Etch Sketchs upon Machines

I am the Alpha & The Ernie Omega

[bobbole]

Yuko Higuchi

[derovalfnolem]

beauty of nature

[derovalfnolem]

[rosieandthemoon]

by bagiecha

[lolcatsaestheticdump]

[achillesinhighheels]

[thouartadeadthing]

[milksockets]

'atomium bruxelles dress by paco rabanne, 1999' in aluminum by design - sarah nichols (2000)

[priezpourlui]

[frailnbedazzled-deactivated2025]

Wooden Crescent Moon Cabinet With Dragon Base

[segamascott]

[barbucomedie]

Effigy Vessel from Oaxaca, Mexico dated between 200 - 600 CE on display National Archaeological Museum in Madrid, Spain

This vessel is is thought to depict a warrior ruler of the Zapotec people. She wears a elaborate attire with an ornate helmet adorned with the head of jaguar. This animal is often associated with warriors and warfare in Mexican history as well as the right to rule. While female rulers were not common there are accounts prior to colonisation as well as Spanish records of women being granted rights to ancestral lands.

Photographs taken by myself 2026

[hachiojishishi]

ヒトデナシー５

2015年12月27日12:07

[hachiojishishi]

ヒトデナシー４

2015年12月27日12:07

[fabsions]

1970s Velvet Underground & Nico handmade knit sweater.

(via Marc Campbell)

[x-heesy]

ДL CФLЦMБIД

https://song.link/sc/489202152

Credits above

[sowhatifiliveinfukuoka]

Kate Bush

Experiment IV (1986)

[fashion-runways]

ASHI STUDIO “Fashion is Art” Dress 2026 pls help me get out of debt donating to: ko-fi.com/fashionrunways or dinahlance-shop.fourthwall.com “This couture dress draws its inspiration from bronze sculptures in Indian culture and depictions of deities, reinterpreting their characteristic lines and draped forms in a contemporary way. The curves and folds have been carefully studied and translated into the structure of the garment, creating a silhouette that feels both fluid and defined. The entire piece is built around a bronze tone, treated to resemble naturally oxidized metal. Shades of blue and green are hand-painted using a trompe-l’œil technique to evoke the patina seen on ancient statues, giving the surface depth and variation. From the construction of the corset to the draping of the skirt, each element required precision and coordination. Over 200 hours were dedicated to crafting the garment, with an additional 200 hours spent on hand painting to achieve the final finish. Developed over several months, this piece reflects a balance between craftsmanship, material research, and a clear visual direction.”