this bitch empty
YEET
almost home
YOU ARE THE REASON
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if i look back, i am lost
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PUT YOUR BEARD IN MY MOUTH

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@dream-in-love
this bitch empty
YEET
My kind of party. (via _cooper)
Wait! there’s more!
this is the best thing ever
In honour of the recent release of The Ballad of Songbirds and Snakes, let me just drop some thoughts about Hunger Games.
I’ve been reading a lot of reviews lately, and one thing they all seem to have in common is that most people loved The Hunger Games itself, but lost interest after the actual “games” portion of the novels disappeared. That the complicated politics got boring and the propos were so fake and the love triangle was unsatifisying and out of place amid all this war; that Katniss acted like a puppet in Mockingjay—I’ve seen people complain about how present her PTSD is and how it’s confusing to read; about how everything she did was for show; I’ve even seen her compared to Bella Swan. And I’m here to tell you that all that is the point.
So many authors have tried to replicate what Suzanne Collins did with Hunger Games—she created an entire YA subgenre. But nothing’s gotten it right. Why? Why do so many people love The Hunger Games, but drop the sequels as “boring” and “fake”? Why do so many authors trying to replicate Hunger Games’ sensationalism go off the rails in their third installment? (Looking at you for that one, Divergent.)
To put it simply: politics.
Gonna get a bit English student/history major-ish here, but Suzanne Collins’ writing of the political climate and power struggle in Hunger Games is absolutely fantastic. In Mockingjay particularly, Collins presents a fascinating commentary on authoritarianism through contrasting President Coin with President Snow, showing the former to be—true to her name—just another side of the same coin as Panem’s dictator. If you’d like, connections can certainly be drawn to specific political parties, with Snow, of course, being your far-right fascist, and Coin your far-left communist, but Collins’ message in this commentary isn’t centered on labels like that. In a way, her handling of the issue reminds me of George Orwell’s 1984, with the Party never being specified as leftist or rightist, just totalitarian. The message is the same: whether communist, fascist, far-left, far-right, whatever you want to call yourself—totalitarianism is bad, kids. Authoritarianism is bad. Remember, the political spectrum isn’t a line, it’s a circle—and it all comes down to dictatorships and tyrannical rulers.
And that’s where everyone goes wrong, readers and authors alike. Because Suzanne Collins does what the media does: hides it under all these layers of drama, intrigue, bloodbaths, horror, love triangles, until the politics get all blurry. That’s art imitating life, right there.
Gonna drag poor Divergent along for sec, because it reminded me of The Hunger Games, in a lot of ways. Dystopian YA with some really nice commentary on society. Loved the first book; I still go back and reread it, and while lacking in certain qualities, what novel isn’t? But Roth lost that thread in the conclusion, because I feel, like so many others, she fell into Collins’ trap about what makes Hunger Games so good. The drama. The love triangle. The horror. The bloody, shocking plot twist. Not politics.
Let’s unpack the rest of it, here, too:
The love triangle is supposed to feel fake and out of place, because it is. (I mean, I’d argue there isn’t even a real love triangle, but that’s a whole other debate I’ll bring up again sometime.) It’s a fabrication used by those in power throughout the novel to distract from the Capitol’s crimes, and the fact real people fixate on it in Hunger Games to this is extent means Collins’ commentary on the issue is entirely correct. And similarly, this sort of media war District 13 and the Capital have in Mockingjay, with Katniss doing propos and Peeta being tortured into interviews—yes, it is fake. It’s propaganda; that’s the whole point.
As for Katniss acting like a puppet, I’d argue that as illustrated by a notable plot twist near the end of the novel (and numerous events throughout, on that note), Katniss was acting and thinking independently. I’d also take care to point out that Katniss is seventeen years old and deeply traumatized. One of the things I love about YA are the young, teenaged protagonists doing incredible things, and living through impossible horrors—but I’ll be the first to admit sometimes it gets unrealistic. Collins takes a more realistic approach. Katniss has PTSD; Collins writes this. Katniss has been used as a puppet by the rebellion so long, can she even consider not acting as their figurehead; Collins discusses this. Katniss is a seventeen-year-old whose main concern is protecting the people she loves, one of whom is Peeta; Collins writes her actions to reflect this. Just because Katniss doesn’t go full-badass-archer, front-lines-in-the-war-effort like we saw in the actual Games of the first two installments—and have seen many protagonists do in other series—doesn’t mean she’s not fighting back and staying true to herself the whole time.
Again, it’s a different kind of fight, politics.
So my point is, Hunger Games is driven by politics. Suzanne Collins presents some very intelligent points on politics, to a YA audience. And, ten years after she published Mockingjay, she’s back with a novel on the early life and rise of a dictator. So what, pray tell, might she be trying to say?
Little is known about the origins of this practice, although there is some unfounded speculation that it is loosely derived from or perhaps inspired by ancient Aegean notions about bees’ ability to bridge the natural world with the afterlife.
#me shoving my head into a beehive: yall would not fuckin BELIEVE the day i’ve had
@cardozzza
I love the mental image that tag creates
The bees when you give them the tea:
More uplifting news during this outbreak ♥️
The director of cybersecurity from the Electronic Freedom Foundation is offering to help women who have been threatened with compromise of their devices.
I better see EVERYBODY reblogging this
oh that’s kinda a coo- YOOOOO
https://www.thedailybeast.com/state-department-to-lgbt-married-couples-your-out-of-wedlock-kids-arent-citizens
Watch the white gays start to give a fuck now.
First it was the Mexicans, legal citizens born here from immigrant parents, that were claimed as non citizens. Now it’s the children of gay parents. Don’t you see what’s happening? Disenfranchisement. Classic fascism. We’re heading towards a totalitarian regime folks. Trump is a white supremacist and him and his administration won’t stop until they’ve recreated Hitler’s Nazi Germany.
Hitler didn’t start as histories greatest monster, or he wouldn’t have gained the power he got. It was only after he became too powerful to be removed that he revealed his true nature. You have to look for the warning signs and there are a lot of them with the Trump administration. Like, big red flags with glowing flares.
The worst thing is that Hitler had to put some effort into gaining his power, while Trump has been waving his red flags as high as possible since the start and no one seems to care…
What. The. Fuck.
SPREAD. THIS. SHIT. NOW. DO. NOT. SCROLL. PAST. DO. NOT. SCROLL. PAST. DO. NOT. SCROLL. PAST. DO. NOT. SCROLL. PAST. LOOK. AT. THIS. SPREAD. IT.
This is why baby boomers think we can pay for school while having a part time job
im so mad
this is why they should all shut the hell up forever
Guys. Guys. Calculating tips. Just. Look at your bill. And move the decimal point one step left. That’s ten percent. Double that number. Now it’s twenty percent.
$100.00 bill? $10.000. Ten dollars. Double it. Twenty dollars. That’s a 20% tip.
$67.50? Now it’s $6.750. $6.75? Might as well be $7. Double it. Roughly $14. You’re not going to miss the change.
Please. I failed math three times
For y'all out here as bad at math as I am.
The trick I was taught as a kid was “two on every 10”
So if you paid $30, that’s 3 tens, so you put down $2 for each ten, which is a $6 tip
If you paid $75, that’s 7 and a half tens, so you put down $2 for each (14) and add $1 for your half, and end up with a $15 tip.
“You can’t argue with them like a regular person … you have to out-conspiracy theory them.”
mad about the idea of money being exchanged for goods and services
first of all, explain to me, what makes them “goods”, instead of , “bads”
hsfdjkgsdfkdlsf\g i’m screaming because,,,, idk if op knows this but,,,,,,, this is a real thing in economics that we talk about and draw models of:
i never want context
Oh my god, they sprang this on us in our old church years ago, and my family has never let this joke die.
Okay, here’s the stupid gender essentialist metaphor:
Women are like spaghetti because their thoughts noodle all over the place. Men are like waffles because there thoughts are in boxes. Men aren’t bad listeners, they just can’t keep up with a conversation when women are noodling topics so fast and they have to keep switching boxes. Also, when a woman asks a man what he’s thinking and he says “nothing” women just don’t understand that some of a man’s boxes literally have nothing in them, haha!
….. :|
Anyway, if you think me and my brothers and my mom don’t constantly give each other sad, tragic faces and say “I’m sorry, my waffle box is empty today” and “noodle faster!” and “you are failing at being a waffle” and “I can’t be clearer, I am a plate of spaghetti” pretty much indiscriminately in all directions all the time…. you would be wrong.
Occasionally the context of a Dadaist post makes it even better.
Whatthehickityheck
I love genuinely innocent “boys will be boys.” Just saw a guy come out of a frat house to poke a pair of jeans they’d left outside - they were frozen solid, and as soon as he confirmed that, like twenty more boys came rushing out of the house going “YOOOOOOOOOO”
I heard grunting outside my window the other night and there were four boys struggling to push this giant snowball (like 7 foot diameter) down the sidewalk.
I once lost my keys at a frat house.
My drunk ass had actually walked home without them, pounded on my apartment door, gotten let in by my rightfully-disgruntled roommate, and proceeded to pass out on the couch. Apparently I puked in the toilet before passing out. I do not remember this part.
The next morning, I schlepped back to the frat house. I stood there, right in front of the front door. This was a novel experience for me. I’d never been at a frat house in broad daylight before.
A boy, presumably, of the house, asked me what I was doing.Â
“I lost my keys in here last night,” I called back.  “I was seeing if I could go in and look for them?”
He opened the door and gestured for me to come in.
“Go wherever you want.”
I’d never seen a frat house post-party before. Wandering up the stairs and through the halls, I was surrounded by hungover and still-drunk frat boys stumbling around in their socks and sandals and gym shorts, seeking out food and showers like moths to a porch light. A few of them threw puzzled glances my way. I’m sure they thought I was some post-bacchanalia hallucination.
I entered one room where a boy was drunkenly watching some Old Yeller-esque movie on a tiny TV in the corner of his room from his bed.
“Do you like dog movies?” he asked, voice all mumbly from grogginess and also from the fact that his face was squished against his pillow and half-buried by his blanket.
I told him I did.
He mumbled again, pleased, and asked what I was doing. I told him I was looking for my keys.
“Sorry, I haven’t seen any keys around here.”
I didn’t doubt him.
Twenty minutes had passed. I’d searched just about every bedroom and nuclear-waste-dump-site of a bathroom in that house. I’d given up on ever finding my keys and was prepared to beg my roommates’ forgiveness and get a new set copied.
As I stood there in the hallway, silently bewailing my predicament, a particularly-burly frat boy approached me.
“You need help with something?”
“I lost my keys here last night and I can’t find them, I’ve looked everywhere.”
“What do they look like? I’ll put it into the group chat.” He was already pulling out his phone.
No one ever checks a group chat, I thought, but what the hell. It was worth a shot.  “Um, it’s just a ring of keys. The keychain is a pink plastic cat, though, like yea big. Like bright pink, you can’t miss it.”
He nodded, presumably typing this description faithfully into the group chat.
“Alright, I sent the message out. Good luck.”
And with that, he turned and left.
A few moments later, I heard a distant thundering. It was coming from upstairs, and it was getting louder and louder. One assumes that how I felt in that moment was how Simba felt seeing the wildebeest stampede through the ravine as a horde of large young men all thundered down the stairs, making a beeling for me.
“Someone tell the girl!” One of them shouted, faceless in the mob. “Girl! Hey, GIRL!!!  We found your keys, girl!!!”
They circled around me. I hadn’t felt that small since I was maybe eleven years old. One of them split himself off from the crowd.
“Are these -” he pulled out a ring of keys from his pocket, “your keys?”
And lo, there was the distinctive bright millennial pink cat keychain dangling off the ring.
“Yes,” I whispered.  “Oh my god, yes.”
“EYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYY!!!”
The cheer went up.
Turns out he found them in the bathroom upstairs. I thanked them again profusely. There was a scattered round of “no problems” and then, just as suddenly as they descended, they all dispersed, like ships in the night.
THIS is boys will be boys
on a camp with teenage boys recently and as i was one of the camp leaders, it was part of my duties to help wake said boys in the morning (at 6am or a similar ungodly hour).
we (the camp leaders) found the most efficient way to do so was to blast music from a tinny little speaker one of us owned.
so before the sun itself has risen, we’re walking down a corridor with 8+ rooms filled with 6 or more boys in each, blasting the one and only Let It Go from Frozen, hoping to wake a few students, preparing for hateful commentary.
instead, what we got was the thumps and shouts of boys excitedly leaping from bunk beds, stuffing on shirts and bursting into the corridor to scream the lyrics to Let It Go.
every.single.boy.did this.
as soon as the song finished, they acted like it never happened and went back to their rooms to get dressed.