Stranger Things

JVL

祝日 / Permanent Vacation

Love Begins
he wasn't even looking at me and he found me
i don't do bad sauce passes

@theartofmadeline
h
ojovivo
No title available
YOU ARE THE REASON

Origami Around
Claire Keane

ellievsbear

roma★
sheepfilms
Alisa U Zemlji Chuda
Peter Solarz

blake kathryn
trying on a metaphor

seen from United States

seen from Malaysia
seen from United States

seen from United States

seen from Bangladesh
seen from Italy

seen from Türkiye
seen from United States

seen from United Kingdom

seen from United States

seen from United States
seen from United States
seen from United States

seen from Vietnam
seen from Germany
seen from Singapore
seen from United States

seen from United States

seen from Switzerland
seen from Italy
@dreamvacancy
Maintaining a diversity of ongoing personal projects is important because it enables you to procrastinate on one by aimlessly tinkering with another, thereby creating the possibility that you'll finish one of them by accident.
Jelly cycle, gamblin ink on kitakata paper, hand pressed
“Shadow and light are the most stable and perfect tools of creation: they unite colors, shapes, and dimensions,” says Moldovan artist Sergiu Ciochină, adding that “shadows move us through diversity, enhancing our perception, while light fills us with the joy of discovery.” In saturated hues, he captures dappled sunlight as it filters through the trees and the rich tones of the golden hour as it casts deep bluish-purple shade onto the sides of houses.
Taking cues from the Impressionists, Ciochină focuses on the nuances of light and its ability to reveal outlines and forms. He works in thick, impasto oil paint on board, emphasizing the shapes of windows, doors, and stoops and transforming otherwise ordinary buildings into compositions glowing with the patterns of foliage, architectural angles, and the texture of brushstrokes. “The symbiosis I create between nature and architecture is intended to evoke a love for space,” he says.
on Sergiu Ciochină
a few great films that are free on the internet archive
in decent quality too!
here is the archive collection of these films so you can favorite on there/save if desired.
links below
black girl (1966) dir. ousmane sembene
the battle of algiers (1966) dir. gillo pontecorvo
paris, texas (1984) dir. wim wenders
desert hearts (1985) dir. donna deitch
harold and maude (1973) dir. hal ashby
los olvidados (1952) dir. luis bunuel
walkabout (1971) dir. nicolas roag
rope (1948) dir alfred hitchcock
freaks (1932) dir. tod browning
frankenstein (1931) dir. james whale
sunset boulevard (1950) dir billy wilder
fantastic planet (1973) dir. rené laloux
jeanne dielman (1975) dir. chantal akerman
the color of pomegranates (1969) dir. sergei parajanov
all about eve (1950) dir. joseph l. mankiewicz
gilda (1946) dir. charles vidor
the night of the hunter (1950) dir. charles laughton
the invisible man (1931) dir. james whale
COLLECTION of georges méliès shorts
rebecca (1940) dir. alfred hitchcock
brief encounter (1946) dir. david lean
to be or not to be (1942) dir. ernst lubitsch
a place in the sun (1951) dir george stevens
eyes without a face (1960) dir. georges franju
double indeminity (1944) dir. billy wilder
wild strawberries (1957) dir. ingmar bergman
shame (1968) dir. ingmar bergman
through a glass darkly (1961) dir. ingmar bergman
persona (1961) dir. ingmar bergman
winter light (1963) dir. ingmar bergman
the ascent (1977) dir. larisa shepitko
the devil, probably (1977) dir. robert bresson
cleo from 5 to 7 (1962) dir. agnes varda
alien (1979) dir. ridley scott + its sequels
after hours (1985) dir. martin scorsese
halloween (1978) dir. john carpenter
the watermelon woman (1996) dir. cheryl dune
"came back wrong" what about Came Back Afraid. You used to be brave. Too brave maybe, defying the odds at every turn, a fighter, cocky, playing with fire, first to throw yourself at the enemy. Until one day it all caught up to you. You came back, somehow, but now you know all too intimately how it feels to lose, to die, to be destroyed. Now you flinch and freeze and cower at the slightest provocation. Who even are you now if you can't be brave? The grave may have let you go, but the mortal fear still grips you tighter than ever.
Wim Delvoye (Belgian, 1965), Concrete Mixer (scale model 1:4), 2010. Corten steel, laser-cut, 69 x 63 x 35.5 cm. Unique
Spring Light. Made by Stephanie Wilds.
image description: an anime woman with long dark hair in a ponytail. She has a speech bubble reading "I do not love my country. I love the people in it an want their needs met." End description
i hauve a cold
everyone say hello to my most recent finished crochet project: the very hungry caterpillar scarf!!
thinking about edvard munch's "The Sun" (1911)
like yeah thats how it feels. thats what it feels like to exist sometimes. he gets it
Also very big! Takes up two stories!
feeling like maybe. i can only access love through fiction.