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oozey mess

#extradirty
Noah Kahan

roma★
EXPECTATIONS
art blog(derogatory)

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Love Begins

if i look back, i am lost
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Mike Driver
he wasn't even looking at me and he found me
Lint Roller? I Barely Know Her

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@etinoca-blog
New Town Hall, Munich, Germany.
Rebecca Cairns
Diminished into echoes (tribute to J.W. Waterhouse), Kikyz 1313
Goddamned disturbing on so many levels. So I thought I’d pass it on to all of you.;)
Black and white blog that follows back, check me out
© georgia napolitano
GHEDE
Ghede is an awesome figure in black, controlling the eternal crossroad which everyone must someday pass over—the crossing from life to death. His symbol is the cross upon a tomb. Ghede is to the underworld or afterlife what Legba is to life—he who controls access.
Ghede is also the spirit of eroticism, which is beyond good and evil since it is inevitable. Ghede is neither delighted by eroticism, and certainly not shamed by it. If anything he is amused by the universal presence of eroticism and humans’ constant need to pretend that it is other than what it is.
When Ghede mounts someone he often singles out people who pretend to be aloof from eroticism. He ridicules them, embarrasses them, exposes them (in more ways than one). He is especially hard on whites since they often have the puritanical sexual attitudes of western culture.
Loa of sexuality, he is enamored of women, makes constant use of obscene words and songs, and performs lude dances. When someone is mounted by Ghede and dressed in black coat, top hat and sun glasses, Ghede performs the banda dance, a gyrating dance in which one imitates the movements of copulation.
Ghede is a clown, an interrupter, a coarse fellow. He is much loved because his appearance always brings laughter and joy, singing and dancing, though much of it is lude. He loves cigarettes and is often seen smoking two at a time. He is neither good nor evil, but is amused by humans and that’s why he jokes around so much. He is usually the last to appear at a ceremony.
Ghede is also often called BARON SAMEDI. In this aspect he is DEATH. He is the keeper of the cemetery and the primary contact with the dead. Anyone who would seek contact with the dead must first solicit Ghede/Baron Samedi in the same way that Legba is contacted to cross over to the spirit world. He is the loa of death and resurrection. But he is history too. As keeper of the cemetery he has intimate contact with the dead. He knows what their plans were, what’s going on in families, what the connections of things are, and is quite generous with his information. Even when he is clowning or performing his erotic antics, if one can pull him aside and ask him a serious question he will give a serious and reliable answer.
Another of Ghede’s great powers is as the protector of children. He does not like to see children die. They need a full life. Thus he is the loa to go to when seeking help for a sick child. He has the power over zombies and decides whether or not people can be changed into animals. Any such black magic Voodoo must seek the help of Baron Samedi/Ghede.
Lastly, since Ghede is the lord of death, he is also the final last resort for healing since he must decide whether to accept the sick person into the dead or allow them to recover.
Source: http://www.webster.edu/~corbetre/haiti/voodoo/shortlist.htm
In Haitian Vodou, Papa Legba is the intermediary between the loa and humanity. He stands at a spiritual crossroads and gives (or denies) permission to speak with the spirits of Guinee, and is believed to speak all human languages. He is always the first and last spirit invoked in any ceremony, because his permission is needed for any communication between mortals and the loa - he opens and closes the doorway. In Haiti, he is the great elocution, the voice of God, as it were. Legba facilitates communication, speech and understanding. In the Yoruba pantheon, honored in Nigeria, Cuba, Brazil, and elsewhere in the Yoruba diaspora, Ellegua is mostly associated with Papa Legba since both share the role of being the god of the crossroads. In contrast to Papa Legba, however, Eleggua is a trickster child. Legba also shares similarities to Orunmila, the orisha of prophesy who taught mankind how to use the mighty oracle Ifá. He usually appears as an old man on a crutch or with a cane, wearing a broad brimmed straw hat and smoking a pipe, or sprinkling water. The dog is sacred to him. Because of his position as ‘gate-keeper’ between the worlds of the living and the mysteries he is often identified with Saint Peter who holds a comparable position in Catholic tradition. He is also depicted in Haiti as St. Lazarus, or St. Anthony.
In Benin and Nigeria, Legba is viewed as young and virile, is often horned and phallic, and his shrine is usually located at the gate of the village in the countryside.
Alternative: Legba, Legba Atibon, Atibon Legba, Ati-Gbon Legba.