Brown bear eating salmon by Eyal Cohen

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@ech3lon
Brown bear eating salmon by Eyal Cohen
*** by Olga Dmitrieva
Watch: George Carlin spoke the truth about pro-lifers in 1996 ā and itās still being proven today.
The fucking man right here. š
imagine if the oceans were replaced by forests and if you went into the forest the trees would get taller the deeper you went and thereād be thousands of undiscovered species and you could effectively walk across the ocean but the deeper you went, the darker it would be and the animals would get progressively scarier and more dangerous and instead of whales thereād be giant deer and just wow
you have a beautiful imagination
this gave me chills
HOLY SHIT
first of all ^^^ I love this^^^
secondly, Iāve said it before, butĀ
this is exactly what the Old World was. Off shore there was Ocean, and inland there was Forrest
Hereās an Old World tree still surviving in a modern forrest ofĀ ālargeā trees
Thatās just what trees used to be like.
And wandering among those trees, one might have encountered, yes, deer larger than a modern moose, but also, depending on what year, pigs bigger than grizzly bears, beavers the size of modern wolves, ground sloths the size of modern elephants, and bears nearly that big. Not to mention the insects and snakes and shit.
I could keep going, like, you might have crossed paths with a whole herd of these
or a family of these.
Like, 29,000 years ago, the last of the Neanderthal had just died out. Humans and this thing definitely lived at the same time.
And they didnāt live in the Forest, but there is one ice age creature thatās still alive, if you want to see what life was like back in the day. We used to think the Musk Ox was a type of bovine, or cow, which is how it got itās name. BUT. See this?
that, my friends, is an ice age GOAT. Thatās right, thatās a 900 pound GOAT. Here, take another look
anyway, yeah, the wild used to be a lot more Wild. Old Forest was definitely the inland equivalent of Ocean, and everything back in the day was turnt the fuck UP
This post was made by someoneās genetic memory of those scary fuckers
Can god please rerelease the Old Forest again
Not this blooody year
Avatar: The Last AirbenderĀ by Flesh.png
This is an important message.
I will never NOT reblog this.
YAS YAS!!!!
Always reblogā¦for the followers, anons,lurkers and newbies.
her robotic, glacial voice; the blood; the gasps from the crowd; the way her mic hits the ground on beat with the song; its performance at its peak
iconic
she gave unhinged women our rights
i watch this video exactly once a month and it gives me full body asmr
This was fighting for gay rights
We will forever stan
never forget her commentary on this performance:
āThe methodology behind what Iāve done is that, when they wanted me to be sexy, or they wanted me to be pop, I always fuckinā put some absurd spin on it that made me feel like I was still in control. So you know what? If Iām gonna be sexy on the VMAs, and sing about the paparazzi, Iām going to do it while Iām bleeding to death and reminding you of what fame did to Marilyn Monroe, the original Norma Jean, and what it did to Anna Nicole Smith, and what it did toā¦Ā Yeah. You know who.ā
Masterpiece.
āA group called the āTrump Statue Initiativeā has erected this life-sized, living art installation in Portland depicting the arrest of a protester by federal agents. In front, it features a man depicting the President taking a selfie. #Portland #PDXprotests #pdx
Alongside local people are reading statements the President has made about Vladimir Putin on a mic.ā
-Ā David DouglasĀ
Creator spotlight: Floyd E. Norman
Floyd Norman (born June 22, 1935) is an American animator, writer, and comic book artist. Over the course of his career, Norman has worked for a number of animation companies, among them Walt Disney Animation Studios, Hanna-Barbera Productions, Ruby-Spears, Film Roman and Pixar.
Norman had his start as an assistant to Katy Keene comic book artist Bill Woggon, who lived in the Santa Barbara, California area Norman grew up in. In 1956, Norman was employed as an inbetweener on Sleeping Beauty (released in 1959) at Walt Disney Productions, becoming the first African-American artist to remain at the studio on a long-term basis.Ā
Following his work on Sleeping Beauty, Norman was drafted, and returned to the studio after his service in 1960 to work on One Hundred and One Dalmatians (1961) and The Sword in the Stone (1963). After Walt Disney saw some of the inter-office sketches Norman made to entertain his co-workers, he was reassigned to the story department, where he worked with Larry Clemons on the story for The Jungle Book.Ā
After Walt Disneyās death in 1966, Floyd Norman left the Disney studio to co-found Vignette Films, Inc. with business partner animator/director Leo Sullivan. Vignette Films, Inc. produced six animated films and was one of the first companies to produce films on the subject of black history. Ā
Norman and Sullivan worked together on various projects, including segments for Sesame Street and the original Hey, Hey, Hey, Itās Fat Albert television special conceived by Bill Cosby, which aired in 1969 on NBC.In 1972, a different Fat Albert and the Cosby Kids Saturday morning cartoon series was produced for CBS by Filmation Associates). In 1999, Norman and Sullivan created a multicultural internet site, afrokids.com, designed to present a variety of African-American images to children.
Norman was a recipient of the Winsor McCay Award for Recognition of lifetime or career contributions to the art of animation at the 2002 Annie Awards. Norman was named a Disney Legend in 2007.Ā
In 2008, he appeared as Guest of Honor at Anthrocon 2008 and at Comic-Con International, where he was given an Inkpot Award. In 2013 Norman was honored with the āSergio Awardā from The Comic Art Professional Society (CAPS). (X)
Websites:Ā afrokids.comĀ /Ā blogĀ /Ā twitter
[SuperheroesInColor faceb / instag / twitter / tumblr / pinterest / support ]
katara: aang would never murder someone! no avatar would!
aang: iām sure iām innocent, please let me clear my name
sokka: i have determined kyoshi has an alibi!
kyoshi:Ā
Y'know I keep seeing tiktok videos ft their monthly dance trends and I'm gonna be real: the teenage girls on that app are consuming and replicating shit meant for adults and I'm never going to be chill with that or the parents that let them do it. There's a whole ass scandal of a girl claiming to be 16 and her father says she actually just turned 14 but either way she's already covered in tattoos and doing dances on camera that would make me blush if a grown woman did them. That shit isnt appropriate at all. And congratulating and encouraging teen girls when they make this type of content does nothing but provide pedophiles with free material with zero consequence because they're simply watching what's on their For You page on an app for all ages. Social grooming is a real fucking thing and it feels like no one is fighting this(even though I know, logically, of course people are, they just get shouted down and harassed til they shut up). It's just so exhausting bc I know what that grooming via internet culture shit feels like and what these kids are going to have to recover from. It just ain't healthy at all and it isn't something we should praise, accept, or ignore.
āJust Good Friends,ā Christopher Street Liberation Day Parade, New York City, June 26, 1983. @h_e_r_s_t_o_r_y. #lgbthistory #lgbtherstory #lgbttheirstory #lgbtpride #fridaynight (at New York, New York)
From Woroni, 1986.Ā
Mass incarceration has always been a tool for white supremacy and maintaining political control.
Same thing for anyone still fighting against decriminalizing marijuana.
Itās the same group people who are pushing these laws.
Prison gerrymandering has always about systemic structural racism.
Iāve never actually seen what it looked like before Mt. Rushmoreā¦itās so saddening.
P r e a c h
Beautiful cottages š·