Forugh Farrokhzad, from a letter to Ebrahim Golestan featured in Sin: Selected Poems of Forugh Farrokhzad
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Forugh Farrokhzad, from a letter to Ebrahim Golestan featured in Sin: Selected Poems of Forugh Farrokhzad
from my newsletter, "Normal"
on slowness that feels more like stagnation š
In the name of healing I bite chunks of myself daily, spit them out in my hand with the intention to wash it away later
Eventually, i end up over analyzing them, like everything else in my life
grafts of all the causes Iām still here, glued together by my motherās fears
be the Alpha female, she said. āfeed on your most beloved, a cup of the moonās blood every night before bed for you to run alone forever, run wild, never slipā
I Shower myself with self-loathing, lick my own wounds close Keep me sane, keep me safe
loneliness to me is just another insecurity that is dangling from my prefrontal cortex, dangling right in front of my eyes⦠for me to see the world through it.
I spend hours looking at the bloody chunks in my hand, thinking where did i go wrong ? how much can I hold on to this heartache ?
I've been running around it all my life, running around red lines, red lines circle me, i run in circles around myself Iām all that Iāve ever knew, yet, I only know myself in fading
A distant memory, a deja vuā¦
All I really know, is that the only stable in my life is the fact that I exist, and that itās a temporary state.
jamais vu.
will the lines fade if i eat what i bit off of myself again ? if i chew and chew and chew⦠If i teach myself to stomach it will i be whole again?
is holding on to those pieces enough to satisfy my desire to be held ?
Or does it make me a feral rogue ?
Schizophrenic delusions ticking in my headā¦
Sometimes I wonder if itās my fault that Iām this aloneā¦
then again I wasnāt the one feeding myself all the insecurities as a young child.
I wasnāt the one playing pretend.
It was never my fault, my mother thought faking happiness is the way to protect me, it was never my fault father wasnāt interested in the details, as long as I was his perfect girlā¦
Now, I canāt hold on to anything the way i hold on to the lunatic turmoil that makes me sway and laugh on my own personal misery.
Call it history.
Hide behind defensive humor, get my inner demons drunk on caffeine, mistake that high for happiness cause mama did tooā¦
And wait for caffeine withdrawal to wake us up, both of usā¦
Iāve never been hangover, but I imagine this is how itāll feel
The aura ? The migraine?
The urge to throw myself up to be reborn clean.
ā¢ā¢ā¢
ā¢Quotes: Olivia Laing/Heather Havrilesky/ Olivia Laing/ Marya Hornbacher/AnaĆÆs Nin/Camille Norton/ Alice Oseman/ eduardo C. Corral/anne carson/ Joanne Harris/ Hannah Green/Hannah Green/Lisel Mueller
ā¢Original context: sinligh
ā¢Art reference:
1. Sasha Hartslief, Late Night Shower, 2021. 2. Getting Up by Vincent Giarrano. 3.illustration by Owen Gent. 4. The Lovers on the Bridge, 1991. 5. "Beverly Edmier 1967' Keith Edmier, 1998
ā¢song recommendation:
P.s: the whole album is a masterpiece ! Give it a try, thank me later.
From This is my midnights
Vita Sackville-West, from a letter to Virginia Woolf c. January 1927
Beauty and variety of treeĀ barkĀ š³
[source]
Love for the nth time
āWe find comfort only in another beauty, in othersā music, in the poetry of others. Salvation lies with others, though solitude may taste like opium. Other people arenāt hell if you glimpse them at dawn, when their brows are clean, rinsed by dreams.ā
ā Adam Zagajewski, fromĀ āAnother Beautyā, trans. Clare Cavanagh
āDonāt talk to me of love. Iāve had an earful And I get tearful when Iāve downed a drink or two. Iām one of your talking wounded. Iām a hostage. Iām marooned. But Iām in Paris with you.ā
ā James Fenton, In Paris With You
doubles
the lives they lived: jeff buckley; his father's son
Freeway Traffic At Night - 1962
I cannot express how much I adore dappled shadows formed by sunlight in paintings and photography and in real life
I also adore how this pattern has manifested itself in the form of camouflage for some species
The echo of those same dappled shadows that we paint in our art is genetically coded into a babyās fur in order to keep her safe. A beautiful thing.
(Photos by Joel Sartore)
āTo sit alone or with a few friends, half-drunk under a full moon, you just understand how lucky you are; itās a story you canāt tell. Itās a story you almost by definition, canāt share. Iāve learned in real time to look at those things and realize: I just had a really good moment.ā
ā Anthony Bourdain, in his final interview