Really glad predictive text exists. Should i bring my own parking lot
wallacepolsom
Fai_Ryy
Stranger Things
$LAYYYTER
Jules of Nature
The Bowery Presents
I'd rather be in outer space đ¸

oozey mess

Origami Around
we're not kids anymore.

titsay
"I'm Dorothy Gale from Kansas"
PUT YOUR BEARD IN MY MOUTH
trying on a metaphor
Sade Olutola

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PR's Tumblrdome
untitled

JVL
Show & Tell
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@ematothesky
Really glad predictive text exists. Should i bring my own parking lot
a lot of people think oppression is about hatred but the thing is hatred is just a tool of oppression. oppression is really about power. and that's why someone of an oppressor class saying they hate an oppressed class is bad but someone of an oppressed class saying they hate their oppressor class doesn't really matter. there's a power imbalance here that is not only significant but kind of the entire driving purpose of the oppression in the first place
the jedi templeâs bootleg space booze is.
1. a Specialty, 2. made with love and a complete lack of fucks 3. honestly the most Terrifying substance in existence
Every Jedi has their own particular twist - Kit Fisto uses a hallucinogenic seaweed found on his native planet. Plo Koonâs is literally lethal to non Kel-Dor but is the galaxyâs best known grease remover. Maceâs stash appears relatively tame, but has an aftertaste that kicks in half an hour later when youâve already drunk half the bottle and cannot be removed by any mouthwash known to civilization. No one knows what Yodaâs tastes like, except possibly Dooku and the only time he was ever asked his eyes went blank, his shoulder twitched compulsively and he he immediately called a retreat - it is therefore the most sought after secret in the temple. Luminara has a variety that tastes of something only describable as âpure regretâ. Sheâs been working on âhorrified realisationâ for a while now but has only managed âembarassed mortificationâ. Qui-Gon liked to infuse tea and spices into his brew, and brought back more than a few exotic species to feed his habit. Â Obi-Wan continues the tradition, however due to the increasing stresses of war the tea varieties he uses have steadily been increasing in both bitterness and caffeine content. It is colloquially known as âthe sleepless deathâ and is banned in eight star systems. Skywalkerâs version is surprisingly palatable, does not cause hallucinations and packs a kick stronger than a Dug on steroids. Itâs made of bugs.
really specific trope i like that i feel like can only be explained in a diagram
Ozempic scares the shit out of me. You're telling me there's a drug that takes away both the craving side of hunger and targets the brain's rewards center for eating. You're telling me it takes the joy out of eating and it turns you into a skeleton. Why did we turn The Curse of the Black Pearl into a drug. What the fuck.
I actually want to thank the diabetics coming on this post like "actually it genuinely is a great treatment for diabetes and it hasn't affected my mood or my enjoyment of food. The real issue is it's getting abused as a weight loss drug which also makes it scarce and more expensive for those who can genuinely benefit from it." Kind of reminds me of the time my brother got permission from our family psychiatrist to try my ADHD medication and his reaction to it was "what the fuck are you on. WHAT THE FUCK ARE YOU ON. WHY DO I FEEL LIKE CRYING. YOU'RE ON THIS EVERY DAY!?!"
Body chemistry! It makes a big difference in how your body processes a drug! What can be genuinely helpful for some folks is The Curse of the Black Pearl for others!
Who else up thinking about bjj black belt craig jones saying You can give anyone steroids. Despite our best efforts we are yet to give anyone autism.
Why do so many Japanese urban legends seem to involve a dialogue tree that you need to follow very carefully?
It's just the interactive element that seems characteristic. Like I hear a claim that, at some point, "everyone dreams of a village littered with blue corpses, and if they trip and fall then they will die in their sleep and become one of them" and ai just immediately know before I even check that, yes, this urban legend originated in Japan.
"Am I pretty?"
"I don't know, you're wearing a mask."
"How about now?"
"...I'd say you're a definite four--" (*remembers that four is bad luck in East Asia because it sounds like death*) "FIVE! I meant five! Definitely meant five!"
According to Wikipedia, that could actually work according to some versions of the legend
"You're kinda mid, tbh" or "I don't have time for questions" are both valid responses
Maybe chuck some Werther's Originals at her for safe measure
No matter how progressive or well-read you are, there are always going to be moments in your life where somebody pushes back against something that's so culturally ingrained you never even considered it before. And you'll say "Huh, it never occurred to me to challenge this but you're right" and that doesn't mean you were "morally toxic" before, it means you're a non-omniscient human capable of growth.
need a polite way to say "im not engaging in a discussion on this topic with you because the conclusions you have reached are based on so many interwoven layers of misconceptions it would be easier to just like, hard reset your whole brain, just start over as a baby and try again"
King Arthur at Tintagel
uniquedevontours
Family dinner
This is a dangerous sentiment for me to express, as an editor who spends most of my working life telling writers to knock it off with the 45-word sentences and the adverbs and tortured metaphors, but I do think we're living through a period of weird pragmatic puritanism in mainstream literary taste.
e.g. I keep seeing people talk about 'purple prose' when they actually mean 'the writer uses vivid and/or metaphorical descriptive language'. I've seen people who present themselves as educators offer some of the best genre writing in western canon as examples of 'purple prose' because it engages strategically in prose-poetry to evoke mood and I guess that's sheer decadence when you could instead say "it was dark and scary outside". But that's not what purple prose means. Purple means the construction of the prose itself gets in the way of conveying meaning. mid-00s horse RPers know what I'm talking about. Cerulean orbs flash'd fire as they turn'd 'pon rollforth land, yonder horizonways. <= if I had to read this when I was 12, you don't get to call Ray Bradbury's prose 'purple'.
I griped on here recently about the prepossession with fictional characters in fictional narratives behaving 'rationally' and 'realistically' as if the sole purpose of a made-up story is to convince you it could have happened. No wonder the epistolary form is having a tumblr renaissance. One million billion arguments and thought experiments about The Ones Who Walk Away From Omelas that almost all evade the point of the story: that you can't wriggle out of it. The narrator is telling you how it was, is and will be, and you must confront the dissonances it evokes and digest your discomfort. 'Realistic' begins on the author's terms, that's what gives them the power to reach into your brain and fiddle about until sparks happen. You kind of have to trust the process a little bit.
This ultra-orthodox attitude to writing shares a lot of common ground with the tight, tight commodification of art in online spaces. And I mean commodification in the truest sense - the reconstruction of the thing to maximise its capacity to interface with markets. Form and function are overwhelmingly privileged over cloudy ideas like meaning, intent and possibility, because you can apply a sliding value scale to the material aspects of a work. But you can't charge extra for 'more challenging conceptual response to the milieu' in a commission drive. So that shit becomes vestigial. It isn't valued, it isn't taught, so eventually it isn't sought out. At best it's mystified as part of a given writer/artist's 'talent', but either way it grows incumbent on the individual to care enough about that kind of skill to cultivate it.
And it's risky, because unmeasurables come with the possibility of rejection or failure. Drop in too many allegorical descriptions of the rose garden and someone will decide your prose is 'purple' and unserious. A lot of online audiences seem to be terrified of being considered pretentious in their tastes. That creates a real unwillingness to step out into discursive spaces where you 𫵠are expected to develop and explore a personal relationship with each element of a work. No guard rails, no right answers. Word of god is shit to us out here. But fear of getting that kind of analysis wrong makes people hove to work that slavishly explains itself on every page. And I'm left wondering, what's the point of art that leads every single participant to the same conclusion? See Spot run. Run, Spot, run. Down the rollforth land, yonder horizonways. I just want to read more weird stuff.
âBecause the truth is, tech doesnât have an image problem. It doesnât have a message problem. It has an intention problem. Whatâs wrong with the axe murderer who broke into my house is not that he hasnât successfully persuaded me to buy into his narrative. Whatâs wrong is that heâs trying to kill me with an axe. Similarly, when you launch a product thatâs designed to put millions of people out of work, block access to sources of verifiable truth, replace human creativity with slop, and lower the barriers to every sort of atrocity, the problem isnât that you havenât told the public a good story about those things. The problem is that you are trying to do them.â
â The 40 Most Rage-Inducing Problems in Tech
Everyone should be aware of nitter.net
for any address to twitter you can replace the âx.comâ with ânitter.netâ and you will be able to browse as if you have an account. Lifesaver.
Similarly, imginn.com works for most Instagram addresses. I still havenât found one for Facebook.
The (European) sun is a deadly laser, stay safe everyone
âď¸đ¤ itâs because the further you move toward the earthâs poles, the lower the angle of the sun is at the hottest parts of the day, meaning the radiation hits your whole body, causing it to feel 10-20 degrees warmer than the thermometer reading will tell you. People from tropical climes, aka close to the equator, are used to the sunâs radiation hitting a much smaller target- their head and shoulders.
Also the further you move toward the poles the more pronounced the difference between the length of day and night is. Worst part of a far-north (or south) heatwave is it doesnât get dark long enough for meaningful cooling.
Itâs not the heat. It very literally is the sun.
Evening Dress
Girolamo Giuseffi
c.1912
Indianapolis Museum of Art
Autumnâs Waning