Migrating geese. Science Stories. Book Three. 1933

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Migrating geese. Science Stories. Book Three. 1933
The German philosopher built the 20th century’s most rigorous defense of democratic reason and then watched it tested.
There is a particular kind of intellectual courage that consists not of grand gestures or romantic rebellion but of something far more demanding: the stubborn, lifelong insistence that human beings are capable of reasoning their way to a better world. Jürgen Habermas, who died on Saturday at the age of 96 in Starnberg, Germany, possessed that courage in abundance. In an era that has grown increasingly comfortable with irrationalism, tribal identity, and contempt for expertise, his death feels less like the closing of a chapter and more like the extinguishing of a lamp.
Habermas was arguably the most consequential philosopher of the postwar era—a period that badly needed philosophers. Not only was he among the most cited scholars in the humanities and the recipient of virtually every major prize his field could bestow, but his ideas shaped constitutional law scholarship, the theory and practice of deliberative democracy, and the decades-long debate over what a legitimate European Union might look like. Taken together, this represents a form of real-world consequence most philosophers never come close to achieving.
He was born in 1929 in Düsseldorf, at a moment when Germany was sleepwalking toward catastrophe. As a boy, he was enrolled in the Hitler Youth, as nearly all German boys of his generation were. He would later recall the collapse of Nazism, when he was a teenager, as a shock that never quite left him—the disorienting realization that he had been living inside what he described as a “politically criminal system” without fully understanding it. That experience would animate everything that followed.
It is worth pausing on that starting point because it explains so much. Where other thinkers of his generation turned to pessimism—and who could blame them, amid the rubble of Europe’s civilization—Habermas turned instead toward the question of how democratic societies could be made durable: not simply rebuilt but rebuilt on foundations that could withstand the next demagogue, the next manipulation, the next seductive lie.
His answer, refined over seven decades of astonishing productivity, was essentially this: The health of a democracy depends on the quality of its public conversation.
It sounds simple. It is not.
They supporting
here you go professor. several pages of home brewed bullshit. as opposed to the chatgpt-brewed bullshit you're used to these days. i hope u enjoy it i worked very hard on it ❤️
Hate how lighting a candle does wonders to my mood. Like wowwww. Grug like fire? Grug not sad anymore because Fire in Cave? Wow. Real predictable of Grug.
fuuuuck that is my circus. are those…? yep… those are my monkeys….. goddammit.
the creators of Ted Lasso really said we’re going to make a football show using every rom-com trope and beat not about an actual romantic pairing but rather to tell a story about grown ups becoming better people through love, openness, mutual support, and therapy.
As an adult you must cultivate the skill of “Gross! Oh, well. Not my business.”
Applies to everything from BDSM parties to your sister’s godawful interior design choices to weird bachelor pad meals eaten over a sink.
Gross! Oh, well. Not my business.
Bee Movie (2007) dir. Simon J. Smith & Steve Hickner X-Men: First Class (2011) dir. Matthew Vaughn
The duality of man is thinking “children cannot help themselves and we all need to be patient with them as they explore what it means to be human in public” and also “damn, I wish this crying baby was not on the plane rn :/“
Just as courage is not the absence of fear but doing the brave thing in spite of it, patience is not the absence of irritation but doing the kind thing in spite of it.
im not even the type of guy to go "actually it's frankenstein's MONSTER" because a painting by rembrandt or picasso or any other artist is often called "a rembrandt" or "a picasso" as shorthand. so in this respect frankenstein's monster can be considered "a frankenstein"
darling I love your 8 foot tall patchwork flesh creature, it really livens up the place. is that an authentic frankenstein?
it's only a true frankenstein if it was produced in the frankenstein region of switzerland. otherwise it's just a sparkling homunculus
we do need to revisit the wording of "you can't have your cake and eat it too" because i don't think it clearly enough conveys that it's more that you can't simultaneously retain a cake and also get to consume it (which would render you cakeless). for years i was like But why not....it's my cake....?
this fucking problem is how they caught the unabomber
hey you should uh. elaborate. for my own personal satisfaction
the unabomber was pedantic about idiomatic phrases like "have your cake and eat it too" and rephrased it to "eat your cake and have it too" (which to be very fair makes sense). fast forward to when he starts writing manifestos. he uses the phrase word for word in his pedantic style and his brother (who has been keeping his eyes on the unabomber shit for obvious reasons) notices the phrase and is like "oh fuck that's my fucking brother no one else fucking says that" and calls in an FBI tip
btw dating sucks as a concept.
meeting up with someone with the explicit goal of figuring out whether or not you want a relationship with them spoils the dynamic. it sucks. it's terrible. fall in love with your friends like normal people.
as expected this one is a hit with the autism website
reading poetry forces you to ask wrenching, necessary, impossible questions, like "is the author stupid? or am I?"
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