reblog if racists have no place in the beatles fandom
d e v o n
Keni

blake kathryn
almost home
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Mike Driver
One Nice Bug Per Day

#extradirty

shark vs the universe
macklin celebrini has autism
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$LAYYYTER
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seen from Canada
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@motherlennon
reblog if racists have no place in the beatles fandom
The great Yoko Ono attorney hit, “attorneeEEEeEEy”
I loooove early days, Paris trip you are my everything
every now and then i think about the mccartney I press release and how scathingly bitchy it is. some of my favourite bits:
"fuck you john. and fuck everyone else too for never agreeing with my cool ideas. luckily i agree with MYSELF"
"why did you play all the instruments yourse-" "BECAUSE I CAN."
completely random uncalled for ringo diss. like he was PISSED
he was so real for this one tbh. Say That!
"and for the record i'm never setting foot in an office ever again. fuck off"
"kill yourself allen klein."
im beatling out
Paul during an interview in Newcastle, in 1973.
Ladies and gentlemen…Paul McCartney.
Oh god… his hair
@motherlennon reminding me how much I love the Beatles by reblogging my decade old posts
and I have more scheduled like a beautiful peppering of Good Content. I still have your blog pulled up because there is just literally so many little hilarious beatles gems 😌
john lennon drunkingly singing yesterday and changing the lyrics to “why he had to go, i don’t know he wouldn’t say” sounds like something from a fanfiction but it really did happen like theres even a recording of it
"Let's go back and get 'em, eh?" | The Beatles: Help! (1965)
September 25, 1967: Recording, mixing The Fool On The Hill.
Early on during the session, the Beatles were visited by two members of the Japanese media, photographer Koh Hasebe and reporter Rumiko Hoshika from magazine Music Life. While the Beatles began rehearsing The Fool On The Hill, Koh took photographs and Rumiko recorded brief interviews with each member of the group.
[My transcript, excuse the errors as the audio is low quality:]
Paul: “Hello, readers from the magazine. This is Paul speaking from London England saying to you, ‘Hello Tokyo’. I love you and, um, I hope the weather’s nice. And…what are you filming, [inaudible] Fuji? Something like that. Wonderful to see you, nice to see you. [Rumi asks about The Beatles coming back to Japan]. Oh, maybe, yeah, maybe. [Where?] Oh, I don’t know yet. [Rumi asks something, inaudible]. Well, I am good. Yes, well, maybe. Okay. Thank you.”
George: “Hello, readers of the magazine. How are you? Happy nineteen sixty-seven! Lots of love. Uncle George. [Rumi thanks George] Okay.”
Ringo (I think): “Hello. To all the [inaudible] readers… Yes. Hello, readers. [unintelligible, possibly ‘This is’] Ritchie. How are you? Uhm, thanks for the lovely time you gave us when we went over there. And maybe we’ll see you soon, right?”
George (I think:) “Hello, Rumi. It’s nice seeing you when you came to London. And I hope your show on the radio is doing good and I hope you’re playing our records. Thank you.”
John: “Hello, Rumi. This is John saying ‘hello again’. Uh, remember when we saw you in London, remember that? It’s great seeing you. Leaving this little message for you. Good-bye!”
Paul: “Hello, Rumi. This is Paul McCartney speaking. I hope you can understand me because I’m speaking English. And I know you don’t speak very much but, uh, I’d like to say hello to you and all the people in good ol’ Japan. And… uh, hope you’re okay because we are over here.”
The Beatles @ Granada TV Studios, Manchester, 14th October 1964
A HARD DAY'S NIGHT, 1964 // AUSTIN POWERS, 1997
The Beatles in Australia
PAUL MCCARTNEY. July 1973.