a regressing emo

[fancyfade]

Made a chart for sorting fantheories

[storyweavingspider]

I’m blessing you with restful sleep and a slightly lucky day for tomorrow. You don’t have to do anything for it, you just got lucky seeing this :)

[quaintpanic]

I WAS BORN YESTERDAY. I JUST BLEW IN FROM STUPID TOWN. THIS IS MY FIRST RODEO. PLEASE BE PATIENT WITH ME.

[allsadnshit]

Keeping an alive tumblr in 2026 is proof of one's sincerity and authenticity - a type of person who enjoys posting for the sake of it with absolutely nothing to be gained....just the enjoyment of curation and self expression untainted by opportunity and relevance

[velvetcloak]

[hyrude]

basically this is what all those 911 gifsets look like to me

[nightmaretour]

I think one of the most annoying aspects of having a bulky mobility aid is that you completely lose the right to wander. Almost everywhere you go is "in the way" to someone so if you go somewhere and then change your mind and go back it's treated as if you're being rude and disruptive when it wouldn't be seen as an issue if someone who doesn't have a bulky mobility aid did it. It's just normal human behaviour to change your mind sometimes. This is doubly an issue when you needed assistance getting there, there's an intense pressure to stick with every single decision you make that doesn't apply to everyone else, and it makes every trip out in public so stressful.

[classicalcanvas]

Flowers in a Vase (1866) by Pierre-Auguste Renoir

[classicalcanvas]

July Afternoon (1897) by Guy Rose

[bnq]

happy forever, everybody

[memorycycle]

not my itsy bitsy ass climbing up the water spout again

[memorycycle]

target audience

[l-a-l-o-u]

My favorite human ritual is the unspoken rule that if you enjoyed a concert, you must clap without stopping at the end (if you were seated, you may rise to express further respect). The musician will bow, then exit the stage, but you must keep clapping. The musician must return and act surprised, bow again, then exit once more, and you continue to clap. Then, the musician will return and play one or two extra numbers (you stop clapping during the music) and at the end after they leave for the last time, you can clap as long as you wish but the musician will not return. It’s just such a cute song and dance. I've been to shows where the musician expects it (to the point that i could see their timer backstage that indicated how much time they had left for the show and they bowed for the first time with 20 minutes to spare) so they just go through the motion of pretending to end the show but the extra number is completely planned and we all expect it. Everyone in the audience is in on it but we all just do it anyway because it’s like a conversation were the audience and the musician are saying Thank You to each other over and over. Makes me feel some type of way

[valarinde]

merlin’s fatal flaw is that he keeps stopping the pendragon children from committing justified patricide

[chocolatecakecas]

happy international women's day

[jokyri]

One of my recent projects that I've finished is this drawing of Camelot (BBC Merlin) :]

[aemelia]

THE WITCH IS DEAD | 1. Ray Bradbury, Long After Midnight; 2. Jeannette Walls, The Glass Castle; 3. Horsecrazy, The Book of Merthur; 4. T. Thorn Coyle, Evolutionary Witchcraft; 5. Lisa Taddeo, Three Women; 6. Unknown; 7. Virginia Woolf, The Letters of Vita Sackville-West to Virginia Woolf; 8. Mary Shelley, Frankenstein; 9. Gabriela Mistral, Madwomen; 10. Marguerite Duras, Agatha et les Lectures Illimitées; 11. Sady Doyle, Dead Blondes and Bad Mothers: Monstrosity, Patriarchy, and the Fear of Female Power; 12. Ellie Wriglesworth, The Harpy; 13. Sara McCartney, The Rise of the Girl Monster; 14. Elana Dykewomon, Notes for a Magazine: Sinister Wisdom; 15. Nancy Lee, What Hurts Going Down; 16. Catherynne M. Valente, Deathless; 17. Hannah Williams, The Resurgence of the Monstrous Feminine; 18. Mary Shelley, Frankenstein; 19. Peter Jackson, The Lord of the Rings: The Return of the King; 20. J.R.R. Tolkien, The Lord of the Rings: The Return of the King; 21. Barbara Creed, The Monstrous Feminine: Film, Feminism and Psychoanalysis; 22. Sandra Cisneros, Loose Woman; 23. William Shakespeare, Othello; 24. Maria Pawlikowska-Jasnorzewska, Ophelia (1926); 25. Stephen Schwartz, Wicked. @merlinbingo

[good-to-drive]

It's kinda funny when you get a bunch of likes but no reblogs like I enjoyed your post but I'd prefer if no one else saw it

[agendratum]