James Baldwin, from Another Country [ID'd]

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hello vonnie
tumblr dot com
d e v o n
noise dept.
we're not kids anymore.
PUT YOUR BEARD IN MY MOUTH
EXPECTATIONS

Jar Jar Binks Fan Club

PR's Tumblrdome
taylor price
ojovivo
todays bird

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macklin celebrini has autism
One Nice Bug Per Day
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oozey mess
RMH

shark vs the universe

seen from Türkiye
seen from Uzbekistan
seen from Portugal
seen from India
seen from Bangladesh
seen from Germany
seen from Poland
seen from United States
seen from Netherlands
seen from Poland
seen from Morocco

seen from India
seen from United States
seen from Kenya

seen from Netherlands

seen from Switzerland

seen from Malaysia
seen from Tunisia
seen from Saudi Arabia
seen from United States
@enthusiasticarsonist
James Baldwin, from Another Country [ID'd]
when in 1995 pasarella (argentina nt coach) said that he would "never call up a homosexual player to the national team" and as a form of protest maradona and caniggia started to celebrate their goals in boca juniors like this
Mieko Kawakami, from 'Heaven'
Arthur Leipzig. Subway Lovers, 1949
i need to peels so fucking bad but there is a cat on my lap
huge if true
I saw a post on a terf blog before I blocked it from someone being like "Ummm is anybody else really concerned about the rise of antisocial kinks like pissing" and it made me laugh so hard I almost did a little antisocial kink myself
over the past few months, you may have found many people on your dash being driven to madness by a character that looks like this
BAD NEWS: it will not be the same forever
GOOD NEWS: it will not be the same forever
hope is a weapon, by @mumblesplash (x)
Project Hail Mary (2026) dir. Phil Lord, Chris Miller
(guy who doesnt even like dating) ok well does anyone want to get entranced by my whole deal or no.
I will make a beautiful life for myself no matter how long it takes. I will I will I will
THERE'S A LIGHT THAT NEVER GOES OUT
i’m sorry but it is absolutely a conservative impulse to believe that an ancient work has some kind of “purity” that can be “desecrated” by adaptation. think about what you are saying. why do you think adaptational change or reinterpretation is an “offense” to “culture” that must be answered for? what could motivate a person or movement to designate a certain story as “sacred”? when you do this, are you conjuring an idealized past? in the same breath, does this position modernity as a threat?