their grand entrance was truly beautiful
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@enbyrat
their grand entrance was truly beautiful
everyone needs their own pet scientist
grace meets adrian
In light of the Odyssey movie coming out this is my formal PSA that Helen of Troy is actually Helen of Sparta, Troy is the city she was stolen and brought to. The entire Trojan war is the Greeks trying to get her back from Troy, because she is from Sparta. I feel like we all collectively forget this.
"The last time any human touched Ryland Grace was an act of horrific violence"
Well... Yes and no.
The last time Ryland Grace was CONSCIOUS of any human touch was when he was knocked out. Absolutely true.
But the last human contact he would have had was Yao and Ilyukhina. Who were told that he was scared about panicking during launch and asked to be sedated. Who did all the pre flight checks before the Hail Mary launched. Who would have carefully, gently carried Grace to his bed in the dormitory, made sure he was secure, and initiated his coma procedure.
There would have been love there. Remember Ilyukhina throwing her hands high and saying "welcome to crew!" Remember Yao saying how he hoped Grace would say yes. Remember how much the crew trusted Grace, Stratt's First Officer, the guy who helped them so much, and was so kind to them, and was the one who they entrusted their preferred methods of suicide to. Who thought they were wonderful and brave.
They would have tucked him in. Maybe brushed his hair out of his face. Maybe said something kind to him before initiating their own coma procedures.
Ryland Grace doesn't remember, of course he wouldn't. But the last human touch he ever had was full of love.
I love being an adult who always puts my hand out to shake when I meet a kid! every single time their face is like "no one does The Adult Greeting Ritual with me, is this a sign of respect or is this man simply unhinged" and then of course as we talk they realise it's both
I love being an adult who always puts my hand out to shake when I meet a kid! every single time their face is like "no one does The Adult Greeting Ritual with me, is this a sign of respect or is this man simply unhinged" and then of course as we talk they realise it's both
Also teaching a kid to fist bump without getting punched is surprisingly hard
ALSO ODYSSEUS LITERALLY JUST GOES TO TROY HE JUST GOESSSSSSSS they don’t even TRY to put baby telemachus in the paper shredder he just dips without a fuss. they change odysseus hanging the maids to penelope kicking melantho out for girlboss reasons and they TOOK AWAY MY BAG OF WIND #mybagofwind they also took away the dipshit that falls off of circe’s roof and dies. deeply shallow meaningless movie.
nolan’s odyssey is such a textbook study on the idiocy and dangers of presentism. yes of course penelope is a modern day feminist who wants to rule ithaca by herself. they make telemachus say that GREECE IS THE GREATEST CIVILIZATION IN THE WORLD as if the entire point of the massing of achaeans at troy for one unified cause isn’t spectacular precisely because THERE IS NO CONCEPT OF A UNIFIED GREECE NATIONS DO NOT EXISTTTTTT YETTTTT. literally 101 on historical writing is making sure that you’re avoiding strict periodization because the people living in a “period” will not identify themselves that way. ever. five million cheeky nods to “the sea peoples” but we’re being cute and coy and calling them “the people from the sea.” the obsession with xenia but refusal to call it xenia yes let’s say “zeus’s law” a hundred times and reduce it to the literal expectation that any stranger could be a god in disguise. how was penelope just hanging out in the main hall of the palace with her husband’s dinner guests while they were playing with weapons with her HAIR COMPLETELY DOWN no veil no nothing just chilling casually. comical. stoppppp making movies that engage in historical viewpoints if you’re going to slather a modernized coat of paint over the top. “the past is a foreign country, they do things differently there.” or fucking whatever.
Also while I'm talking about the Odyssey:
What a weird choice to make Clytemnestra Helen’s twin sister. Like I get it, Lupita is gorgeous and you don’t want to hire another actress.
But the fact that Helen is the most beautiful woman in the world is kinda...essential for the plot?
It is the whole reason why Paris chose Aphrodite in the golden apple contest, why he kidnapped her, why the whole trojan war started.
And you're telling me that there is another woman who looks exactly like her?? So Helen is NOT the most beautiful woman in the world ?
It makes no sense, and there was no good reason to not hire another beautiful black actress to play Clytemnestra.
They’re quadruplets in one version, though those are muddled by the whole “two daddies” thing with her actual husband and Zeus, as per his mythological norm.
If we were talking genetic identicality, the closest is her brother by Zeus (who I cannot remember if it’s Castor or Pollux but it’s one of em) with the other two being like… half-quadruplet siblings. Myths
The “nobody” scene in the odyssey is absolutely not just a clever pun—it’s a character defining moment for Odysseus because he refuses to be nobody. He devised an incredible plan that worked and he could have saved his men and returned home much sooner but he just had to yell to the cyclops that he isn’t nobody—he’s Odysseus, king of Ithaca so now Poseidon knows who to curse which severely fucks up the rest of the journey.
The “nobody” scene highlights both Odysseus’s cleverness but also his arrogance and those two traits define Odysseus throughout the entire story. It’s a foundational aspect of Odysseus’s character and cutting the scene displays a shocking level of ignorance and disregard for the themes in the source material.
listen it's not that I think epic the musical is a perfect adaption of the odyssey but it was an impressive passion project that knew what it wanted to be and knew what people gravitated to in the original work and it put significant effort into conveying this through its unique medium and tone to the point that hundreds of other people felt compelled to put effort into their own artistic interpretations of that version of the story. and that's really cool! and yes I would be more critical if it was a 100 million dollar project made by a professional because what the fuck do you mean you're a world-famous director and you cut the my name is nobody scene are you goddamn serious
"we cut the nobody scene from the odyssey" "we cut the religious trauma and parental abuse from carrie" i'm starting to think that studios barely funding original films is starting to have an effect where directors make up a story and then slap an IP on it in order to sell. or maybe some bitches just can't read anymore idk it's one or the other
When I see people say "abolish copyright, it only serves big corporations," I imagine saying, "The whole system of employment only serves big corporations....so abolish wages. People appreciate service workers and will tip them even if they don't have to."
Like. Clearly you have not tried to pay the bills on book sales.
We definitely need to reform the copyright system so they actually protect small creators instead of Disney, but a state of total anarchy has never yet been demonstrated to protect the vulnerable. In the absence of regulation, the strong oppress the weak. Bad regulation only helps them oppress the weak more, but no regulation is not the answer.
How to do that is a complicated question. I have some ideas. But I feel like once the end goal is protecting the individual who does the creative work, it's not that hard to brainstorm better solutions.
I mean.... "The human who put pen to paper (hand to keyboard, brush to canvas, etc.) owns the full copyright for their work and it cannot be transferred by any means to any other entity."
That pretty much solves the problem. Everything else is just details. Disney shouldn't be able to own a copyright and the copyright for Mickey Mouse should have ceased to exist when he died.
We could maybe maybe do something to the effect of a creator being able to pass copyright to an heir on their death, but I don't think that's actually that important, and it needs to be an actual human and not a company. What's most important is that Josh D'Amaro (current Disney CEO) shouldn't have a say in shit because he's not the artist. If the artist who draws a character decides to take their art and go home Disney should be fucked, so they should treat their artists well.
I legit think the writer of a book shouldn't be able to sell copyright to a movie studio, because then they cannot be pressured into doing so. Peter S. Beagle had to fight for literal decades to get paid for The Last Unicorn movie because he got ripped off by the studio. That couldn't happen if the studio couldn't give him a contract to sign but instead had to just give him money and a director and let him control the entire process and take their percentage of the money he makes on his work.
You make it, you own it. You didn't make it, you don't own it. Simple.
You make it, you own
it. You didn’t make it, you
don’t own it. Simple.
Beep boop! I look for accidental haiku posts. Sometimes I mess up.
personally I'm annoyed by the socioeconomic conditions that made words like "unalive" necessary but simultaneously impressed by the linguistic adaptations young people have made to continue talking about important things while subject to those conditions and I think if you can't hold both of those thoughts in your head you might just be old man yelling at cloud
Two of my niblings (10 and 7) self-censor like this in real life during actual conversations. I tried briefly to explain to the 10-year-old that they didn't have to do that in real life after they said "unalive" out loud in casual conversation, and they just said they preferred to. On the one hand, I'm sad to see them unconsciously and fully without awareness succumbing to the panopticon. On the other... this post.
it's not unprecedented in the evolution of languages to see euphemisms adopted as synonyms or even supplanting earlier terms. lots of people say "passed away" even in situations where there would be no particular social cost to saying "died".
for a particularly strong version of this kind of replacement: the word "bear" comes from a proto-Germanic word meaning "brown one" because there was a taboo against saying the animal's actual name. the taboo is gone but it was so strong in the past that we have no record of what the proto-Germanic word for "bear" even was.
maybe in 300 years the word "die" will be archaic and kids will dig it out of an etymology textbook and start using it because "unalive" is getting censored.
die has actually already undergone this process. die originally meant "flow" (i guess it's like you're flowing out of life or something? or maybe your life is flowing out of you idk). it was (probably) loaned from old norse to displace the now obsolete "swelt". and yes, that is the root word of "sweltering"
Ephamisms have always existed, addressing social sensibilities rather than corporate censure (which is what makes "unalived" etc so contentious).
Monty Python's dead parrot sketch has a dozen or so euphemisms for "dead" - from "pushing up daisies" to "pining for the fjords" - which were or have since entered common understanding (YMMV).
Commonly Confused Words (3): Who vs. Whom
Who functions either as the subject of a sentence ("Who told Jason that?") or as nominative pronoun in the predicate ("I met the one who was told by Marie.")
Whom functions as the object of either a verb ("Marie saw whom?") or a preposition, such as for whom, by whom, to whom, ... ("Jason talked to whom?").
Generally, if you can replace the word with he or she, use who ("He/Who told Jason that?"). If you can replace it with him and her, use whom ("Marie saw him/whom?") In some cases, you may need to restructure the sentence for this to work: "Who told Jason that?" — "She told Jason that." ✓ "Whom did Jason tell?" — "Him did Jason tell." ✗ → "Jason told him." ✓
"Why does whom sound weird in the beginning of the sentence?" The usual structure of an English sentence is Subject, Verb, Object. Putting "whom" (the object) in the beginning can sound off. To avoid this, you can restructure the sentence: "Whom did Jason talk to?" → "Jason talked to whom?"
End Note: Though it is not grammatically correct, it is generally not considered a big mistake to use who when whom should be used, especially in casual speech. Sometimes, it may even be preferred as it sounds more natural, even though it is technically incorrect: "Who did Jason tell?"
A few weeks ago one of my historical pet peeves was activated when I heard about a new Robin Hood movie that takes the groundbreaking, unprecedented, bold and visionary step of suggesting that the Middle Ages were a time of brutality, cynicism, and lawlessness.
Sarcasm alert. Everything I've heard about this movie sounds like it was created specifically to annoy me, so I'm going to try to ignore it and just talk about my pet peeve, which is this pop culture myth that the medieval period was particularly filthy, brutal, misogynistic and lawless.
Which is simply not the truth, and here's a true story from 1348 that shows the real Middle Ages.
We know this story because it's a very important moment in the development of common law - that is, the facts and the conclusion of the story were written down and became the basis for how similar cases would be decided long into the future. This 1348 judicial decision (citation: I de S et Uxor v W de S (1348) yb 22 edw iii f 99) is still read by law students today when studying the tort (or wrong) of assault. That's nearly seven hundred years of judges and lawyers looking back at a medieval judicial decision and saying, "Yes! That was a good and just decision!"
To set the stage, it's the 1300s - a century famous for the Black Death, the Hundred Years' War, the Peasants' Revolt, and the Babylonian Captivity of the Church that saw the papacy moved to the French town of Avignon as puppets of the French monarchcy. But that's not the only thing that happens in the 1300s. This century also sees the publication of Dante's Divine Comedy; the Clockwork Revolution in which intricately designed clocks tracked everything from the hours of the day (which were measured in variable lengths) to the phases of the moon and the Sun's path through the zodiac; the creation of gorgeous books of hours and tapestries; the career of Christine de Pizan, the first woman known to have made a living from her pen; the writing of Geoffrey Chaucer and the radical social and religious reforms proposed by John Wyclif and his followers.
About the middle of this century a man known to history as W de S came in the night to the house of I de S and M, his wife, looking to buy some wine. The door to the taven was closed, so W pounded on the door with a hatchet, which he had in his hand. At this, M, the tavern-keeper's wife, put her head out the window and told him to stop. W responded by throwing the hatchet at M, narrowly missing her.
The tavern-keeper and his wife, contrary to what pop culture will tell you, responded exactly the way a couple of pub owners might respond today: they took the offender to court and argued that W had made an assault on M. W argued, in response, that he had committed no crime because the hatchet had not in fact struck M.
You might now be thinking that of course W would have won the case, since no actual physical harm was done to the woman he'd attacked. But you would be wrong! The judge in the case declared that the assault itself was harmful, and that W was liable to pay compensation for the fright he had caused M.
"Ever since then," states my old Torts textbook, "the tort of assault has extended protection to a person's right to be free of emotional disturbance brought about by intentional threats of physical violence."
Law did exist in the middle ages. Women, as well as men, could expect to be protected by the law from assault. And not only physical, but even emotional damages could be awarded for assault...all the way back in 1348.
It wasn't a perfect time, but it was far from the callous brutality depicted on our movie screens.