祝日 / Permanent Vacation
let's talk about Bridgerton tea, my ask is open
Keni
Stranger Things
occasionally subtle
Discoholic 🪩
Show & Tell
DEAR READER
JBB: An Artblog!
dirt enthusiast
No title available
Cosimo Galluzzi
styofa doing anything
almost home
Peter Solarz
★
Xuebing Du
RMH
YOU ARE THE REASON
Lint Roller? I Barely Know Her
seen from United States
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seen from China
seen from Malaysia
seen from Singapore
seen from South Africa
seen from Netherlands
seen from China
seen from Italy
seen from United States
seen from Italy
seen from United States
seen from United States
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@dragonkwest
Added sound effects to this AMAZING animation by https://www.instagram.com/xabier.u/ with their permission… and I had a lot of fun doing it!
I know I’ve reblogged this before, but I will do it again because it’s literally one of the coolest things I’ve ever seen.
Art by @katrina_g46_art on Instagram
Horror AU?
Maxwell has been consumed by shadows, and he's even lost his right arm entirely.
The green mushroom is placed near the light because it restores sanity in the game, and I found that quite symbolic. You can also notice that Wilson has a piggyback sack that he's about to throw — it's pretty heavy. Right now, the priority is to run away as fast as possible and save his life rather than hold onto resources.
sorry if I scared you, I got scared myself
"The Fencing World Championships will introduce the "Sword Tip Visualization System." This system was developed by Japanese engineers, used at the Tokyo Olympics, and can track and display the sword tip's movement trajectory without any markers." (X)
Windows screen saver irl
Happy birthday to Shen Qingqiu and his most avid hater!!!
Made two versions bc I couldn't decide on the lighting It's so funny their birthday is 21st of September lol
The Good ending
Someone on the official dst discord did this for me btw.
Late Night at the Art Studio From my upcoming artbook, which is crowdfunding right now!
The tiger He destroyed the fourth wall Yes YES The tiger is out
shut up this is adorable
In the 80’s as computer animation was on the rise one of the thorniest problems was “how do we get this thing we made on the computer… OFF the computer?” There were a lot of unique solutions, but the one I’m fascinated by most is Disney’s solution of using a plotter.
A plotter acted as sort of a 3D printer but for 2D images. There was a ball point pen that could move up and down, and the paper underneath could be moved in and out. Using CAD based programs you could plot points in 2D space and the plotter would draw the lines between them and even do geometric shapes!
When it came time to do The Great Mouse Detective, the animators at Disney wanted to do more dynamic shots for the climatic battle inside Big Ben. Drawing all those gears and cogs would be a nightmare for the animators, so they experimented with using 3D animation.
But this was still the early 80’s. There was no digital ink and paint program, no way to merge the 2D animated characters with the 3D animated backgrounds digitally. So how did they get the 3D animated backgrounds out of the computer?
By drawing each frame on the plotter.
Every frame was printed out on the plotter, and then xeroxed onto animation cels, and then hand painted like traditional 2D animation cels are.
But why the plotter? If they were gonna have to export every frame anyway, why not use a printer? Well… because printers back then just weren’t very good. A plotter uses points and physically draws the line between them, much like how vector graphics work. It yielded a much smoother and higher fidelity line than if they just printed them out.
This was still a massive undertaking, but it was probably the best solution to getting the dynamic camera moves they wanted out on paper. 2D animation was drawn over top and then both layers of animation cels were filmed frame by frame.
And that’s how you got dynamic shots like this in the mid 80’s! 3D animated backgrounds, printed with a plotter, xeroxed onto animation cels, hand painted, and then re-photographed with the 2D animation on top!
This technique would be the standard way Disney got their 3D animation out of the computer for their 2D films… right up until The Rescuers Down Under which was the first fully digital animated feature. That movie used PIXAR’s proprietary CAPS System (hey that name sounds familiar 😉) to combine everything digitally. But that’ll have to be a story for another time!
Hi! I love your art of Willow and Wilson, do you think you could draw Wilson fixing Bernie for Willow? 🧸
This idea is cute to visit every now and then❤️
MAY YOU NEVER LOSE YOUR HYPERFIXATION
what will it be, boss? the comfort of misery or the pain of change?
wait murderbot's mentioned once or twice that secunits were "originally designed for" stuff like de-escalation, quick and efficient rescues, absolute minimum force and the like. ive always wondered why exactly they were designed with human faces in the first place given they're mainly used to enforce corporate slavery and having visibly expressed emotions is a detriment to that. but it would make sense if they were "meant" to be used in more of a rescue capacity, where showing empathy and being visibly familiar would be advantageous. anyway this leads into: if secunits' emotional capacity and skillset are geared towards rescue and they're used as enforcers of abuse.... well it does explain something about how fucked up they are
forever grateful i was simply too lazy to let the makeup industrial complex get its hooks in me. I was just like im not doing all of that. in fact. im doing none of that
yeah I have political reasons for it now but my original and still most powerful reason is "I am not getting out of this bed one single second before I have to"
last network effect chapters destroyed me here's a shitpost
artificial condition (2018)
