From The McCartney Legacy, Volume 1: 1969 – 1973 by Allan Kozinn and Adrian Sinclair, 2022
1976:
“The truth is very ordinary. The truth is just that since we split up, we’ve not seen much of each other. We visit occasionally, we’re still friends, but we don’t feel like getting up and playing again. You can’t tell that to people. You say that and they say, ‘How about this money, then?’ ‘Or how about this?’ And you end up having to think of reasons why you don’t feel like it. And, of course, any one of them taken on its own isn’t really true, but I was just stuck for an answer, so I said I wouldn’t do it just for the money anyway. And I saw John last time, he says, ‘I agreed with that.’ But there’s a million other points in there. A whole million angles. “I tell you, before this tour, I was tempted to ring everyone up and say, ‘Look, is it true we’re not going to get back together, ‘cause we all pretty much feel like we’re not. And as long as I could get everyone to say, ‘No, we’re definitely not,’ then I could say ‘It’s a definite no-no.’ But I know my feeling, and I think the others’ feeling, in a way, is we don’t want to close the door to anything in the future. We might like it someday.
Paul McCartney, Rolling Stone: Yesterday, Today, and Paul. (June 17th, 1976)
Later/unknown year:
“John phoned me once to try and get the Beatles back together again, after we’d broken up. And I wasn’t for it, because I thought that we’d come too far and I was too deeply hurt by it all. I thought, “Nah, what’ll happen is that we’ll get together for another three days and all hell will break loose again. Maybe we just should leave it alone.”
Paul, November 1995 Club Sandwich interview
“ELLEN: So was there ever a time when both you and John Lennon wanted to reform the Beatles? PAUL: There was a time… let’s put it this way: there was never a time when all four of us wanted to do it. And each time it was always someone different who didn’t fancy it And I’m actually glad of that now. Because the Beatles’ work is a body of work. There’s nothing to be ashamed of there. In the end we decided we should leave well enough alone. The potential disappointment of coming on and not being as good as the Beatles had been… that was a risk we shouldn’t take
Paul McCartney, interview w/ Mark Ellen for Radio Times. (October 20th-26th, 2007)
Quotes from/about John:
1969:
JOHN: The point is, if George leaves, do we want to carry on The Beatles? I do. [inaudible; drowned out by mic feedback] And I’d just get another member of the group and carry on. But if The Beatles split, well, I’ll get another group. [to Paul and Yoko?] I’m a singer not a dancer, baby! Woo-hoo!
January 10th, 1969 (Twickenham Film Studios, London)
Friday, 21 March, John: “Everything we do, we shall be doing together. I don’t mean I shall break up The Beatles, or anything, but we want to share everything.”
The Beatles Off the Record (Keith Badman)
MICHAEL: But funny enough, the other day, when we were talking, he said that he really did not want not to be a Beatle. He said he really looked forward – not, you know. Meaning he didn’t want that screwed up.
[T]he Beatles are always discussing, “Should we go on or shouldn’t we? Why are we together for now?” And what it gets down to is I like playing rock n’ roll and I like making rock n’ roll records. Now, I’ve got either the choice— if I want the whole LP to myself — is to get a few musicians together. Now, I know that— I’ve played with other musicians — just very rarely, but occasionally I’ve played with them — and it needs some work together to get anything going. I don’t like session men, so I try not to use them. I don’t like violinists or anything these days. I try not to use anybody but the Beatles. And if I wanted to make a record I’d chose the Beatles! I can say, “Give me a ‘Be Bop A Lula’”. So therefore, we’ve got that going. And even from a commercial point, when we discuss it, “What’s the biggest selling name? Beatles or John Lennon and The Fabs? Or George Harrison and The Fabs?” Which— Where’s our biggest market? It’s Beatles! Who are our closest friends? Beatles! Who do we have the most arguments with? Beatles. So Beatles is it!
John Lennon and Yoko Ono give a series of interviews at the Apple Corps building at 3 Savile Row, London (Friday, 12 September 1969).
JOHN: See they’re growing up too, you know. And uh, we all want Beatles still cause it’s, it’s a big power and it’s good power, you know. And we’ve no intention of splitting it, you know. Any of us. I can’t be specific about it, you know. But obviously, I’m deeply involved with Yoko, it has some…you know, maybe less reliant on the others but so it goes for the others too, you know. That as we’re all sort of branching out. Which we were occasionally all the time, you know. Like I did How I Won The War, I wrote In His Own Write and Paul wrote the music for Family Way, etc. and George went off to India with sitars and that. So it’s only, you know. We nip off and come back and do some work then nip off again, you know.
John and Yoko gave several interviews on September 12, 1969
[Will] The Beatles split up? It just depends how much we all want to record together. I don’t know if I want to record together again. I go off and on it. I really do.”
John Lennon, interview w/ Alan Smith for NME. (December 13th, 1969)
JOHN: I was really losing interest in just doing the Beatles’ bit – and I think we all were – but Paul did a good job in holding us together for a few years while we were sort of undecided about what to do, you know. And I found out what to do, and it didn’t really have to be with the Beatles. It could have been, if they wanted… But uh, it got that I couldn’t wait for them to make up their minds about peace or whatever. About committing themselves. It’s the same as the songs. So I’ve gone ahead – and I’d have liked them to have come along.
YORKE: Did you ever try to get them into the peace scene?
JOHN: I did a little at first, but I think it was too much like Yoko and me and what we’re doing and trying to get them to come along; and I think they reacted. I hassled them too much, so I’m really leaving them alone. Maybe they’ll come along, wagging their tails behind them, and if not, good luck to them.
John Lennon, interview w/ Ritchie Yorke. (December 23rd, 1969)
“This is why I’ve started with the Plastic Ono and working with Yoko . . . to have more outlet. There isn’t enough outlet for me in the Beatles. The Ono Band is my escape valve. And how important that gets, as compared to the Beatles for me, I’ll have to wait and see.
NEW MUSICAL EXPRESS DECEMBER 13, 1969
1970:
Why do you think he [Paul] has lost interest in Apple?
That’s what I want to ask him! We had a heavy scene last year as far as business was concerned and Paul got a bit fed-up with all the effort of business. I think that’s all it is. I hope so.
John Lennon interviewed by Roy Shipston for Disc and Music Echo (February 28, 1970)
John’s view is: “Okay. If this is it, this is it. We’ve all left the Beatles anyway.” If Paul were to approach him and say, “Let’s do it together again,” he probably would; with no more words, he probably would do it.
The Party's Over for the Beatles - written by Derek Taylor
Now even Lennon was prepared to hint at a positive outcome: 'I've no idea if the Beatles will work together again, or not. I never really have. It was always open. If somebody didn't feel like it, that's it! It could be a rebirth or a death. We'll see what it is. It'll probably be a rebirth.'
You Never Give Me Your Money – Peter Doggett
'Eventually,' McCartney recalled, 'I went and said, "I want to leave. You can all get on with Klein and everything, just let me out." Having not spoken to Lennon for several weeks, he sent him a letter that summer, pleading that the former partners 'let each other out of the trap'. As McCartney testified, Lennon 'replied with a photograph of himself and Yoko, with a balloon coming out of his mouth in which was written, "How and Why?" I replied by letter saying, "How by signing a paper which says we hereby dissolve our partnership. Why because there is no partnership." John replied on a card which said, "Get well soon. Get the other signatures and I will think about it.” Communication was at an end. Yet the press continued to believe, fired by hope more than evidence, that it was only a matter of days before the four men healed their wounds. The stories taunted McCartney, who fired off a letter to the prime offender, Melody Maker: 'Dear Mailbag, In order to put out of its misery the limping dog of a news story which has been dragging itself across your pages for the past year, my answer to the question, "Will the Beatles get together again?"...is no.' He had finally pronounced the verdict that was missing from his self-interview in April: the Beatles were no more.
You Never Give Me Your Money – Peter Doggett (note: John is stalling)
For McCartney, and maybe Harrison and Starkey as well, this signified hope. ‘For about three or four months,' he recalled years later, 'George, Ringo and I rang each other to ask, "Well, is this it, then?" It wasn't that the record company had dumped us. It was just a case of: we might get back together again. Nobody quite knew if it was one of John's little flings, and that maybe he was going to feel the pinch in a week's time and say, “I was only kidding.” I think John did kind of leave the door open. He'd said, “I'm pretty much leaving the group, but...” McCartney testified in 1971, ‘I think all of us (except possibly John) expected we would come together again one day.
You Never Give Me Your Money – Peter Doggett
John: George was on the session for Instant Karma, Ringo’s away and Paul’s – I dunno what he’s doing at the moment, I haven’t a clue.
Interviewer: When did you last see him?
John: Uh, before Toronto. I’ll see him this week actually. If you’re listening, I’m coming round. (Note: as AKOM point out, Toronto was before the divorce meeting. Why is he pretending it never happened?)
Feb 6th 1970 (audio snippet approx 1:14:00)
Interviewer: What about the Beatles all together as a group?
John: As soon as they’re ready, you know, we had half the Beatles on again at the Lyceum Ballroom. Uh it was George and me but we also had Delaney and Bonney and 17 piece band we had on, it was a great experience. Uh it should be like that you know, if we were doing that and all the Beatles wanted to come it would be great, and it would be no great thing about ‘oh the Beatles are coming back on stage’ like they expect, sorta of, Buddha and Mohammad to come on and play. I keep saying that, but that’s the fear the Beatles have, including me as a Beatle, about performing. It’s such a great – so much expected of us, you know, but you see George has been on tour with Bonnie and Delaney playing and I’ve been drifting around playing, it’s just playing isn’t the hang up. It’s going on as the Beatles that’s the problem for us.
1970 (audio snippet approx 1:23:00)
Interviewer: Do you care about making another Beatles album?
John: I think Beatles is a good communication media you know, and I wouldn’t destroy it out of hand or dissolve it out of hand. So that’s what I think about Beatles.
BBC Scene and Heard - 6th Feb 1970
Interviewer: Why do you think rumours like this start?
John: Because there was a lot of tension around the Allen Klein coming in days and the ATV thing going on, and the Beatles were under a lot of pressure and we had to be together all the time, fighting and arguing and listening to all the different business things. And so we’re taking a break from each other like we always did after a tour end. The business thing is like a heavy tour, in it we may get back in abbey road and a couple of singles and under a great strain you know, doing that business. And so now we’re just taking a break from each other.
BBC Scene and Heard - 6th Feb 1970
You can’t pin me down because I haven’t got- there’s no- it’s completely open, whether we do it or not. Life is like that, whether I make another Plastic Ono album or Lennon album or anything is open you know, I don’t like to prejudge it. And I have no idea if the Beatles are working together again or not, I never did have, it was always open. If someone didn’t feel like it, that’s it. And maybe if one of us starts it off, the others will all come round and make an album you know.
BBC Scene and Heard - 6th Feb 1970
Well, let's say before Sgt Pepper there was 9 months of nothing, so in between our albums now there's a lot of stuff going on, that's all. There might be 9 months or a year before we decide that we're interested enough to produce that thing called a Beatles album. But there was 9 months before Sgt Pepper, and it's only been since September that we've worked together.
BBC Scene and Heard - 6th Feb 1970
In 1964 I produced a book, they were asking me that then, and why should I not write a book? The Beatles wanted me to do it, they want me to do these LPs, you know, they have nothing against it – I want George to produce and record any records he wants to. We still- it doesn’t interfere with Beatle time, I use my own time to do other things and so do they. The Beatles will remain, there’s no doubt about that. And we'll- I'm fed up with saying, they’ve been saying it since She Loves You- we’re together and that’s it.
1970 (audio snippet approx 1:45:00)
I just uh I wanted to do it [announce the breakup] you know, should’ve done it. I think damn, shit, what a fool I was. But there were many pressures at that time, I think Northern Songs and all that was going on, it would’ve upset the whole thing. (Note: again as AKOM point out, the Northern Songs fight ended the day before the divorce meeting. Why would the pressure of Northern Songs impact John's decision not to announce the breakup?)
Lennon Remembers
1971:
INT: I asked Lee Eastman for his view of the split, and what it was that prompted Paul to file suit to dissolve the Beatles' partnership, and he said it was because John asked for a divorce.
JOHN: Because I asked for a divorce? That's a childish reason for going into court, isn't it?
John Lennon interviewed by Peter McCabe and Robert Schonfeld at the St. Regis Hotel, September 5, 1971
Well, there was this Japanese monk, and it happened in the last 20 years. He was in love with this big golden temple, y’know, he really dug it, like—and you know he was so in love with it, he burnt it down so that it would never deteriorate. That’s what I did with the Beatles.
John Lennon, interview w/ Alan Smith for NME: At home with the Lennons. (August 7th, 1971)
MCCABE: Let’s talk a bit about Paul’s aversion to Klein. From what we’ve read it seemed as if this wasn’t there in the beginning, even though Paul wanted the Eastmans to run things. But it came on later as things progressed. And yet despite this, we gather that Klein was still hoping that Paul would return to the group.
JOHN: Oh, he’d love it if Paul would come back. I think he was hoping he would for years and years. He thought that if he did something, to show Paul that he could do it, Paul would come around. But no chance. I mean, I want him to come out of it, too, you know. He will one day. I give him five years, I’ve said that. In five years he’ll wake up.
MCCABE: But Klein is still hoping?
JOHN: He said to me, “Would you do it, if we got your immigration thing fixed? Or if we could get rid of the drug conviction?”
YOKO: And people don’t understand, you know. There’s so many groups that constantly announce they’re going to split, they’re going to split, and they can announce it every year, and it doesn’t mean they’re going to split. But people don’t understand what an extraordinary position the Beatles are in, you know. In every way. They’re in such an extraordinary position that they’re more insecure than other people. And so Klein thinks he’ll give Paul two years Linda-wise, you know. And John said, “No, Paul treasures things like children, things like that. It will be longer.” And of course, John was right.
John Lennon and Yoko Ono, interview w/ Peter McCabe and Robert Schonfeld. (September, 1971)
It was true, that when the group was touring, their work and social relationships were close, but there had been a lot of arguing, mainly about musical and artistic matters. I suppose Paul and George were the main offenders in this respect, but from time to time we all gave displays of temperament and threatened to ‘walk out’. Of necessity, we developed a pattern for sorting out our differences, by doing what any three of us decided. It sometimes took a long time and sometimes there was deadlock and nothing was done, but generally that was the rule we followed and, until recent events, it worked quite well. Even when we stopped touring, we frequently visited each other’s houses in or near London and personally we were on terms as close as we had ever been. If anything, Paul was the most sociable of us. From our earliest days in Liverpool, George and I, on the one hand, and Paul, on the other, had different musical tastes. Paul preferred ‘pop-type’ music and we preferred what is now called ‘underground’. This may have led to arguments, particularly between Paul and George, but the contrast in our tastes, I am sure, did more good than harm, musically speaking, and contributed to our success.
If Paul is trying to break us up because of anything that happened before the Klein–Eastman power struggle, his reasoning does not make sense to me.
John Lennon’s affidavit – From “The Beatles Diary Volume 2: After The Break-Up 1970-2001” by Keith Badman
JOHN: Yeah, Gilbert and Sullivan. I always remember watching the film with Robert Morley and thinking, “We’ll never get to that.” [pause] And we did, which really upset me. But I never really thought we’d be so stupid. But we did.
WIGG: What, like splitting like they did?
JOHN: Like splitting and arguing, you know, and then they come back, and one’s in a wheelchair twenty years later—
YOKO: [laughs] Yes, yes.
JOHN: —and all that. [laughs; bleak] I never thought we’d come to that, because I didn’t think we were that stupid. But we were naive enough to let people come between us. And I think that’s what happened. [pause] But it was happening anyway. I don’t mean Yoko, I mean businessmen, you know. All of them.
October, 1971 (St Regis Hotel, New York)
Q: "Did Klein hope to get Paul back into the group?"
JOHN: (laughs) "He came up with this plan. He said, "Just ring Paul and say, 'We're recording next Friday, are you coming?' So it nearly happened. Then Paul would have forfeited his right to split by joining us again. But Paul would never, never do it, for anything, and now I would never do it."
St Regis Hotel Interview, September 5th, 1971.
John would say things like, ‘It was rubbish. The Beatles were crap.’ Also, ‘I don’t believe in The Beatles, I don’t believe in Jesus, I don’t believe in God.’ Those were quite hurtful barbs to be flinging around, and I was the person they were being flung at, and it hurt. So, I’m having to read all this stuff, and on the one hand I’m thinking, ‘Oh fuck off, you fucking idiot,’ but on the other hand I’m thinking, ‘Why would you say that? Are you annoyed at me or are you jealous or what?’ And thinking back fifty years later, I still wonder how he must have felt. He’d gone through a lot. His dad disappeared, and then he lost his Uncle George, who was a father figure; his mother; Stuart Sutcliffe; Brian Epstein, another father figure; and now his band. But John had all of those emotions wrapped up in a ball of Lennon. That’s who he was. That was the fascination.
I tried. I was sort of answering him here, asking, ‘Does it need to be this hurtful?’ I think this is a good line: ‘Are you afraid, or is it true?’ – meaning, ‘Why is this argument going on? Is it because you’re afraid of something? Are you afraid of the split-up? Are you afraid of my doing something without you? Are you afraid of the consequences of your actions?’ And the little rhyme, ‘Or is it true?’ Are all these hurtful allegations true? This song came out in that kind of mood. It could have been called ‘What the Fuck, Man?’ but I’m not sure we could have gotten away with that then.
Paul McCartney, on “Dear Friend”. In The Lyrics (2021).
Q: “If you got, I don’t know what the right phrase is… ‘back together’ now, what would be the nature of it?” JOHN: “Well, it’s like saying, if you were back in your mother’s womb… I don’t fucking know. What can I answer? It will never happen, so there’s no use contemplating it. Even if I became friends with Paul again, I’d never write with him again. There’s no point. I write with Yoko because she’s in the same room with me.” YOKO: “And we’re living together.” JOHN: “So it’s natural. I was living with Paul then, so I wrote with him. It’s whoever you’re living with. He writes with Linda. He’s living with her. It’s just natural.””
St. Regis Hotel Interview, September 5, 1971
1973:
My last question was inevitable… Any chance of us seeing the four Beatles on a stage or record together again? “There’s always a chance,” grinned John. “As far as I can gather from talking to them all, nobody would mind doing some work together again. There’s no law that says we’re not going to do something together, and no law that says we are. If we did do something I’m sure it wouldn’t be permanent. We’d do it just for that moment. I think we’re closer now than we have been for a long time. I call the split the divorce period and none of us ever thought there’d be a divorce like that. “That’s the way things turned out. We know each other well enough to talk about it.””
John Lennon, interview w/ Chris Charlesworth for Melody Maker. (November 3rd, 1973)
MINTZ: Would you want to initiate that happening?
JOHN: Uh… Well, I couldn’t say. [long pause]
MINTZ: If you could, I mean is it something you would like to see yourself doing?
JOHN: If I could… I don’t know, Elliot, because you know me, I go on instinct. And if the idea hit me tomorrow, you know, I might call them and say, “Come on, let’s do something.” And so I couldn’t really tell you. If it happens, it’ll happen.
MINTZ: So it’s not something that you would totally rule out as never taking place again?
JOHN: No, no. My memories are now all fond and the wounds are healed. And if we do it, we do it, if we record, we record. I don’t know. As long as we make music.
November 1st/10th, 1973 (Malibu, Los Angeles): For Eyewitness News on KABC TV Los Angeles, Elliot Mintz
"We still like to say Apple is high and rising", says Lennon, grinning, although his clashes with his songwriting partner, McCartney, led to a much-publicized inevitable breakup. "Oh, I speak to Paul on the phone," says John, "and someone told me Paul and me were only a decimal point from settling everything. But I wish he would just send me a letter now and then. With all the legal stuff, we will be tied together for a long time to come." At 33, Lennon, diplomatically, had just a question about a full-scale Beatles reunion. "It's a moot point. I really cannot give a definite answer either way."
John Lennon watched his Deportment (1973)
1974:
"I would like," said John Lennon drawing deeply on his cigarette, "The Beatles to make a record together again."
[…] "I am still asked almost every day about the Beatles getting together again by waitresses and almost everyone else I meet." He says, "If we feel like it, we might make a record together sometime soon. I mean, I am a Beatles fan. I realize now that I do like the Beatles. When I hear them on the radio, I think to myself that some of those songs are really, really good. I personally would like the Beatles to make a record together again, but I don't really know how the other three feel about the idea. The trouble is that George and Paul still have so many hassles getting into the States that the four of us have never even sat down in one room together to talk, let alone record. It is feasible, though, that we could all find ourselves in the same recording studio, and that would be fun. "
John Lennon on Love, Life and Music By John Blake, Evening News (London) November 1, 1974
“No, no, no,” he answered and he meant it. “I’m going to be an ex-Beatle for the rest of my life so I might as well enjoy it, and I’m just getting around to being able to stand back and see what happened. A couple of years ago I might have given everybody the impression I hate it all, but that was then. I was talking when I was straight out of therapy and I’d been mentally stripped bare and I just wanted to shoot my mouth off to clear it all away. Now it’s different.
“When I slagged off the Beatle thing in the papers, it was like divorce pangs, and me being me it was blast this and fuck that, and it was just like the old days in the Melody Maker, you know, ‘Lennon Blasts Hollies’ on the back page. You know, I’ve always had a bit of a mouth and I’ve got to live up to it. Daily Mirror: ‘Lennon beats up local DJ at Paul’s 21st birthday party’. Then we had that fight Paul and me had through the Melody Maker, but it was a period I had to go through.
John Lennon, interview w/ Ray Coleman for Melody Maker: Lennon – a night in the life. (September 14th, 1974)
John seemed to be in a very strange state of mind about the dissolution. From the hints he had dropped since we had been together, I had learned that John’s departure from the Beatles had essentially been Yoko’s idea. Without Yoko to drive him forward, he felt strangely ambivalent about officially ending the Beatles at that moment. By nature, also, he felt inclined to take a position opposite from that of Paul McCartney. Paul desperately wanted that agreement signed. Whether or not it was the best thing for him to do, John, on principle, was inclined not to want to sign it.
May Pang, Loving John. (1983)
I’ll tell you exactly why I said that. We had a business meeting to break up The Beatles, one of the famous ones that we’d been having — we’re still having them 17 years later, actually. We all flew in to New York specially. George came off his disastrous tour, Ring of flew in and we were at the Plaza for the big final settlement meeting. John was half a mile away at the Dakota and he sent a balloon over with a note that said ‘Listen to this balloon.’ I mean, you’ve got to be pretty cool to handle that kind of stuff.
George blew his cool and rang him up: ’You fucking maniac!! You take your fucking dark glasses off and come and look at us, man!!’ and gave him a whole load of that shit. Around the same time at another meeting we had it all settled, and John asked for an extra million pounds at the last minute. So of course that meeting blew up in disarray. Later, when we got a bit friendlier — and from time to time there would be these little stepping-stones of friendship in the Apple sea — I asked him why he’d actually wanted that million and he said, I just wanted cards to play with. It’s absolutely standard business practice. He wanted a couple of jacks to up your pair of nines. He was one great guy, but part of his greatness was that he wasn’t a saint.
Paul McCartney: An Innocent Man? (October, 1986) (note: John is STILL stalling)
At that moment, John was at his most unpredictable. Suddenly his fears that his money was going to be taken away from him, that he was going to be cheated, that he had to have as much money as possible, had all come into play. This was also John’s way of resisting the reality that the Beatles were officially about to come to end, and that Paul was about to prevail.
Loving John, MAY PANG (1983)
1975:
Alone with the ex-Beatles. Lennon appears really keen to see the Beatles reincarnated on record. "I mean, I'm a Beatles fan. I realize now that I do like the Beatles. I personally would like the Beatles to make a record together again, but I don't really know how the other three feel about the idea. I'm still asked every day about the Beatles getting together again by waitresses and almost everyone else I meet for a full Beatles reunion. I have been offered $7 million."The trouble is that George and Paul still have too many hassles getting into the States." They, too, have drug convictions in Britain, and John can't leave America for fear of being prevented from re-entering. "There are times when I miss Britain badly", says John, "I still consider myself an Englishman, and I'll stay that way until I die."
John Lennon is Low-Key After Deportation Fight By Keith Newham, London Express Service November 12, 1975
“At the time I was thinking that I didn’t want to do all that Beatles—but now I feel differently. I’ve lost all that negativity about the past and I’d be happy as Larry to do ‘Help’. I’ve just changed completely in two years. I’d do ‘Hey Jude’ and the whole damn show, and I think George will eventually see that. If he doesn’t, that’s cool. That’s the way he wants to be.”
John Lennon, interview w/ Chris Charlesworth for Melody Maker: Rock on! (March 8th, 1975)
1976:
“I’ve always felt that splitting up was a mistake in many ways” John Lennon has said, and he believes a Beatles revival “would undoubtedly produce some great music.”
Australian Woman’s Weekly, 1976
1980:
“I and the other three former Beatles have plans to stage a reunion concert…” (Part of a statement in the legal disposition brought by Apple Corps against the ‘Beatlemania’ stage musical for trademark infringement. John was referring to an event that was to be filmed for a documentary being put together by Neil Aspinall. It was abandoned/shelved after John’s death, but ultimately became the Anthology project)
John Lennon, 1980
“Just days before his brutal death, John was making plans to go to England for a triumphant Beatles reunion. His greatest dream was to recreate the musical magic of the early years with Paul, George and Ringo … (he) felt that they had traveled different paths for long enough. He felt they had grown up and were mature enough to try writing and recording new songs.”
Yoko Ono, quoted in The Beatles: The Dream Is Over - Off The Record 2 by Keith Badman
