What?

sometimes art happens. sometimes not. Mostly not. insta: @bickles_

[worst-roommates-ever]

[ghostofcinders]

Witch Hat Atelier, as usual, knows how things are.

[yuumei-art]

Last Witch Hat Monday I drew Biblically Accurate Brushbuddy, this Monday I bring you Biblically Accurate Brushbully!!!

I can't wait to see this angry void noodle animated in a future episode one day!

#witchhatatelier #Δ帽子 #WHA The other half

Painting process

[stealingpotatoes]

brushbuddy doodles <3

(commission info // tip jar!)

[zipsunz]

watched the anime yesterday :)

[itaveli]

brug collection

[kroovv]

A little Brushbuddy 🍊

[cyclic-abelian]

The anime is wonderful.. I am so inspired! i needed to finish this right away!!

[probablyreal]

brushbug banging out the tunes

[ID: A looping gif of the brushbuddy from Witch Hat Atelier patting its paws repeatedly, edited to have a PNG of a toy xylophone (the same one from the "Neil banging out the tunes" photo) beside it so it looks like the brushbuddy is playing it. End ID]

[mafuyuh]

let's copy papa

[8d2t]

apprentice uniform for brushbuddy too so they dont feel left out

[sailermoon]

this is how new yorkers @ mamdani

[sailermoon]

[ao3commentoftheday]

Did you know that AO3 allows fics with homicide in them? There’s a whole tag for Major Character Death and even more tags so you can find exactly what kind of character death you want to read. 

Don’t they know that murder is illegal? You just know there are a bunch of homicidal maniacs out there who love to read those stories. They write them, too, in between killing people. 

Anyone can read the stories on AO3! Kids can read them! They’re getting exposed to stabbing, poisoning, even guns! And they’re writing the heroes doing the killing, too! That’s basically telling kids it’s okay to go out and murder their families. It’s promoting violence and encouraging homicide and if we don’t do something about it soon, you’ll be murdered next!

[zoanzon]

[ao3commentoftheday]

The devil came to my house and tried to burn it down, which is why this post exists in the first place.

[prismatic-bell]

I saw Goody OP writing darkfic with the devil.

[shitilyposting]

"I don't wanna bother you"

Have you considered that this is how your presence feels?

[coffee-khaleesi-deactivated2020]

When I was training to be a battered women’s advocate, my supervisor said something that really blew my mind:

“You can always assume one thing about your clients; and that is that they are doing their best. Always assume everyone is doing their best. And if they’re having a day where their best just isn’t that great, or their best doesn’t look like your best, you have to be okay with that.”

Any now whenever anyone in my life, either a friend or a client, frustrates me, disappoints me, or pisses me off, I just tell myself They are doing their best. Their best isn’t that great today, but I have days where my best isn’t that great either. 

[bogfox]

Op I’d like to thank you for sharing this. Ever since the first time I’ve read it I’ve held it in my mind and it really has helped me to be kinder to others and to myself.

[madlori]

There’s a pretty famous Tweet that goes around from someone’s therapist, who told her “You can’t do your best all the time. If you did, it would be your normal.”

That…yeah. Rewired me a little.

[strange-aeons]

If I don't see any code geass cosplayers at the revolution themed dashcon I'm gonna be ... well, unsurprised. Because it's a largely forgotten show from 2006. But still slightly sad ... because the revolution themed dashcon is an excellent habitat for code geass cosplayers

[strange-aeons]

Come on guys u wanna watch Code Geass: Lelouch of the Rebellion (2006) so bad

[strange-aeons]

Steal her look 🔥

[strange-aeons]

i mean seriously these are free ideas

[derrickwildsun-deactivated20250]

That video of Alex Hirsch reading S&P notes for Gravity Falls conveys a few things to me:

1) the U.S. entertainment industry (especially animation) is run by older conservative types who make up offensive terms and get really mad about them.

2) the people who run Disney would be the first to fall in line with a fascist regime.

3) most of the media we consume is tailor-made and watered-down to appeal to the tastes of older, deeply religious conservative audiences.

4) conservatism, not the left, is and always has been the biggest voice of censorship in American culture.

[sci-fantasy]

J. Michael Straczynski, creator of Babylon 5, was before that a producer and writer for a number of cartoons in the late ‘80s/early ‘90s (The Real Ghostbusters and the original She-Ra, most notably). After a few years of dealing with the censors and their obsession with finding Satanism (or at least looking for Satanism to further political agendas) he wrote an article about the whole corrupt and bullshit system.

And published it in Penthouse, to force those same censors to buy a skin mag. The editor there asked, why Penthouse?

That one is from his autobiography, Becoming Superman. See also:

(As he goes on to say, he’s never worked in animation again–he’s effectively been blacklisted by the cartoon industry.)

[transhuman-priestess]

Every time something like this comes up, I remember two stories about making media. The first is about movies, and comes from Quentin “Feet Man” Tarantino.

When he was making Pulp Fiction, he was worried that the MPAA would object to the high level of violence in the film, so he shot a bunch of extra-gory stuff that he didn’t actually want in the film, and added it in before submitting it to the MPAA. Predictibly, they asked him to cut most of it (without even commenting on some of the things that had him worried, like the bits of Marvin’s skull that lodge in Samuel L. Jackson’s hairpiece). The resultant cuts were actually more permissive than he’d expected, so he cut a little more and submitted it, and it got passed with an R.

The second story is about that artist on Morrowind whose name escapes me (I’m not a big ES fan tbh) who figured out that if he made two creature designs, one weird and what he wanted, and one even weirder, he could get Todd Howard to agree to just about anything by showing him the whopper first, then going back and “working” for another few hours on a second, “toned-down” version, and it worked every time.

The reason I bring these up is that the thing that drives censors isn’t some extant physical rubrick of what is and isn’t acceptable, it’s the idea that they can have absolute power over someone else’s creative work. It’s about the social dominance of the interaction.

There is nothing so innocent, so clean, that a censor will not find some fault with it. Because they must find something wrong with it to justify their existence, and because it makes them feel powerful.

This is true of all censorship.