Some illustrations I did in a collab with @naff-nuff-nice for the Haikyu!! Flower Zine.
Cosimo Galluzzi

oozey mess
Stranger Things

Kiana Khansmith

JBB: An Artblog!

JVL
NASA
One Nice Bug Per Day

@theartofmadeline
Peter Solarz

shark vs the universe
Game of Thrones Daily
he wasn't even looking at me and he found me
Sade Olutola
h
will byers stan first human second
let's talk about Bridgerton tea, my ask is open
almost home
KIROKAZE

★

seen from Canada

seen from Türkiye

seen from Philippines

seen from Georgia

seen from Bangladesh

seen from Brunei
seen from United States
seen from Ecuador
seen from Russia
seen from Malaysia
seen from United States

seen from Saudi Arabia
seen from Mexico

seen from United States
seen from Brazil

seen from Italy
seen from Germany
seen from T1
seen from Uzbekistan
seen from India
@elisabethkaseda
Some illustrations I did in a collab with @naff-nuff-nice for the Haikyu!! Flower Zine.
PLEASE READ: VIDEO + ART CONTEST I’m very happy to announce that a Haikyuu video is currently in the works! @kotachun and I are currently collaborating with fellow instagramers @cluelessfish, @elisabethkaseda and YouTuber @backstagehands! In celebration we will be holding an Art Contest and winning art will be featured at the end of the video. The deadline will be NOV 3! This is subject to change so keep your eyes out. We will be choosing (5) winners. Submissions will be chosen and judged by our whole team.
THE RULES ARE: - Must be haikyuu art! Such as any AU pics or fanart - Art can be digital or traditional - No tracing or copying pictures. These submissions will not be judged! - Limit (3) entries per person - You MUST submit with the hashtag “#HQTOAArtContest” - Must submit entries by NOV 3. - We will not judge solely on skill but on creativity also! Don’t be shy!
If there are any questions please DM me!
some good life advice from niles
I know a lot of people who dedicate a truly tremendous amount of time to studying, but many of them can’t get the kind of results they want. They highlight, they flashcard, they take notes, but they can’t seem to do as well as they want. I’ll be honest, compared to some of my peers who do this I must seem downright lazy. I spend 1-2 hours a day (on average) studying, yet I get the results I want. As a result, some people have told me “you’re lucky you’re so smart. You barely have to study”. Frankly, I’m not that smart, and I’m no smarter than my peers. What’s the difference? I study smarter, not harder.
Ideally, we’d all study smarter and harder, but I don’t. So, here are my tips for studying smarter and harder, but I hope you’re a better student than I am and study smarter and harder.
AT THE BEGINNING OF THE SEMESTER
1. Set a realistic, yet challenging goal. Setting a realistic goal is important to prevent overexertion and burnout, but if it’s not, at least, a little bit challenging, what’s the point? I typically set my goals with regard to that semester’s GPA, but if you’d like to measure your success some other way that’s great.
2. Read the entire syllabus. I know it seems kind of daunting at first because syllabi are one of the driest, boring pieces of text in existence, but it will save you a lot of pain in the future.
3. Take note of the grading system the instructor has. You should devote the most amount of time and effort to the things with the highest weight put on them grade-wise. I think it’s kind of common sense that you should pay more attention to the midterm worth 40% of your grade than the homework worth only 5%. I have some instructors that won’t even collect homework, and I have some classes that are entirely homework/project based. That’s why it’s important to read the syllabus.
4. Familiarize yourself with the curve of forgetting. Plan your study sessions around the curve of forgetting and you will automatically remember and understand the material more just because of your timing. This post by @thelazystudyspot is great if you haven’t heard of the curve of forgetting.
5. Familiarize yourself with Bloom’s taxonomy. This image was supposed to be for instructors, but understanding Bloom’s taxonomy is a powerful weapon in a student’s arsenal. If you can engage your higher level thinking skills while studying material you will be way more equipped to handle those tough exams or write that daunting paper.
DURING THE LECTURE
6. Stay mentally engaged during class. If you’re mindlessly copying down notes without thinking about the material, STOP. You’re really hurting yourself. Lecture is the time when you should be at least beginning to understand the material. It’s okay if you take a breather from note-taking for a minute to just think about what the instructor is teaching.
7. Ask questions. If you’re completely lost or one small step completely tripped you up, especially in a math class, let the instructor know. Many of them will be happy that you’re paying attention and are making an effort to understand the material. I’ve never had an instructor take issue with a question I’ve asked.
AFTER THE LECTURE
8. Learn how to actively study. If you’re a student who feels like they’re always studying, but not getting the results you want you’re probably passively studying. Highlighting, flash carding, and repeating notes from your textbook word for word are okay in some cases but usually you’re just completely disengaged from the material. Utilize Bloom’s taxonomy to help you study more actively.
9. Figure out what study methods actually work for you. Do practice exams work best? Does working through all the homework problems work best? Does reading every page of your textbook work best? The best study methods vary widely from person to person, so you need to figure out what works for you.
10. Actually study when you’re studying. Did you really study for four hours today, or did you talk to your friends for an hour and a half, have a half hour snack break, scroll on Tumblr for an hour and study for 1 hour? I’ve been guilty of this a few times too. There’s really nothing wrong with socializing or hanging out on social media, but you should really be honest with yourself about how much time you spent studying.
11. Get help when you need it. Before college, I was really stubborn and never wanted to ask for help from anyone, but now I have no shame about asking other people for help. Collaborating with friends can help you look at a subject in a totally different way. A lot of times you can work through problems together and get a deeper understanding than you could have on your own. With this in mind, please don’t copy your friends homework or notes. Not only can that be academically dishonest, you’re not learning anything.
13. Just be real if you don’t understand something. Be honest with your instructors and your peers and whoever the hell else, anyone who judges you is not worth your time, and most people will be happy to help. And seriously, be honest with yourself if you don’t understand something.
THINGS I HAVE NOT FOUND HELPFUL (this list is pretty subjective)
1. Reading the textbook for every single class. I have read my textbook for a class a total of 4 times and I probably should have read it 1 other time. I take a lot of math, science, and computer science courses so your experience will probably be different if you’re an English Literature major. I’m just saying don’t believe the myth that you always have to read the textbook.
2. Doing every single math problem (especially if they’re not graded). If homework is optional I’ll do a few of them on each topic. I try to choose problems that are complex and difficult. If I can do the more difficult problems in the homework and feel somewhat comfortable about it, I know I’ll be fine on the exam.
3. Highlighting in the textbook. I have a pretty deep seeded disdain for highlighting in the textbook. I guess it can be a pretty good way of marking the important material and it can probably be done right, but I’ve never had any success with it and I don’t know many students who have.
4. Using flashcards. Flashcards are really great if you have a vocab test because in that case you’re really only expected to memorize the definition. But instead of memorizing the textbook definition of the Krebs Cycle you should probably work on trying to explain it, in detail.
More resources:
Why you should set aside a day every week to NOT study by @fullmetalbiochemist
How to study with a mental illness by @studyvet
Using feedback to improve your work by @rewritign
Study tips for university by @studyfulltime
Complete study masterpost by @moleskinestudies
Debunking the triangle myth by @studywithmariana
These are just some things that have worked for me. I hope this helps!
Kohei Horikoshi Pre-Anime Interview
May I ask you what you really felt when you first heard that your work is going being animated?
I was really surprised. I remember it was decided when the serialization wasn’t even a year old, so I felt kind of lost all of the sudden. Then I hurriedly started telling my friends and family the news about my work getting animated, and they were all happy for me, which is the moment that I finally had the realization that went something like “ah, this is great, I’m getting an anime”.
When and where did you hear about the news of the anime announcement?
I don’t remember it quite clearly now, I think it was when Vol 3 was about to come out. My editor mentioned it when he was talking about some other stuff. (Laughs) Every Friday we have a discussion, and I remember my editor was talking about the rankings when he said “Oh yeah, there’s news about the anime.”
What were the circumstances that gave birth to My Hero Academia?
My second series was axed really quickly after such a short time of serialization, and I was pretty depressed about things. I didn’t have the energy left to create new things in the manga medium, but I still needed to come up with one fast. So, I decided to add happy things and happy events that I had drawn in my previous works into this new series. Before, I was really happy drawing the one shot My Hero, so I wanted to make that the foundation and create something new from it. The stage my new series and My Hero is the same, so I decided to add a lot of the elements that have appeared in my previous works into it as well. From a certain point of view, this series is actually the accumulation of all my works from when I first started drawing.
When you’re drawing My Hero Academia, what are some things that you watch out for?
This series is the story of Izuku and All Might, and I plan to make their story the main focus of the plot line, and the “vertical axis” that runs through the main story. It’s actually not a really glorious story at all, as All Might grows weaker every day and Izuku gets injured every now and then. Even the victories in the story for the protagonists aren’t won straightforward and simple. If I keep drawing the story involving these two characters, I feel like the story would get darker and darker as time goes on. My own personality has the tendency to compel me to keep delving deeper and deeper into that. To avoid making the story too dark, I set up a “horizontal axis” to intersect the main story’s “vertical axis”, which is the “fun part”, also known as the Quirks to the heroes of the story, or side character characteristics. With the “horizontal axis”, it sort of mellows out the darker aspects of the “vertical axis”, so “enjoying the horizontal axis” is something that I insist upon, which is something that I watch out for. If I can make myself happier while drawing, then the story would seem that much brighter.
Is All Might the character in My Hero Academia that you like the most?
It would be wrong of me to say that I “like him the most”, as All Might is an absolute within this series, so there is no choice for me as I have to like him. His words are all very cautious, so I have to go over them repeatedly to decide his lines, which costs a lot of effort. So even though I like this character, as I draw him I need to keep reminding myself that “this is important!”. On the opposite end, Bakugou is somebody that I can relax to draw. I really like Otomo Katsuhiro sensei’s, Akira, and within this series there is a character called Tetsuo who, even though he’s a kid, is really strong. And he uses his power like a kid too. I really like that, so I decided to create a character like that in My Hero Academia, which is why mentally speaking, Bakugou is still like a child, though he has a really strong power. His way of fighting is also jumping and flying around, and when he actually fights he hollers and shouts. I’m really happy when I draw characters like that. However Bakugou’s words are all really rude, which might make readers feel unpleasant, though personally I like him.
From the start of the series until now, which parts of the story do you personally enjoy?
I enjoy them all actually. I really melded my feelings into the characters when drawing Izuku and Bakugou’s battle training. Also I needed to get a strong hold on the reader’s heart, as that part was the climax of that arc, so I really tried my best, which is something that I really like about it. I got a lot of positive reviews for that part too, which gave me some reassurance. Including this reassurance, this is probably one of the parts that made the most impression on me.
Indeed, that scene included some of the heavier aspects of Izuku and Bakugou’s relationship. And on the other side, Iida and Ochako were cheerfully having a conversation, which was a lot of fun to read. Is this the “vertical axis” and “horizontal axis” relationship you were talking about?
If there were only Izuku and Bakugou there, then sometimes things might turn out really scary, and Iida and Ochako can mediate their relationship by being their, slowly finding a balance point… that’s what I was thinking when I drew the scene. I’m touched that you’re able to see this.
Sensei, if you were to discover your own “Quirk”, what quirk do you think would be right for you?
I thought about that one already, and that is the “no need for sleep” Quirk. (laughs)
That’s very much like the style of a mangaka. (laughs)
I often fall asleep without meaning to. And once I fall asleep, I can’t wake up… If I were to use this quirk then I would use it normally, and this quirk might make people not feel tired at all.
What manga and anime did you enjoy as a child?
A manga that I enjoy is definitely Dragon Ball, and when I was young I always kept reading Dragon Ball. I kept reading the same volume. I think it was the place a little bit before the android, Cell, started the Cell Games? I don’t know why, but I kept rereading this volume. In terms of anime, there were a lot of anime that were on TV at 6 PM. I really liked Mashin Hero Wataru, rewatched that many times. I also dressed up as Zurugibe Shibaraku, which is a character from that show.
Do you have any influences from Dragon Ball?
My impression that strong characters are packed with muscles is probably because of Dragon Ball’s influence. I really like the body shape of Goku when he goes Super Saiyan, which might be where All Might’s concept came from.
A lot of people say that My Hero Academia is similar to American comics. Have you always enjoyed heroes from American comics?
Yeah. Sam Raimi’s Spider-Man was super impressive, and after watching that I started reading American comics from time to time and watching American hero movies. What I learned from them is that, American onomatopoeia and character lines are formatted differently from manga, which is something that i will keep in mind. When I read them I would notice : “Oh, so the sound effect of that fight is added here” . Other than that there are the darkness of the color black and the use of shades. Such as the balance of using full black, which I noticed when flipping through comics “Ah, so coloring this place black would have this kind of effect on the scene”. Even though I haven’t fully grasped the technique yet, I am still learning while I am working on my series.
So, Sensei, what heroes do you like?
Probably have to be Goku and Spiderman. To me, when mentioning heroes, these two are the ones that I think of. In Goku’s case, it’s the reassurance that everything is going to be fine he brings when arriving. Such as, on Namek, Goku was getting healed, and his friends are all beaten badly. When Goku finally recovered and walked out of the healing machine, that reassurance right there is what I’m talking about. Something like “Ah, everything is going to be fine”. When I first read it and saw it was really Goku who had arrived, I continued reading thinking the thought “gonna win”. (laughs) That reassurance is something that all of the other characters don’t have. I thought about it afterwards, and even though there are a variety of heroes, the hero model that is built up in my mind is built around the concept that the hero is somebody that brings reassurance. That’s why I think a hero to me is somebody that helps and brings reassurance to others. In Spiderman’s case the first experience I had with this character was the movie, in which there were a lot of scenes with him rescuing people, which I felt that was really cool. The moment he “saves somebody” is really awesome. Well, In Goku’s case it’s because he likes fighting that he fights so that’s a bit different. (laughs) You can say that Spider-Man and Goku are two different aspects of being a hero. Also, I recently watched the Anpanman movie. Anpanman is really cool, and even when Kabao kun was beaten badly by Baikinman’s robot henchmen, when Anpanman arrives everything was okay. After Anpanman arrived, everybody’s expression was something like “you’re finally here”. Everybody’s mood shifted to become more positive when only Anpanman arrived. That’s probably what it means to be a hero. Of course everybody has a different view on what it means to be a hero, and some people might say “heroes aren’t supposed to be like that”, though to me that’s what being a hero means, and that’s the aspect of heroism that I want to illustrate in My Hero Academia.
Next are some questions about the anime. Midoriya Izuku’s CV is Yamashita Daiki, who also did the radio drama before. What were your impressions on hearing his voice?
Actually, I never really thought much about Izuku’s voice, and when I heard it in the radio drama, I sort of naturally accepted it as: “Ah, so Izuku has that kind of voice”, so it’s hard for me to imagine somebody else other than Yamashita san doing Izuku’s voice.
You mentioned earlier that you really enjoy drawing Bakugou. What do you think of the voice of his CV, Okamoto Nobuhiko?
Ah, if it’s Katsuki, then his voice really captures the feeling the character. Like I said before, Katsuki is like Tetsuo from Akira, giving off characteristics of an antagonist, so he’s really like a child, like a little kid…And Okamoto san’s voice (even though me saying this won’t sound good to Okamoto san) is like a child, the very naughty type. The way he speaks also gives off a very middle schooler type feeling. (laughs) Okamoto san really brings out Katsuki’s characteristics, so this character belongs to Okamoto san and nobody else. Really fitting.
How about Uraraka Ochako’s CV, Sakura Ayane, and Iida Tenya’s CV, Ishikawa Kaito?
Sakura Ayane san’s Uraraka Ochako, is really cute. I’m really looking forward to her voice when she fights. About Ishikawa Kaito san’s Iida, I actually have some things that I’m not sure about myself about Iida’s character, and only after listening to his voice was I able to make a decision.
What about All Might’s CV, Miyake Kenta san?
When I heard Miyake san’s voice for All Might, It gave off a feeling that All Might is talking to Izuku while crouching down so that their eye levels are the same. All Might isn’t towering above, and after thinking about it over again it really is that way. Only heard a little of Miyake san’s All Might, and I feel that he’s got a good handle of this feeling, so I like Miyake san’s All Might.
What were your feelings when you saw for your very first time the animated My Hero Academia?
When I saw the PV last year, I felt something like “this is awesome!”. I can only say something normal people can say: “The characters are really moving”. I was working when I watched the PV with my editor. Naturally I started grinning. Because I didn’t want to be seen doing that by my editor, I kept my hand covered over my mouth. (laughs) Getting an anime is a dream I’ve always had for many years, and I’m really happy.
What do you expect the most from the anime?
Definitely the action parts. Like how the characters will move. I’ve received comments like “the action parts are really hard to understand” for this series, and only the anime can really show the outrageous action parts easily and effectively, so I hope the anime crew is able to do a really good job, I’m looking forward to it.
Action is Bone’s forte.
That’s right. That’s why I’m really looking forward to it…(laughs)
And last of all, please give a message for all of your readers.
Getting my work animated is really something way too extravagant for me, so I will keep on working hard so that I won’t be left behind in the dust by it, that’s how much I’m looking forward to the anime… My Hero Academia’s anime will probably become something really awesome, so for the original series, I won’t lose to the anime, will do my best to draw amazing stories with all my effort. Thank you all for your support!
5 Moral Dilemmas That Make Characters and Stories Even Better
Readers can’t resist turning pages when characters are facing tough choices. Use these 5 keys to weave moral dilemmas into your stories–and watch your fiction climb to new heights.
#1: Give Your Character Dueling Desires
Before our characters can face difficult moral decisions, we need to give them beliefs that matter: The assassin has his own moral code not to harm women or children, the missionary would rather die than renounce his faith, the father would sacrifice everything to pay the ransom to save his daughter.
A character without an attitude, without a spine, without convictions, is one who will be hard for readers to cheer for and easy for them to forget.
So, to create an intriguing character facing meaningful and difficult choices, give her two equally strong convictions that can be placed in opposition to each other.
For example: A woman wants (1) peace in her home and (2) openness between her and her husband. So, when she begins to suspect that he’s cheating on her, she’ll struggle with trying to decide whether or not to confront him about it. If she only wanted peace she could ignore the problem; if she only wanted openness she would bring it up regardless of the results. But her dueling desires won’t allow her such a simple solution.
That creates tension.
And tension drives a story forward.
So, find two things that your character is dedicated to and then make him choose between them. Look for ways to use his two desires to force him into doing something he doesn’t want to do.
For instance, a Mennonite pastor’s daughter is killed by a drunk driver. When the man is released on a technicality, does the minister forgive him (and what would that even look like?) or does he take justice into his own hands? In this case, his (1) pacifist beliefs are in conflict with his (2) desire for justice. What does he do?
Good question.
Good tension.
Good drama.
Another example: Your protagonist believes (1) that cultures should be allowed to define their own subjective moralities, but also (2) that women should be treated with the same dignity and respect as men. She can’t stand the thought of women being oppressed by the cultures of certain countries, but she also feels it’s wrong to impose her values on someone else. When she is transplanted to one of those countries, then, what does she do?
Construct situations in which your character’s equally strong convictions are in opposition to each other, and you will create occasions for thorny moral choices.
#2: Put Your Character’s Convictions to the Test
We don’t usually think of it this way, but in a very real sense, to bribe someone is to pay him to go against his beliefs; to extort someone is to threaten him unless he goes against them.
For example:
How much would you have to pay the vegan animal rights activist to eat a steak (bribery)? Or, how would you need to threaten her in order to coerce her into doing it (extortion)?
What would it cost to get the loving, dedicated couple to agree never to see each other again (bribery)? Or, how would you need to threaten them to get them to do so (extortion)?
What would you need to pay the pregnant teenage Catholic girl to convince her to have an abortion (bribery)? What threat could you use to get her to do it (extortion)?
Look for ways to bribe and extort your characters. Don’t be easy on them. As writers we sometimes care about our characters so much that we don’t want them to suffer. As a result we might shy away from putting them into difficult situations.
Guess what?
That’s the exact opposite of what needs to happen in order for our fiction to be compelling.
What’s the worst thing you can think of happening to your character, contextually, within this story? Now, challenge yourself—try to think of something else just as bad, and force your character to decide between the two.
Plumb the depths of your character’s convictions by asking, “How far will s/he go to … ?” and “What would it take for … ?”
(1) How far will Frank go to protect the one he loves?
(2) What would it take for him to stand by and watch the one he loves die when he has the power to save her?
(1) How far will Angie go to find freedom?
(2) What would it take for her to choose to be buried alive?
(1) How far will Detective Rodriguez go to pursue justice?
(2) What would it take for him to commit perjury and send an innocent person to death row?
Ask yourself: What does my character believe in? What priorities does she have? What prejudices does she need to overcome? Then, put her convictions to the ultimate test to make her truest desires and priorities come to the surface.
#3: Force Your Character into a Corner
Don’t give him an easy out. Don’t give him any wiggle room. Force him to make a choice, to act. He cannot abstain. Take him through the process of dilemma, choice, action and consequence:
(1) Something that matters must be at stake.
(2) There’s no easy solution, no easy way out.
(3) Your character must make a choice. He must act.
(4) That choice deepens the tension and propels the story forward.
(5) The character must live with the consequences of his decisions and actions.
If there’s an easy solution there’s no true moral dilemma. Don’t make one of the choices “the lesser of two evils”; after all, if one is lesser, it makes the decision easier.
For example, say you’ve taken the suggestion in the first key above and forced your character to choose between honoring equal obligations. He could be caught between loyalty to two parties, or perhaps be torn between his family obligations and his job responsibilities. Now, raise the stakes—his marriage is at risk and so is his job, but he can’t save them both. What does he do?
The more imminent you make the choice and the higher the stakes that decision carries, the sharper the dramatic tension and the greater your readers’ emotional engagement. To achieve this, ask “What if?” and the questions that naturally follow:
What if she knows that being with the man she loves will cause him to lose his career? How much of her lover’s happiness would she be willing to sacrifice to be with him?
What if an attorney finds herself defending someone she knows is guilty? What does she do? What if that person is her best friend?
What if your character has to choose between killing himself or being forced to watch a friend die?
Again, make your character reevaluate his beliefs, question his assumptions and justify his choices. Ask yourself: How is he going to get out of this? What will he have to give up (something precious) or take upon himself (something painful) in the process?
Explore those slippery slopes. Delve into those gray areas. Avoid questions that elicit a yes or no answer, such as: “Is killing the innocent ever justified?” Instead, frame the question in a way that forces you to take things deeper: “When is killing the innocent justified?” Rather than, “Does the end justify the means?” ask, “When does the end justify the means?”
#4: Let the Dilemmas Grow From the Genre
Examine your genre and allow it to influence the choices your character must face. For instance, crime stories naturally lend themselves to exploring issues of justice and injustice: At what point do revenge and justice converge? What does that require of this character? When is preemptive justice really injustice?
Love, romance and relationship stories often deal with themes of faithfulness and betrayal: When is it better to hide the truth than to share it? How far can you shade the truth before it becomes a lie? When do you tell someone a secret that would hurt him? For example, your protagonist, a young bride-to-be, has a one-night stand. She feels terrible because she loves her fiancé, but should she tell him what happened and shatter him—and perhaps lose him—or keep the truth hidden?
Fantasy, myth and science fiction are good venues for exploring issues of consciousness, humanity and morality: How self-aware does something need to be (an animal, a computer, an unborn baby) before it should be afforded the same rights as fully developed humans? At what point does destroying an AI computer become murder? Do we really have free will or are our choices determined by our genetic makeup and environmental cues?
#5: Look the Third Way
You want your readers to be thinking, I have no idea how this is going to play out. And then, when they see where things go, you want them to be satisfied.
There’s a story in the Bible about a time religious leaders caught a woman committing adultery and brought her to Jesus. In those days, in that culture, adultery was an offense that was punishable by death. The men asked Jesus what they should do with this woman. Now, if Jesus had told them to simply let her go free he would have been contravening the law; if, however, he told them to put her to death, he would have undermined his message of “forgiveness and mercy.”
It seemed like a pretty good trap, until he said, “Whoever is without sin among you, let him cast the first stone.”
Nicely done.
I call this finding the Third Way. It’s a solution that’s consistent with the character’s attitude, beliefs and priorities, while also being logical and surprising.
We want the solutions that our heroes come up with to be unexpected and inevitable.
Present yours with a seemingly impossible conundrum.
And then help him find the Third Way out.
I hope this helped! I’ve been really busy today, seeing how my mom had surgery and I’ve been trying to continue writing my novel today as well. I thought I’d squeeze in some more stuff for you guys!
If you have any questions or just want to talk, feel free to visit my ask box!
Tagged for future reference
For Anyone Who Wants To Be A Writer
But especially @a-girl-who-lives-in-her-head since she’s had a set back recently. This are tips from my Uni lecturer who’s a professional comedy script writer, they’ve helped me get through blocks before so thought they’d help others :) enjoy!
This. This is seriously so helpful. Thank you so much, your uni lecturer sounds like an amazing teacher if they give advice like this. Exactly what I needed to read, thank you!☺️☺️
You’re very welcome, I’m lucky to have lecturers like this who are constantly encouraging us when it comes to our scripts :) glad it helped :)
tumblr meme culture is really just a form of neo dadaism
I’d like to clarify:
dada was a largely european art movement that took place after wwi. this time and place is not a coincidence. let me explain.
dada art made no sense. the artists who made dada lived in a world in which nothing made sense - in which conventional logic led to the senselessness of a world war. so, making art that made no sense, making - well, you can’t really call it art, so making ANTI-art that rejected the conventions that brought about that atrocity in the first place - it made total sense. (if that makes any sense.)
so the artists did weird things. new things! putting things that were already made together and calling it sculpture, cutting up bits of pictures and putting them together and calling that something to frame - this site has some nice examples.
but from my perspective - there’s serious intellectual continuity between the absurdity of attaching a bunch of tacks to the bottom of an iron, rendering it useless, and say…. bath bomb posts. Put a fucking macbook in a bath. it’s useless now. Nobody fucking cares anymore. you want something funny? you want a punchline? gun. that’s your punchline. Take it. I am laughing
in a way it could be a method of venting some of the frustration and hopelessness and dissatisfaction that tumblr’s userbase (largely, disenfranchised millennials) feels in the modern day. I can’t really speak for anyone else, but… at least from a US perspective, there’s plenty to be disillusioned about. growing up in a constant state of questionably justified war, income inequality, an economic recession caused by the actions of a handful of wealthy fucks who didn’t even get properly punished, growing awareness of police brutality, being called lazy and self-absorbed by the generations that gave us these problems in the first place… I can’t help but think that these factors (and more) could produce a similar mindset to the one that precipitated the first dada movement.
so of COURSE we make nonsense jokes. it’s a coping mechanism for a world which doesn’t make any sense.
related: this isn’t by tumblr but I have to plug UCLA’s atrocity of a virtual gallery once more. it really needs to be experienced, but… it’s definitely also millennial neo dada. from the presentation (like an unplayable video game) to the content (THE DOGS HAVE ARRIVED), it is exactly what I am talking about. it is a fucking shitpost. and it’s high art, too! I love this
tl;dr: my generation is fed up with this bullshit, and the best way that we can express that is by shitposting. alternatively, dada was an early precursor to modern shitposting and we should all thank duchamp for signing a fucking urinal
a dear friend has given a perfect update to some of my phrasing, courtesy of their word replace extension:
you see this? this is exactly what I’m fucking talking about. the thing that I’m talking about is:
shitposting is the deconstruction of hegemonic discourse through the use of the absurd and surrealism.
I’d also say that while Dadaism was obsessed with the technological aspects of Modernity, of newspapers, of industrial mechanics and factory made clocks, neo-dadaism (of which shitposting but also the increasingly broad reach of the New Aesthetic and net aesthetics) is obsessed with the technological aspects of our time, or at the beginning of our time.
As just a comparison, the Clock in Absurdist and Dadaist art is both a symbol of the uplifting beginning of industrial relations (as one of the first complicated machines made by manufacturers, as the symbol of mankind’s ability to triumph and analyze nature and better ourselves) and as the deified symbol of horrific modernity (of demarcated time, labor hours, the oppression of the working class via managerial time), Neo-Dadaism/Absurdism has a similar relationship with early computers, which both symbolizes the utopian attitudes which we entered the digital age with, and the horrifying period we live in now, where the Digital is ever present and semi-deified.
My favorite dada satire is probably from Georges Grosz who takes the kind of robotic modernist tube people of folks like Leger:
and turns them into these mindlessly patriotic broken automatons chanting rote phrases:
And it’s so so funny to me that there’s all kinds of Gen X artists out there creating art about the millennials on their damn cellumar phones who think they’re the inheritors of this aesthetic but really it’s people who use the Madden gif generator to shitpost because they’re taking the technology meant for a coherent purpose for a particular narrative and they’re breaking it and turning it back on itself.
I think you might be onto something…
x
Aside from color palettes and materials used, I see literally zero difference.
This is one of the top 3 best posts I’ve ever seen on tumblr and I’ve been here for years.
Love
My grandmother took several classes on Dadaism, and I attended them with her growing up. Then I took plenty of art history when I got my BFA in Illustration.
This post is 100% legit in their observations. I’m seriously impressed.
Duchamp’s Urinal was one of the most famous, well known Dada pieces ever made, and he made it purely to prove that literally anything can be art. It was all about ignoring the Establishment’s rules of what art was and wasn’t, - this is exactly the same thing happening in real time.
Learning how to fail well is as crucial a part of a writer's craft as putting words on a page. With other kinds of failure, you have less control.
When I taught creative writing at Princeton, [my students] had been told all of their lives to write what they knew. I always began the course by saying, “Don’t pay any attention to that.” First, because you don’t know anything and second, because I don’t want to hear about your true love and your mama and your papa and your friends. Think of somebody you don’t know. What about a Mexican waitress in the Rio Grande who can barely speak English? Or what about a Grande Madame in Paris? Things way outside their camp. Imagine it, create it. Don’t record and editorialize on some event that you’ve already lived through. I was always amazed at how effective that was. They were always out of the box when they were given license to imagine something wholly outside their existence. I thought it was a good training for them. Even if they ended up just writing an autobiography, at least they could relate to themselves as strangers.
good artist tips
there’s always gonna be someone better than you. try to work less on comparing yourself to their work and instead learning from them and turning envy into a personal challenge for your own stuff. i know its hard, trust me.
the best way to get better at art is to practice. there is no special trick to improving, no secret method. practice makes perfect is a tired old saying that im sure you dont want to hear but unfortunately, its true.
draw as much as you are able to. i wont say draw every day!!! because i know that there are folks that dont have this sort of luxury, whether it be because of physical or mental restrictions, or simply because they dont have time. draw whenever you can and have the strength to. try not to be too upset if you miss a day or a week or even months. shit happens, do the best you are able to.
if you get bored or stuck, try another way. change mediums if you can, flip the canvas, do something weird that you wouldnt normally do. sometimes this is the best way to un-stick yourself from art block.
dont be afraid to ask for help. this is so important! its ok to ask for assistance from other artists you admire (given that they have time to give pointers.) even if asking for help is straight up asking for a redline of your work, its ok to ask for it. improvement doesnt come without outside assistance, more often than not.
references are 100% a legitimate resource. i’m not really sure where the idea came from that real artists dont use references, but its not true. every renaissance painter used references in the form of in-house models. disney artists use references of animals and people to correctly model and then correctly exaggerate their designs. you cant learn to draw the world around you without actually studying it. use references, even if its just google searching.
your art is not an island. you will pick up styles from other people like tape picks up pet hair. its inevitable, and its not something that should be seen as a negative. artists inspire other artists. use your discretion, and study what you like about another artist’s work. every artist’s style is a mashup of a hundred other artists. its ok, experiment.
youre not going to make masterpieces all the time. youre gonna suck more often than not. but youre putting effort into something you enjoy and in the process you are getting better, slowly but surely. you arent going to see your stuff improve overnight, be patient.
please be kind to yourself. you are making a unique form of artistic expression, regardless whether you see it that way or not. youre doing fine, please keep going and pat yourself on the back for getting this far.
Fantastic article on the psychology behind procrastinating, and why writers are particularly susceptible to it.
“Work finally begins,” says Alain de Botton, “when the fear of doing nothing exceeds the fear of doing it badly.” For people with an extremely fixed mind-set, that tipping point quite often never happens. They fear nothing so much as finding out that they never had what it takes.
For anyone who wants a free pose-able human reference for drawing
The other day I came across this awesome program by accident (I don’t even remember what I was actually searching for, but on the several times I’ve looked for a program like this I’ve had no luck). It’s cool enough that I wanted to share it.
It’s called DesignDoll (website here) and it’s a program that lets you shape and pose a human figure pretty much however you want.
There’s a trial version with no expiration date that can be downloaded for free, as well as the “pro license” version priced at $79. I’ve only had the free version for two days so far, so I’m not an expert and I haven’t figured out all of the features yet, but I’ve got the basics down. The website’s tutorials are actually pretty helpful for the basics, as well.
Here’s the page for download, which has a list of the features available in both versions.
There are three features the free version doesn’t have:
Can’t save OBJ files for export
Can’t download models and poses from Doll Atelier (a sharing site for users; note that the site is in Japanese, though)
It can’t load saved files
The third one means that if you make a pose, save it, and close the program, you can’t load that pose/modified model later. You have to start with the default model. I found that out when I tried to load a file from the day before (this is why reading is important…). Whether saving your modifications (and downloading models and poses) is worth $80 is up to you.
But, the default model is pretty nice and honestly if all you’re looking for is a basic pose reference it should work fairly well as it is. Here’s what it looks like:
There’s a pose tag that lets you drag each joint into place and rotate body parts. The torso and waist can be twisted separately, and it seems like everything pretty much follows the range of movement it would have on an actual human.
Even the entire shoulder area is actually movable along with the joint! See, like how the scapular area of the back raises with the arm:
The morphing tag is one of the coolest features, in my opinion. It lets you pick and choose from a library of pre-set forms for the head, chest, arms, legs, etc. It has some more realistic body shapes in addition to more anime-like ones. Don’t like the options there? Mix a few to get what you want! Each option has a slider that lets you blend as much or as little as you want into the design.
So you, too, can create beautiful things like kawaii Muscle-chan!!
The scale tag lets you mess with the proportions and connection points of different joints. This feature combined with the morphing feature not only allows more body shape variations, but it also means that you can do things like make a more digitigrade model if you want. (The feet only have an ankle joint, but for regular human poses that’s all that you really need, so whatever.)
Or you can make a weird chubby alien-like thing with giant hands and balloon tiddies if that’s more your thing.
The ability to pose hands to the extent it allows is far more than I could have hoped for from a free program. Seriously, you can change the position of each finger joint individually, as well as how spread out the fingers are from each other. Each crease on the diagram below is a point of movement, and the circles are for spread between fingers.
And to make it a bit more convenient, there’s a library of pre-set hand poses you can pick from as well, and then change the pose from that if you like.
In both versions, you can also import OBJ files from other places for the model to hold, like if you wanted to have them hold a sword or something.
Basically, this program is awesome and free and you should totally check it out if you want a good program for creating pose references.
I just wanted to add a little more to this. If you have trouble figuring out how light sources work in your drawings this also allows you to choose where to have a light source.
That shaded ball on the left is your light source. You can see how moving the point changed the shadow cast.
Oh and all those other nifty looking things in that bottom bar there, yeah it’s what you think. You can change the model color to one of these presets or even customize your own palette.
Plus for all you lovely people who want something a little more simplified to use as a pose reference
You can turn your model into the classic wire frame.
Why reblog this? Because for more visual creators, this will be like the lumberjack discovering chainsaws. “Reblog to save lives” as the saying goes.
@ravesinthesky
Yesssssssss thank you @cupcakesandfucks
Magic AUs for all your magic AU needs
“Well, this is most definitely not where I wanted to teleport, sorry for appearing in your bed at 2 in the morning” au
“I slipped you a love potion but what the hell you’re not even acting any different” au
“when I read my little cousin’s book out loud the characters came to life and I’m really sorry that there’s an aggressive cookie man shouting ‘Catch me if you can!!’ and wreaking havoc in your apartment” au
“WHAT DO YOU MEAN THE NUCKELAVEE IS LOOSE SHITSHITSHIT” au
“that is the weakest looking protection circle I’ve ever seen and NO I DON’T CARE THAT THIS IS AN EMERGENCY, YOUR DRAWING SKILLS NEED WORK DUDE” au
“you’re a prince(ss) who's been cursed and I’m the witch who you ask for help. Problem is, you kind of seem like an asshole so I’m not too keen on undoing your curse, kiddo” au
“We’re stuck in a time loop and you’re the only other person who seems aware of it how do we fix this” au
“My bullshit curse can only be broken by True Love’s Kiss so I kind of just swooped in and kissed you, but it didn’t work?? haha wow okay this is awful in so many more ways than I’d thought it would be” au
“I didn’t believe you were actually a genie so I wished for a six-foot-tall dildo just for the hell of it, now WHAT DO I DO WITH THIS THING STOP LAUGHING” au
“I’m so sleep-deprived and stressed that i mistakenly walked into ur bedroom thinking it was mine and scared the living daylights out of you” AU
- (stevebuqy)
What Video Games Taught Me Better than School or Parents Ever Could
If you are facing new challenges/obstacles, then you’re going the right way.
No one blames you if you have to check the map.
Always come prepared.
Everyone is worth talking to.
Even if you don’t get money for something, you always get experience.
Explore!
The places that are hardest to get to always have the best rewards.
The best way to become someone’s friend is to actually talk to them.
If you want to be someone’s friend faster, also give them food.
Don’t hold on to too much crap, you’ll fill up your inventory.
Don’t be deterred if a challenge was too much for you; go back, level up, increase your skill, and try again.
You don’t learn anything if you get someone else to do it for you.
Don’t feel like you have to plow through the main story. The best content is sometimes in the side quests.
If you’ve tried and failed 30 times, you probably missed something. Go back and look around.
Never judge someone’s skill solely on their achievements; you don’t know how they got them.
When you succeed after multiple failures, you feel so much more accomplished.
Take full advantage of character customization.
Decisions rarely only affect you. Please choose wisely.
I love this omfg.
So, I know how much everybody loves pretend-dating/pretend-marriage fics, but have you considered ‘pretend NOT to be dating/married’ AUs?
For example:
My friend is so determined to fix me up with somebody better than my string of casual coffee date/hookup partners that I didn’t have the heart to tell her, after she set us up for a blind date, that I actually met you six months ago
We’re both professors in the same department and it enhances your reputation with the students as a mysterious enigma and my reputation as a stone-cold terror if we pretend to hate each other, plus when we back each other up in departmental meetings everybody’s so surprised they give in right away
My parents thought I was working for an insurance company in New York when really I was joining the CIA so I just sort of never mentioned when I met you on an assassination-gone-wrong and now we’ve been married for five years and they still don’t know you exist, this has gotten wildly out of hand and you won’t stop laughing about it
All your coworkers know you’re married to a cop but now I’m undercover investigating a string of bank heists and it turns out that your only friend at your shitty new job is dating the head bank robber.
We’ve been communicating entirely by email/phone/carrier pigeon/paid messenger for the past year as we work to bring some peace and order to this troubled land, so when I walked into the negotiation room to sit down with the fearsome and terrible politician/businessperson/famed warrior that all my people are so afraid of, I didn’t really expect it to be you.
I didn’t think my parents could accept me dating somebody of your gender/race/religion/species, so we’ve been keeping it quiet, but now my mom can’t stop talking about her friend’s next-door neighbor and how perfect they’d be for me and you’ve got some nosy neighbor trying to set you up with their coworker’s kid and how do we tell them we’re engaged without making them think it’s because of their completely uninvited meddling?
You’ve got to pretend-date your best friend for a couple of weeks because reasons, and somehow that means we’re passing ourselves off as siblings to explain why we live together but we’ve started giving each other really filthy pre-sex looks behind everyone’s back like a game of chicken and pretty soon somebody is going to start to have serious concerns about our siblinghood.
Pretending-not-to-be-dating AUs: add yours today!
Echiveria done in my watercolour Moleskine, using Dr Ph. Martin’s Hydrus liquid watercolour. Only 3 colours used - Quinacridone Magenta, Blue Aqua and Hansa Yellow Medium :)